Glenda Norquay

Katharine Cockin

Sowon S. Park

First published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.

Women's Suffrage Literature: The fiction of Gertrude Colmore

A selection of literary texts from the early 20th century--drawing on novels, short stories, poetry, and autobiography--related to the women's campaign for the vote in Britain. The anthology includes not only the major figures in the campaign, but also the rank-and-file, as well as those who opposed women's suffrage, or simply observed the action. The introduction examines the sexual and textual politics of the writing. Distributed by St. Martin's Press. Annotation copyright by Book News, Inc., Portland, OR

A Literary Anthology of the Women's Suffrage Campaign

Voices and Votes

Recognises the richness of women's contribution to Scottish literature. By combining historical spread with a thematic structure, this volume explores the ways in which gender has shaped literary output and addresses the changing situations in which women lived and wrote. It places the work of established writers such as Margaret Oliphant, Naomi Mitchison and A.L. Kennedy in new contexts and discusses the writing of critically neglected figures such as Sileas na Ceapaich, Mary Queen of Scots, Anne Grant, Janet Hamilton, Isabella Bird, F. Marion McNeill and Denise Mina. There are chapters on women in Gaelic culture, women's relationship to oral traditions and to key literary periods, women's engagements with nationalism, with space, with genre fiction and with the activity of reading.

Edinburgh Companion to Scottish Women's Writing

By combining historical spread with a thematic structure, this volume explores the ways in which gender has shaped literary output and addresses the changing situations in which Scottish women lived and wrote.

'Robert Louis Stevenson, Literary Networks and Transatlantic Publishing in the 1890s' investigates Stevenson and the geographies of his literary networks during the last years of his life and after his death. It profiles a series of figures who worked with Stevenson, negotiated his publications on both sides of the Atlantic, wrote for him or were inspired by him. Using archival material, correspondence, fiction and biographies it moves across these literary networks. It deploys the concept of 'literary prosthetics' to frame its analysis of gatekeepers, tastemakers, agents, collaborators and authorial surrogates in the transatlantic production of Stevenson's writing. Case studies of understudied individuals and broader consideration of the networks they represent, contributes to the knowledge of transatlantic publishing in the 1890s, understanding of transatlantic culture, Stevenson studies, current interest in the workings of literary communities and in nineteenth-century mobility.

The Author Incorporated

Robert Louis Stevenson, Literary Networks and Transatlantic Publishing in The 1890s

A collection of women's suffrage literature, containing 6 significant novels, a wide range of drama, and representative short stories.

Women's Suffrage Literature: The politics of (non) romance

Glenda Norquay presents fresh interpretations of Stevenson's literary essays, of major works including The Master of Ballantrae, and some of his more neglected fiction such as St Ives and The Wrecker, as well as illuminating our understanding of his role within debates over popular fiction, romance and reading pleasure. She offers an unusual combination of literary history and reception theory and argues that Stevenson both exemplified tensions within the literary market of his time and anticipated later developments in reading theory. By combining the study of nineteenth-century cultural politics with detailed analysis of his Scottish Calvinism, Stevenson is reassessed as both a Victorian and Scottish writer.

Glenda Norquay

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