Giovanni Matteucci

Stefano Marino

Philosophical Perspectives on Fashion places philosophical approaches at the heart of contemporary fashion studies. Considering the mutual relationships between aesthetics, modern society and culture, fashion and the fine arts, and the way these relationships have influenced and shaped our views on identity and taste, this ground-breaking book also explores the various intellectual and cultural movements that inform how people dress. In the context of the most recent debates, the leading fashion and philosophy scholars contributing to this volume refer to and apply theories posed by key thinkers of the modern and contemporary age, from Darwin and Wittgenstein to Husserl and Goodman, in order to answer questions such as: What is the essence of fashion and the reasons behind its fascination? What is 'anti-fashion'? What or who do we imitate when we 'follow' fashion? What is fashion criticism and what should it be? Anyone studying or interested in fashion, philosophy or art will find this book a rich source of ideas, insight and information. Philosophical Perspectives on Fashion is a valuable contribution to contemporary fashion theory and aesthetics, one that revitalizes the way we look at the form, purpose and meaning of fashion and aesthetic experience.

Philosophical Perspectives on Fashion

Cassirer, Gehlen e la configurazione del sensibile

Il sapere estetico come prassi antropologica

Giampiero Bosoni

Rita Messori

Francesca Zanella

Elisabetta Di Stefano

Gioia Laura Iannilli

Raffaella Trocchianesi

This open access book gathers the contributions from the Design! OPEN International Conference, held in Parma, Italy in May 2022. The conference explored the multidisciplinary aspects of design starting from its dimensions: objects (design as focused on the object, on its functional and symbolic dimension, and at the same time on the object as a tool for representing cultures), processes (the designer’s self-reflective moment which is focused on the analysis and on the definition of processes in various contexts, spanning innovation, social engagement, reflection on emergencies or forecasting), experiences (design as a theoretical and practical strategy aimed at facilitating experiential interactions among people, people and objects or environments), and narratives (making history, representing through different media, archiving, narrating, and exhibiting design). The contributions, which were selected by means of a rigorous international peer-review process, highlight numerous exciting ideas that will spur novel research directions and foster multidisciplinary collaboration among different specialists.

Objects, Processes, Experiences and Narratives

Multidisciplinary Aspects of Design

Estetica e natura umana. La mente estesa tra percezione, emozione ed espressione

Giovanni Matteucci

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