Oscar Riera Ojeda

George Ranalli

Fabian Llonch

Josep Gómez Serrano

This catalogue focusses on the dynamic and ongoing construction of Gaudi's The Expiatory Church of the Holy Family (La Sagrada Familia). It documents the cathedral's evolution using handmade drawings, plaster models, digital imaging and 3D modeling and examines the geometries and formal languages that have informed generations of architects and builders

Gaudi's Unfinished Masterpiece Geometry, Construction and Site

Sagrada Familia

Peter Rowe

Camille Farey

"Although much of my work is architectural in character, I do not represent real spaces. Rather, my work has its origins in the spaces I have abandoned - the mood of Rome and the landscape of Texas - and the paintings are of spaces I know that look nothing like what I paint...They are essentially meditations on essences of architecture like enclosure, surface and light." * Born in Italy in 1943, Lauretta Vinciarelli passed away in New York in 2011. Trained as an architect in Rome but a watercolorist by vocation, her works reside in numerous private collections and among the holdings of prominent institutions, including the Museum of Modern Art in New York, the National Gallery in Washington D.C., and the San Francisco Museum of Modern Art. Noted for their luminous qualities of color and light, her depictions of imagined spaces open up a world of enclosed rooms, sweeping landscapes, watery materiality and atmospheric ephemerality. Describing her work, a noted theorist and critic once said, "They are not architecture exactly, but evidence that it exists." This book brings together paintings from 1981 onwards in the most complete collection of Vinciarelli's work to date. It also includes texts from knowledgeable commentators and for the first time presents sketch materials that provide an insight into Vinciarelli's working methodology. Vinciarelli's technique often operated at the very limits of her medium; sometimes even to the point of failure. In these paintings, color is used as a device for shaping space, with watercolor the chosen medium for its rich portrayal of light and the conceptual simplicity of the act of mixing paste with water.

The Architecture of Lauretta Vinciarelli

Clear Light

Michael Sorkin

In Situ Design sums up the theoretical position embodied in the work of New York architect George Ranalli. Over the past 32 years, George Ranalli has worked on projects in New York, other states in the U.S., and across the world that have involved large-scale urban design, houses in the landscape, additions, renovations of major landmark buildings and new constructions * George Ranalli is internationally celebrated and published for his work in historic settings, National Register Historic Landmark buildings and settings with rich design and craft traditions. In Situ is his operational strategy in the design of these new buildings and additions to these complexes, providing contemporary and creative structures that also blend in seamlessly with their historic environments * The projects have developed a rich craft and design vocabulary, which links this work to the origins and roots of the longer craft tradition in design and architecture.

George Ranelli, Works and Projects

In Situ

George Ranalli

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