Gerald Murnane

Fiction. Born in Melbourne, Austrailia, in 1939, Gerald Murnane recently retired as the senior lecturer in fiction writing at Deakin University with a reputation as one of the finest writers in his country. He is the author of seven highly praised books of fiction, most of which are still widely unknown and underappreciated by American readers. "The Plains is parable, fable, allegory, analogue, mythology, and vision. It is also subtly satirical and often ingeniously funny . . . Gerald Murnane is unquestionably one of the most original writers working in Australia today and THE PLAINS is a fascinating and rewarding book"--The Australian. Foreword by Andrew Zawacki, editor of VERSE magazine. The Plains was first published in Austrailia in 1982.

The Plains

Stories from a mind-bending Australian master, “a genius on the level of Beckett” (Teju Cole) Never before available to readers in this hemisphere, these stories—originally published from 1985 to 2012—offer an irresistible compendium of the work of one of contemporary fiction’s greatest magicians. While the Australian master Gerald Murnane’s reputation rests largely on his longer works of fiction, his short stories stand among the most brilliant and idiosyncratic uses of the form since Borges, Beckett, and Nabokov. Brutal, comic, obscene, and crystalline, Stream System runs from the haunting “Land Deal,” which imagines the colonization of Australia and the ultimate vengeance of its indigenous people as a series of nested dreams; to “Finger Web,” which tells a quietly terrifying, fractal tale of the scars of war and the roots of misogyny; to “The Interior of Gaaldine,” which finds its anxious protagonist stranded beyond the limits of fiction itself. No one else writes like Murnane, and there are few other authors alive still capable of changing how—and why—we read.

The Collected Short Fiction of Gerald Murnane

Stream System

Inland

Barley Patch is Gerald Murnane's first published book of fiction since 1995. It is a meditation on fiction and Murnane's own dedication to writing, and an examination of the relation between memory, image and lived experience. It is funny, self-deprecating, personal, as well as thoughtful and reflective, and enchanting in its clarity, detail and evocations of Australian life and landscape.

Barley Patch

Tamarisk Row

In Border Districts, a man moves from a capital city to a remote town in the border country, where he intends to spend the last years of his life. It is time, he thinks, to review the spoils of a lifetime of seeing, a lifetime of reading. Which sights, which people, which books, fictional characters, turns of phrase, and lines of verse will survive into the twilight? A dark-haired woman with a wistful expression? An ancestral house in the grasslands? The colors in translucent panes of glass, in marbles and goldfish and racing silks? Feeling an increasing urgency to put his mental landscape in order, the man sets to work cataloging this treasure, little knowing where his "report" will lead and what secrets will be brought to light.

A Fiction

Border Districts

This new work by Gerald Murnane is a fictionalised autobiography told in thirty sections, each of which begins with the memory of a book that has left an image on the writer's mind. The titles aren't given but the reader follows the clues, recalling in the process a parade of authors, the great, the popular, and the now-forgotten. The images themselves, with their scenes of marital discord, violence and madness, or their illuminated landscapes that point to the consolations of a world beyond fiction, give new intensity to Murnane's habitual concern with the anxieties and aspirations of the writing life, in the absence of religious belief. A History of Books is accompanied by three shorter pieces of fiction which play on these themes, featuring the writer at different ages, as a young boy, a teacher, and an old recluse.

A History of Books

This collection includes stories of a man who resolves to tell the truth about himself to an audience of women, and another man who searches in the hills around Melbourne for a landscape and a woman that no artist can paint

Landscape with Landscape

This collection of essays leads the reader into the curious and eccentric imagination of Gerald Murnane, one of the masters of contemporary Australian writing, author of the classic novel The Plains, and winner of the Patrick White Literary Award. Delicately argued, and finely written, they describe his dislocated youth in the suburbs of Melbourne and rural Victoria in the 1950s, his debt to writers as unlike as Adam Lindsay Gordon, Marcel Proust and Jack Kerouac, his obsession with racehorses and grasslands and the Hungarian language, and above all, his dedication to the worlds of significance that lie within, or just beyond, the familiar details of Australian life.

Essays

Invisible Yet Enduring Lilacs

Wayne Macauley

Plains

As Planícies

Final work by internationally acclaimed Australian author Gerald Murnane, reflecting on his career as a writer, and the fifteen books which have led critics to praise him as 'a genius on the level of Beckett'. A book which will appeal equally to Murnane's legion of fans, and to those new to his work, attracted by his reputation as a truly original Australian writer. In the first days of spring in his eighty-second year, Gerald Murnane began a project which would round off his career as a writer - he would read all of his books in turn and prepare a report on each. His original intention was to lodge the reports in two of his legendary archives, the Chronological Archive, which documents his life as a whole, and the Literary Archive, which is devoted to everything he has written. But as the reports grew, they themselves took on the form of a book, Last Letter to a Reader. The essays on each of his works travel through the capacious territory Murnane refers to as his mind: they dwell on the circumstances which gave rise to the writing, images, associations, reflections on the theory of fiction, and memories of a deeply personal kind. The final essay is on Last Letter to a Reader itself: it considers the elation and exhiliration which accompany the act of writing, and offers a moving ending to what must surely be his last work as death approaches. 'Help me, dear one, to endure patiently my going back to my own sort of heaven.'

Last Letter to a Reader

""The house of fiction, " wrote Henry James, "has . . . not one window, but a million." In this, his latest work, Gerald Murnane, one of Australia's most acclaimed contemporary authors, takes these words as his starting point, and asks: Who, exactly, are that house's residents, and what do they see from their respective rooms? His answer, A Million Windows, is a gorgeous (if unsettling) investigation into the glories and pitfalls of storytelling"--Amazon.com

A Million Windows

A Novel

A collection of eleven short stories by the author of TTamarisk Row' and other novels. Previously published in magazines such as TScripsi' and TMeanjin', these stories reflect a recently expressed view of Murnane's fiction: Tthere are worlds within worlds, and worlds within words'.

Velvet Waters

A Memoir of the Turf

Something for the Pain

Een cineast probeert het unieke karakter en de sfeer van de onafzienbare Australische vlakten in Queensland vast te leggen.

Gerald Murnane

Books

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