Hamish Fulton

Harry M. Callahan

Lewis Baltz

Eliot Porter

William Garnett

Paul Caponigro

Art Sinsabaugh

George A. Tice

Brett Weston

Landscape, Theory

Ansel Adams

John Paul Schaefer

Andrea Gray Stillman

Gathers previously unpublished color photographs of the Grand Canyon, Monument Valley, El Capitan, Yosemite National Park, Mount McKinley, Mono Lake, Death Valley, and White Sands National Monument

Ansel Adams in Color

Ricker Winsor

Robert Tow

Harry Callahan, Color, 1941-1980

Barbaralee Diamonstein-Spielvogel

"This book is a valuable record of conversations with fifteen celebrated and distinguished photographers representing the spectrum of "schools", movements, and styles currently in the medium. The interviews establish a vivid and intimate portrait of each subject, focusing on the history of the artist's career, the relationship between his vocational photography, and his personal imagery, the genesis of particular works, and specific technical processes, and are invaluable to an understanding of American photography today."--Page 4 de la couverture.

Visions and Images, American Photographers on Photography

Sarah Greenough

A compilation of Harry Callahan's photographs throughout hs career ranges from 1912 to 1999 and reveals how he used double exposures, color, extreme contrast, and wide-angle photography to creat lyrical, highly personal images. Original. 10,000 first printing.

Harry Callahan

Philadelphia Museum of Art

Katherine Ware

Essay by Katherine Ware. Foreword by Anne d'Harnoncourt.

Photographs by Harry Callahan

Elemental Landscapes

Jonathan Williams

Chinas technology wants to kill me shortly after this goes to print to then argue in the physical that you have no consequences, even after this information gets out.You are not that important. You are a unwise warm hole despite having a male's wisdom of the mind and body programmed onto you by China ́s Technology. China's Technology admits that you know this.

Fundación "La Caixa" (Madrid, Spain)

Keith F. Davis

Carlos Gollonet

Julian Cox

Emmet Gowin

Eleanor Callahan

Harry Callahan (1912-1999) was one of American photography's great innovators. During a career that spanned six decades, Callahan pursued an individual and experimental approach and investigated a wide range of themes, techniques, and materials. Yet he cherished no photographs more than the images of his wife, Eleanor, which form an intimate visual diary of a lifestyle and a relationship. This is the definitive publication of Callahan's photographs of Eleanor. For almost two decades from the early 1940s to the early 1960s, Callahan photographed his wife in countless ways; nude and clothed, indoors and outdoors, in public parks and city streets, at the beach, in a tent, in the woods, among sand dunes, and in the privacy of the family home. Reproducing many previously unpublished images, Harry Callahan: Eleanor offers an in-depth presentation of a single subject over many years, providing a new understanding of Eleanor as a subject and Callahan's lifelong exploration of the creative potential of photography.

Eleanor

Art Institute of Chicago

Britt Salvesen

University of Arizona. Center for Creative Photography

A revelatory new study of the twentieth-century master Harry Callahan, offering insights into his often experimental process and his contribution to the history of photography

The Photographer at Work

Gathers nudes, portraits, abstracts, and collages that feature the artist's wife and offers a brief profile of his career

Harry M. Callahan

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