Charles Perrault

Gustave Dore

Here are the original eight stories from the 1697 volume Contes de temps passé by the great Charles Perrault (1628–1703) in a translation that retains the charming and unsentimental simplicity that has won Perrault a permanent position in French literature. These were among the earliest versions of some of our most familiar fairy tales ("Cinderella," "Sleeping Beauty," "Little Red Riding Hood," "Puss in Boots," and "Tom Thumb") and are still among the few classic re-tellings of these perennial stories. In addition to the five well-known tales listed above, Perrault tells three others that are sure to delight any child or adult: "The Fairies," a short and very simple tale of two sisters, one sweet and one spiteful; "Ricky of the Tuft," a very unusual story of a brilliant but ugly prince and a beautiful but stupid princess; and "Blue Beard," a suspense story perhaps more famous as a classic thriller than as a fairy tale. The witty verse morals that Perrault included in the original edition (often omitted in later reprintings) are retained here in verse translations. This edition also includes 34 extraordinary full-page engravings by Gustave Doré that show clearly why this artist became the foremost illustrator of his time. These illustrations have long been considered the ideal accompaniment to Perrault's fairy tales. In many cases they created the pictorial image that we associate with the stories. Along with the collections of Andersen, Lang, and the Brothers Grimm, this volume is among the great books of European fairy tales. These stories have been enjoyed by generation after generation of children in many countries, and are here, with magnificent Doré illustrations, waiting to be enjoyed again.

Perrault's Fairy Tales

Dante Alighieri

Henry Wadsworth Longfellow

Peter Bondanella

Julia Conaway Bondanella

Dante Alighieri ; translated by Henry Wadsworth Longfellow ; with an introduction and notes by Peter Bondanella and Julia Conaway Bondanella ; illustrations by Gustave Doré.

The Purgatorio

Douglas Neff

Most English translations of INFERNO are full of colorful, but meaningless language based on today's modern standards. Some translations are so elaborate that they are as difficult to read as the original Italian version. This translation uses the Longfellow translation as a base, but replaces the obscure or antiquated verbiage with the language of Modern English. This translation could easily be read and understood by today's reader. Adding the illustrations by Gustave Dore brings this classic work to life.

Modern English Version

Dante's Inferno (Illustrated by Dore)

Henry Francis Cary

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Dante's Inferno

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Gustave Doré

Magnificent compilation of all 100 original plates from Michaud's classic History of the Crusades. Includes The War Cry of the Crusaders, The Massacre of Antioch, The Road to Jerusalem, The Baptism of Infidels, The Battle of Lepanto, and many more. Powerful, striking royalty-free illustrations. Captions.

Doré's Illustrations of the Crusades

Peter G. Stocker

MR Peter G Stocker B Ed

George A. Stocker

Daisy A. Stocker

This resource is the teacher guide for The Rime of the Ancient Mariner Complete Student Guide for Learning the Classic Poem. This teacher guide includes: complete answers to the the student resource, teaching tips and directions, and additional resources.

A Complete Teacher Guide to the Classic Poem

Rime of the Ancient Mariner

Theophile Gautier

Le Capitaine Fracasse...

Peter Anthony Motteux

Francois Rabelais

Francois Rabelais (1494-1553) was a major French Renaissance writer, doctor and humanist. He is regarded as an avant-garde writer of fantasy, satire, the grotesque, dirty jokes and bawdy songs. As a doctor, he used his spare time to write and publish humourous pamphlets which were critical of established authority and stressed his own perception of individual liberty. His revolutionary works, although satirical, revealed an astute observer of the social and political events unfolding during the first half of the sixteenth century. Using the pseudonym Alcofribas Nasier, he published his first book, Pantagruel, that would be the start of his Gargantua series. Gargantua and Pantagruel tells the story of two giants - a father, Gargantua, and his son, Pantagruel - and their adventures, written in an amusing, extravagant, and satirical vein. His use of his native tongue was astoundingly original, lively, and creative. He introduced dozens of Greek, Latin, and Italian loan-words and direct translations of Greek and Latin compound words and idioms into French. He has influenced many modern writers and scholars. Aleister Crowley's writings heavily borrow from Rabelais themes.

Gargantua and Pantagruel, Book

Dore's sympathy to Cervantes' satire was so complete that, of numerous interpretations by many artists, his has become standard. Here are 190 wood-engraved plates, 120 full-page: charging the windmill, traversing Spanish plains, valleys, mountains, ghostly visions of dragons, knights, flaming lake. Marvelous detail, minutiae, accurate costumes, architecture, enchantment, pathos, and humor.

Gustave Dore

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