Gerard Carruthers

A Companion to Scottish Literature offers fresh readings of major authors and periods of Scottish literary production from the first millennium to the present. Bringing together contributions by many of the world’s leading experts in the field, this comprehensive resource provides the historical background of Scottish literature, highlights new critical approaches, and explores wider cultural and institutional contexts. Dealing with texts in the languages of Scots, English, and Gaelic, the Companion offers modern perspectives on the historical milieux, thematic contexts and canonical writers of Scottish literature. Original essays apply the most up-to-date critical and scholarly analyses to a uniquely wide range of topics, such as Gaelic literature, national and diasporic writing, children’s literature, Scottish drama and theatre, gender and sexuality, and women’s writing. Critical readings examine William Dunbar, Robert Burns, Walter Scott, Robert Louis Stevenson, Muriel Spark and Carol Ann Duffy, amongst others. With full references and guidance for further reading, as well as numerous links to online resources, A Companion to Scottish Literature is essential reading for advanced students and scholars of Scottish literature, as well as academic and non-academic readers with an interest in the subject.

A Companion to Scottish Literature

A beautiful Pocket Classics collection of stories by great Scottish writers past and present Scottish Stories is a treasury of great writing from an entrancingly literary land. Scotland is known for its centuries of colorful Celtic folklore and its long tradition of spine-tingling ghost stories, as well as for fiction that revels in the gorgeous landscapes of the Highlands and the Western Isles and the rich histories of Edinburgh and Glasgow. Featured here are stories from the past two centuries by famous Scottish writers ranging from Sir Walter Scott, Robert Louis Stevenson, and Sir Arthur Conan Doyle to Muriel Spark, Ali Smith, Irvine Welsh, and Leila Aboulela. Everyman's Library pursues the highest production standards, printing on acid-free cream-colored paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket.

Scottish Stories

Alastair Renfrew

David Goldie

Scotland and the 19th-Century World

Colin Kidd

Literature and Union opens up a new front in interdisciplinary literary studies. There has been a great deal of academic work—both in the Scottish context and more broadly—on the relationship between literature and nationhood, yet almost none on the relationship between literature and unions. This volume introduces the insights of the new British history into mainstream Scottish literary scholarship. The contributors, who are from all shades of the political spectrum, will interrogate from various angles the assumption of a binary opposition between organic Scottish values and those supposedly imposed by an overbearing imperial England. Viewing Scottish literature as a clash between Scottish and English identities loses sight of the internal Scottish political and religious divisions, which, far more than issues of nationhood and union, were the primary sources of conflict in Scottish culture for most of the period of Union, until at least the early twentieth century. The aim of the volume is to reconstruct the story of Scottish literature along lines which are more historically persuasive than those of the prevailing grand narratives in the field. The chapters fall into three groups: (1) those which highlight canonical moments in Scottish literary Unionism—John Bull, 'Rule, Britannia', Humphry Clinker, Ivanhoe and England, their England; (2) those which investigate key themes and problems, including the Unions of 1603 and 1707, Scottish Augustanism, the Burns Cult, Whig-Presbyterian and sentimental Jacobite literatures; and (3) comparative pieces on European and Anglo-Irish phenomena.

Scottish Texts, British Contexts

Literature and Union

Ian Brown

Explores the many versions of Burns and his work on many stages Examination of representation of Robert Burns and his work in a wide range of performance modes Analysis of 'Robert Burns' as a cultural performance rising from different representations of his work by different editors, composers, writers, performers and film-makers Fresh detailed studies of Burns as a performed and performative construct, exploring ways in which he is encountered as a living author Contributions by leading experts in music, drama, film and history as well as literature Perspectives on Burns songs offered by musical experts and leading performers This book is unashamedly aimed at a wider market than the ordinary academic volume, as it seeks to extend the impact of the research it contains, making it available to the worldwide community of Burns enthusiasts, without compromising on scholarship. Contributors have been selected not only for their academic rigour and reputation, but also because of their ability to handle their material with elegance and accessibility for the general reader. They offer fresh insights for both academic and general readers, not least through the volume's interdisciplinary approaches, including a contribution from the great interpreter of Burns's songs, Sheena Wellington. A key part of this volume's attraction lies in the way it opens up fresh issues and aspects of performance and performativity and their impact on our perception of Robert Burns and his work.

Enactments and Representations of the 'National Bard'

Performing Robert Burns

Spanning from the Middle Ages to the present day, an anthology of Scottish poetry includes works in three languages--English, Scots, and Gaelic--by such notables as Robert Burns, Sir Walter Scott, Robert Louis Stevenson, Hugh MacDiarmid, Muriel Spark, and other lesser known authors, all organized by theme.

Scottish Poems

Liam McIlvanney

A unique introduction, guide and reference work for students and readers of Scottish literature from the pre-medieval period.

The Cambridge Companion to Scottish Literature

Scottish creative writing in the twentieth century was notable for its willingness to explore and absorb the literatures of other times and other nations. From the engagement with Russian literature of Hugh MacDiarmid and Edwin Morgan, through to the interplay with continental literary theory, Scottish writers have proved active participants in a diverse international literary practice. Scottish criticism has, arguably, often been slow in appreciating the full extent of this exchange. Preoccupied with marking out its territory, with identifying an independent and distinctive tradition, Scottish criticism has occasionally blinded itself to the diversity and range of its writers. In stressing the importance of cultural independence, it has tended to overlook the many virtues of interdependence. The essays in this book aim to offer a corrective view. They celebrate the achievement of Scottish writing in the twentieth century by offering a wider basis for appreciation than a narrow idea of 'Scottishness'. Each essay explores an aspect of Scottish writing in an individual foreign perspective; together they provide an enriching account of a national literary practice that has deep, and often surprisingly complex, roots in international culture.

New Contexts for Twentieth-century Scottish Literature

Beyond Scotland

David Morley

Tim Fulford

Scott McEathron

Pauline McKay

The official Journal of the John Clare Society, published annually to reflect the interest in, and approaches to, the life and work of the poet John Clare.

Gerard Carruthers

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