Geoff Emberling

Lucas P. Petit

Museums and the Ancient Middle East is the first book to focus on contemporary exhibit practice in museums that present the ancient Middle East. Bringing together the latest thinking from a diverse and international group of leading curators, the book presents the views of those working in one particular community of practice: the art, archaeology, and history of the ancient Middle East. Drawing upon a remarkable group of case studies from many of the world’s leading museums, including the British Museum, the Louvre, the Metropolitan Museum of Art, the Ashmolean Museum, and the Vorderasiatisches Museum in Berlin, this volume describes the tangible actions curators have taken to present a previously unseen side of the Middle East region and its history. Highlighting overlaps and distinctions between the practices of national, art, and university museums around the globe, the contributors to the volume are also able to offer a unique insight into the types of challenges and opportunities facing the twenty-first century curator. Museums and the Ancient Middle East should be of interest to academics and students engaged in the study of museums and heritage, archaeology, the ancient Near East, Middle Eastern studies, and ancient history. The unique insights provided by curators active in the field ensure that the book should also be of great interest to museum practitioners around the globe.

Curatorial Practice and Audiences

Museums and the Ancient Middle East

Lucas Petit

Museums and the Ancient Middle East is the first book to focus on contemporary exhibit practice in museums that present the ancient Middle East. Bringing together the latest thinking from a diverse and international group of leading curators, the book presents the views of those working in one particular community of practice: the art, archaeology, and history of the ancient Middle East. Drawing upon a remarkable group of case studies from many of the world's leading museums, including the British Museum, the Louvre, the Metropolitan Museum of Art, the Ashmolean Museum, and the Vorderasiatisches Museum in Berlin, this volume describes the tangible actions curators have taken to present a previously unseen side of the Middle East region and its history. Highlighting overlaps and distinctions between the practices of national, art, and university museums around the globe, the contributors to the volume are also able to offer a unique insight into the types of challenges and opportunities facing the twenty-first century curator. Museums and the Ancient Middle East should be of interest to academics and students engaged in the study of museums and heritage, archaeology, the ancient Near East, Middle Eastern studies, and ancient history. The unique insights provided by curators active in the field ensure that the book should also be of great interest to museum practitioners around the globe.

Bruce Williams

The cultures of Nubia built the earliest cities, states, and empires of inner Africa, but they remain relatively poorly known outside their modern descendants and the community of archaeologists, historians, and art historians researching them. The earliest archaeological work in Nubia was motivated by the region's role as neighbor, trade partner, and enemy of ancient Egypt. Increasingly, however, ancient Nile-based Nubian cultures are recognized in their own right as the earliest complex societies in inner Africa. As agro-pastoral cultures, Nubian settlement, economy, political organization, and religious ideologies were often organized differently from those of the urban, bureaucratic, and predominantly agricultural states of Egypt and the ancient Near East. Nubian societies are thus of great interest in comparative study, and are also recognized for their broader impact on the histories of the eastern Mediterranean and the Near East. The Oxford Handbook of Ancient Nubia brings together chapters by an international group of scholars on a wide variety of topics that relate to the history and archaeology of the region. After important introductory chapters on the history of research in Nubia and on its climate and physical environment, the largest part of the volume focuses on the sequence of cultures that lead almost to the present day. Several cross-cutting themes are woven through these chapters, including essays on desert cultures and on Nubians in Egypt. Eleven final chapters synthesize subjects across all historical phases, including gender and the body, economy and trade, landscape archaeology, iron working, and stone quarrying.

The Oxford Handbook of Ancient Nubia

Baruch Brandl

Pirhiya Nahshoni

Eliezer D. Oren

Lorna Anguilano

Francesca Balossi Restelli

Salvatore Chilardi

Maria Carmela Gatto

Enrico Giannitrapani

Filippo Iannì

Sara T. Levi

Maria Clara Martinelli

Alessia Masi

Mitchell S. Rothman

Laura Sadori

Giovanni Siracusano

Paola Vertuani

Cristiano Vignola

John Ll. Williams

THIS ISSUE CONTAINS INVESTIGATING DOMESTIC ECONOMY AT THE BEGINNING OF THE LATE CHALCOLITHIC IN EASTERN ANATOLIA: THE CASE OF ARSLANTEPE PERIOD VIII Cristiano Vignola, Francesca Balossi Restelli, Alessia Masi, Laura Sadori, Giovanni Siracusano KURA ARAXES CULTURE AREAS AND THE LATE 4TH AND EARLY 3RD MILLENNIA BC POTTERY FROM VELI SEVIN’S SURVEYS IN MALATYA AND ELAZIg, TURKEY Mitchell S. Rothman CULTURAL ENTANGLEMENT AT THE DAWN OF THE EGYPTIAN HISTORY: A VIEW FROM THE NILE FIRST CATARACT REGION Maria Carmela Gatto PASTORAL STATES: TOWARD A COMPARATIVE ARCHAEOLOGY OF EARLY KUSH Geoff Emberling A CLAY DOOR-LOCK SEALING FROM THE MIDDLE BRONZE AGE III TEMPLE AT TEL HAROR, ISRAEL Baruch Brandl, Eliezer D. Oren, Pirhiya Nahshoni CASE BASTIONE: A PREHISTORIC SETTLEMENT IN THE EREI UPLANDS (CENTRAL SICILY) Enrico Giannitrapani, Filippo Iannì, Salvatore Chilardi, Lorna Anguilano OLD OR NEW WAVES IN CAPO GRAZIANO DECORATIVE STYLES? Sara T. Levi, Maria Clara Martinelli, Paola Vertuani, John Ll.Williams

Preistoria e protostoria delle civiltà antiche - Prehistory and protohistory of ancient civilizations

Origini - XXXVI

Geoff Emberling

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