Ted Chiang

Gopal Balakrishnan

Ray Brassier

Jayce Clayton

In summer 2013 Triple Canopy invited writers, artists, scientists, activists, economists and technologists to bet on the future: which future do you want to see realized? How precisely can you describe it? What demands might this future make on the present? The answers were presented as "Speculations ("The future is ______")," 50 days of lectures and discussions at MoMA PS1, Triple Canopy's contribution to the exhibition "EXPO 1: New York." This book, a lexicon of the central terms of "Speculations," conveys the relationship between ideation and action and suggests viable approaches to interpreting and changing the world. Triple Canopy considers economic interventions ("guaranteed basic income"), political abstractions ("autonomy," "prometheanism"), figments of the imagination ("planetary colonization"), modes of expression ("science fiction") and useful neologisms ("hedge-fund utilitarians").

The Future Is

Speculations

[capital and power in an age of war]

Antagonistics

Carl Schmitt

Résumé: This is a comprehensive reconstruction and analysis of all of Schmitt's major works. It reveals the complex ways in which his ideas took shape in the intertwining timelines of civil and world wars.

An Intellectual Portrait of Carl Schmitt

The Enemy

In nearly two decades since Samuel P. Huntington proposed his influential and troubling ‘clash of civilizations’ thesis, nationalism has only continued to puzzle and frustrate commentators, policy analysts and political theorists. No consensus exists concerning its identity, genesis or future. Are we reverting to the petty nationalisms of the nineteenth century or evolving into a globalized, supranational world? Has the nation-state outlived its usefulness and exhausted its progressive and emancipatory role? Opening with powerful statements by Lord Acton and Otto Bauer – the classic liberal and socialist positions, respectively – Mapping the Nation presents a wealth of thought on this issue: the debate between Ernest Gellner and Miroslav Hroch; Gopal Balakrishnan’s critique of Benedict Anderson’s seminal Imagined Communities; Partha Chatterjee on the limitations of the Enlightenment approach to nationhood; and contributions from Michael Mann, Eric Hobsbawm, Tom Nairn, and Jürgen Habermas.

Mapping the Nation

The writings of Carl Schmitt form what is arguably the most disconcerting, original, and yet still unfamiliar body of twentieth-century political thought. In the English-speaking world, he is terra incognita, a name associated with Nazism, the author of a largely un-translated oeuvre forming no recognizable system, coming to us from a disturbing place and time in the form of fragments. The Enemy is a comprehensive reconstruction and analysis of all of Schmitt's major works - his books, articles and pamphlets from 1919 to 1950 - presented in an arresting narrative form. The revelation of his work is that, unlike mainstream Nazi ideology, Schmitt makes a strong philosophical claim for the necessity of confrontational politics within a democratic system; a claim that has resonance in today's hegemony of consensual politics.

The writings of Carl Schmitt form what is arguably the most disconcerting, original, and yet still unfamiliar body of twentieth-century political thought. In the English-speaking world, he is terra incognita, a name associated with Nazism, the author of a largely untranslated oeuvre forming no recognizable system, coming to us from a disturbing place and time in the form of fragments. The Enemy is a comprehensive reconstruction and analysis of all of Schmitt's major works-his books, articles and pamphlets from 1919 to 1950-presented in an arresting narrative form. The revelation of his work is that, unlike mainstream Nazi ideology, Schmitt makes a strong philosophical claim for the necessity of confrontational politics within a democratic system; a claim that has resonance in today's hegemony of consensual politics.

Stanley Aronowitz

This text draws together the debate surrounding Hardt and Negri's "Empire".

Gopal Balakrishnan

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