Gestur Guðmundsson

Kristín Erla Harðardóttir

Ellen Dröfn Gunnarsdottir

Social Inclusion of Youth in Iceland

Nabo

Ellen Dröfn Gunnarsdóttir

Nabo is a project launched under the Swedish presidency in the Nordic Council of Ministers 2018. The project is run by the Swedish Agency for Youth and Civil Society over the period 2018-2020 and seeks to make the youth perspective visible through the words of Nordic youth. Young people’s voices will be heard in questions regarding their lives. And based on that knowledge they will be given the opportunity to participate and influence political decisions. Young people are asked to describe their everyday lives and how they perceive their opportunities and obstacles. From their stories Nabo builds a framework of success factors for social inclusion in the Nordic region. This study is based on six focus group interviews with youth in different places in Iceland. In this report you find the result from the Icelandic study. Similar studies are carried out in the other Nordic countries and in the Faroe Islands, Greenland and Åland.

NABO – social inclusion of youth in Iceland

Ulf Lindberg

Morten Michelsen

Hans Weisethaunet

Rock Criticism from the Beginning is a wide-ranging exploration of the rise and development of rock criticism in Britain and the United States from the 1960s to the present. It chronicles the evolution of a new form of journalism, and the course by which writing on rock was transformed into a respected field of cultural production. The authors explore the establishment of magazines from Crawdaddy! and Rolling Stone to The Source, and from Melody Maker and New Musical Express to The Wire, while investigating the careers of well-known music critics like Robert Christgau, Greil Marcus, and Lester Bangs in the U.S., and Nik Cohn, Paul Morley, and Jon Savage in the U.K., to name just a few. While much has been written on the history of rock, this Bourdieu-inspired book is the first to offer a look at the coming of age of rock journalism, and the critics that opened up a whole new kind of discourse on popular music.

Amusers, Bruisers, and Cool-headed Cruisers

Rock Criticism from the Beginning

Gestur Guðmundsson

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