Neil Rhodes

Gordon Kendal

Louise Wilson

This volume is the first attempt to establish a body of work representing English thinking about the practice of translation in the early modern period. The texts assembled cover the long sixteenth century from the age of Caxton to the reign of James 1 and are divided into three sections: 'Translating the Word of God', 'Literary Translation' and 'Translation in the Academy'. They are accompanied by a substantial introduction, explanatory and textual notes, and a glossary and bibliography. Neil Rhodes is Professor of English Literature and Cultural History at the University of St Andrews and Visiting Professor at the University of Granada. Gordon Kendal is an Honorary Research Fellow in the School of English, University of St Andrews. Louise Wilson is a Leverhulme Early Career Fellow in the School of English, University of St Andrews.

English Renaissance Translation Theory

Virgil

Gawin Douglas

The 13th book of the Aeneid is by Maffeo Vegio.

The Aeneid (1513)

Alex Davis

Although not translated into English until 1549, Erasmus's most famous work, the Praise of Folly, has an English provenance as the product of his friendship with Thomas More. The text of the original translation, by Thomas Chaloner, appears here for the first time in a fully annotated, modernised edition. It is presented alongside a selection from the English Paraphrases, a central text of the Edwardian Reformation; translations of two pacifist works, the Bellum Erasmiand The Complaint of Peace, the second of which is constructed as an oration, like Praise of Folly; and the essay on the adage Sileni Alcibiadis.

Erasmus in English, 1523–1584: Volume 2, The Praise of Folly and Other Writings

p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 16.0px Times; color: #ffffff} For George Chapman (1559-1634) his translation of Homer was ‘the work that I was born to do’. The publication of his Iliad and Odyssey together in 1616 was a landmark in English literature, but until now there has been no edition which modernises his spelling and punctuation and also provides detailed help in grasping his often obscure language, and in understanding how and why he translated Homer in the particular way he did. This edition of the Odyssey, a companion to Robert Miola’s edition of the Iliad, aims to bring Chapman’s rendering alive for the modern reader. Its literary, philosophical, and religious context is explained in an Introduction and in footnotes, and side- and end-glosses clarify Chapman’s English. His Odyssey is not only a stylistic masterpiece of seventeenth-century English: it constitutes a profound and moving interpretation – still relevant after four hundred years – of Homer’s story of the suffering and grace implicit in the human condition. Through its teeming diversity of events, settings, and characters Homer and his first English translator explore the question of what it means to be human in a complex and threatening world.

George Chapman: Homer's 'Odyssey'

Het epos van de Latijnse schrijver (70-19 v. Chr.) over de stamvader van het Romeinse volk.

Gordon Kendal

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