Gregory Irvine

A comprehensive guide to some 180 important public collections of Japanese art in the UK, this work provides an introduction outlining when, how, and by whom Japanese art has been collected.

A Guide to Japanese Art Collections in the UK

Drawing on the V&A's magnificent collection, this illustrated survey examines the development of the Japanese sword in an historical and social context from the 8th to the 12th century. The development of the sword from its origins as one of the world's most effective cutting weapons in seen in the context of the emergence and development of Japan's ruling military class, the samurai, to whom it was indispensable both as a weapon and symbol of power. The book also deals with the techniques used in the making of the sword and the associated terminology. In addition to weapons from the V&A's own collections, illustrations include comparative materials from Japan's Tokyo National Museum, as well as prints showing graphic depictions of swords in action.

The Soul of the Samurai

The Japanese Sword

Drawing on the Victoria and Albert Museum's magnificent collection, one of the finest in the West, this illustrated survey examines the development of the Japanese sword in an historical and social context from the eighth to the twentieth century. The development of the sword from its origins as one of the world's most effective cutting weapons is seen in the context of the emergence and development of Japan's ruling military class, the samurai, to whom it was indispensable both as a weapon and symbol of power. The book also deals concisely with the techniques used in the making of the Japanese sword and the associated terminology. In addition to weapons from the V&A's own collections and unusual prints showing graphic depictions of swords in action, illustrations include comparative material from other museums such as Japan's Tokyo National Museum which has one of the best and most well documented collections of Japanese swords in the world.

Axel Rüger

John House

Tayfun Belgin

Kris Schiermeier

From the 1860s through to the early 20th century the rise of Japonisme and the Art Nouveau movement meant that few could ignore or resist the obsession with all things Japanese. Superbly crafted and often highly decorated Japanese objects lacquer, metalwork, ceramics, enamels and other decorative items excited, stimulated and inspired Western artists and craftsmen to produce their own works. Arts of the Meiji period (18681912) were displayed at international exhibitions, galleries of influential dealers and at fashionable stores in London, Paris and Vienna. This book includes many examples of the superlatively designed and executed decorative arts of the Meiji periods from the Khalili Collection, the greatest collection of Meiji period art in the world. Artists such as Van Gogh, Whistler, Monet, Manet, Klimt and Schiele were all, to varying degrees, influenced by the arts of Japan. Van Gogh said that he owed his inspiration to Japanese art, but even he was probably not aware of just how much art in Europe had already been greatly influenced by that of Japan.

Gregory Irvine

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