Hassan Blasim

Ra Page

Noor Hemani

Iraq + 100 poses a question to contemporary Iraqi writers: what might your home city look like in the year 2103 - exactly 100 years after the disastrous American and British-led invasion of Iraq? How might that war reach across a century of repair and rebirth, and affect the state of the country - its politics, its religion, its language, its culture - and how might Iraq have finally escaped its chaos, and found its own peace, a hundred years down the line? As well as being an exercise in escaping the politics of the present, this anthology is also an opportunity for a hotbed of contemporary Arabic writers to offer its own spin on science fiction and fantasy.

Stories from a Century After the Invasion

Iraq + 100

Jonathan Wright

From hostage-video makers in Baghdad to human trafficking in the forests of Serbia, institutionalised paranoia in the Saddam years to the nightmares of an exile trying to embrace a new life in Amsterdam ... Blasim's stories present an uncompromising view of the West's relationship with Iraq, spanning over twenty years and taking in everything from the Iran-Iraq War through to the Occupation, as well as offering a haunting critique of the post-war refugee experience. Blending allegory with historical realism, and subverting readers' expectations in an unflinching comedy of the macabre, these stories manage to be both phantasmagoric and shockingly real, light in touch yet steeped in personal nightmare. For all their despair and darkness, though, what lingers more than the haunting images of war, or the insanity of those who would benefit from it, is the spirit of defiance, the indefatigable courage of those few characters keeping faith with what remains of human intelligence.

The Madman of Freedom Square

Allah99

Allah 99

Qanun sululand. Ediz. araba

God 99

Nozbait esana du Hassan Blasimek irakiar bakoitzak beldurrezko bost istorio dituela gutxienez kontatzeko. Agian horregatik dago liburu hau kontalariz betea, modu konpultsiboan beren istorioak azaltzen dizkiotenak tabernako ezezagunari, psikiatrari, treneko ausazko bidaideari, irratiko mikrofonoari, datu bila dabilen ikertzaileari, adiskide eta senide presente edo absenteari. Liburu hau osatzen duten hamahiru ipuinetan Kafka paseatzen da, bideokamera bat hartuta, gerrek eta indarkeriak inarrositako Mila gau eta bat gehiago-ko lurraldetik.

Kristo irakiarra

Il matto di piazza della Libertà

The first major literary work about the Iraq War from an Iraqi perspective, the Corpse Exhibition shows us the war as we have never seen it before. Here is a world not only of soldiers and assassins, hostages and car bombers, refugees and terrorists

The Corpse Exhibition and Other Stories of Iraq

Nedim Gursel

Joumana Haddad

Ghamal al-Ghitani

Fadwa Al-Qasem

Ala Hlehel

Yousef al-Mohaimeed

Elias Farkouh

Nabil Sulayman

Yitzkah Laor

‘Madinah’ – the Arabic word for ‘city’ – may conjure labyrinthine streets and the hustle and bustle of the souq in Westerners’ minds, but for the inhabitants of the Middle East it is a much more mercurial thing, and one that’s changing today faster than ever. Here – in ten urban stories set across the region – the city reveals itself through a vibrant array of characters: from the celebrated author collecting an award in the city that exiled him decades before, to the forlorn lover waiting at a rendezvous as government officials raid nearby shops, confiscating ‘wanton’ Valentine’s Day roses. Whilst engineers race to complete another ‘world’s tallest building’ in Dubai, and American helicopters patrol the Martyrs Bridge in Baghdad, we realise it is the people, and not the landmarks, that define these places; like the language student in Beirut who tries to make a joke of being ‘war-broken’ to her friends, or the Israeli General who invites guests to his office to watch promo videos for the tank that will ‘win the next war’ whilst eating biscuits and reciting poetry. For all we think we know of the conflict and exoticism of the region, nothing opens more doors to what we don’t than its writing. Here, ten short stories by new and established writers have been selected and translated in English for the first time, to open just such a door… "Isolation, homesickness and sex are themes to be expected in literature about cities. It is human for isolated people to experience places intensely and for the displaced to miss home..." - The Times, 22 Nov 08. "The desert cities bloom with unsustainable desire..." - The Independent, 28 Nov 08. 'a sampler of the vibrant writing coming out of the Middle East...' - The Saudi Gazette, 5 Jan.

City Stories from the Middle East

Madinah

A groundbreaking anthology of science fiction from Iraq that will challenge your perception of what it means to be “The Other” “History is a hostage, but it will bite through the gag you tie around its mouth, bite through and still be heard.”—Operation Daniel In a calm and serene world, one has the luxury of imagining what the future might look like. Now try to imagine that future when your way of life has been devastated by forces beyond your control. Iraq + 100 poses a question to Iraqi writers (those who still live in that nation, and those who have joined the worldwide diaspora): What might your home country look like in the year 2103, a century after a disastrous foreign invasion? Using science fiction, allegory, and magical realism to challenge the perception of what it means to be “The Other”, this groundbreaking anthology edited by Hassan Blasim contains stories that are heartbreakingly surreal, and yet utterly recognizable to the human experience. Though born out of exhaustion, fear, and despair, these stories are also fueled by themes of love, family, and endurance, and woven through with a delicate thread of hope for the future.

The First Anthology of Science Fiction to Have Emerged from Iraq

Rashid Razaq

Based on the short story by Hassan Blasim. Salim, an Iraqi refugee, takes on a new identity In London after fleeing persecution in Baghdad. He is picked up, and marries a wealthy older woman, who enthusiastically coaches him in the bedroom for his forthcoming citizenship test. But Carlos Fuentes finds that knowing the names of all six of Henry VIII’s wives can neither satisfy his new wife nor turn him into a “Britishman”. The nightmare of the violence of his past catches up with him, and suddenly he is at the airport, accompanied by a G4 security guard, waiting for a plane to take him back to Iraq.

The Nightmares of Carlos Fuentes

Hassan Buma har flytt till Finland från krigets Irak. Han är före detta veterinär, men i ett virrvarr av uteliv, alkohol och sex försöker han nu finna sig till rätta i sitt nya hemland och etablera sig som författare. Med projektbidrag från finska staten startar han en blogg och börjar intervjua migranter och flyktingar som liksom han själv fått sina liv märkta av krig, förföljelser och fattigdom – öden som speglar det som i Europa kallas flyktingkrisen. Genom dem tecknas samtidigt historien om Hassan Bumas eget liv. Allt inramat av de e-postmeddelanden han regelbundet får från en översättare av den rumänske filosofen Cioran, med reflektioner över konst, litteratur och politik. GUD 99 är den prisade irakisk-finske författaren Hassan Blasims första roman; detta mäktiga flöde av berättelser rör sig mellan det vardagliga och det fantastiska, mellan svart vrede och makaber humor i sitt utforskande av exilens villkor i en gränslöst dåraktig värld.

GUD 99

Gianfranco Bettin

Jacob Ross

Kim Thúy

Payam Nasser

Lina Meruane

Gioconda Belli

Bina Shah

Fiston Mwanza Mujila

Paige Cooper

Najwa Bin Shatwan

Talal Abu Shawish

Ahmel Echevarría Peré

Fariba Nawa

Carol Zardetto

Gabriel Ángel

Ahmet Haluk Ünal

Hüseyin Karabey

Wilfredo Mármol Amaya

Lidudumalingani

After four years of Trump, America seems set to return to political normality. But for much of the rest of the world, that normality is a horror story: 75 years of US-led invasions, CIA-sponsored coups, election interference, stay-behind networks, rendition, and weapons testing... all in the name of Pax America, the world’s police. If you are not an ally of the US, in this ‘normality’, your country can find its democratic processes undermined and its economic wellbeing conditioned upon returning to the fold. If you’re not strategically important to the US, you can find yourself its dumping ground. This new anthology re-examines this history with stories that explore the human cost of these interventions on foreign soil, by writers from that soil. From nuclear testing in the Pacific, to human testing of CIA torture tactics, from coups in Latin America, to all-out invasions in the Middle and Far East; the atrocities that follow are often dismissed in history books as inevitable in the ‘fog of war’. By presenting them from indigenous, grassroots perspectives, accompanied by afterwords by the historians that consulted on them, this book attempts to bring some clarity back to that history. Stories are accompanied by afterwords written by historians, providing historical context. Afterwords by: Olmo Golz, Emmanuel Gerard, Felix Julio Alfonso Lopez, David Harper, Ertugrul Kurkcu, Francisco Dominguez, Maurizio Dianese, Julio Barrios Zardetto, Brian Meeks, Victor Figueroa Clark, Raymond Bonner, Daniel Kovalik, Meral Cicek, Ian Shaw, Matteo Capasso, Neil Faulkner, Xuan Phuong, Iyad S. S. Abujaber & Chris Hedges. Translated by: Orsola Casagrande, Mustafa Gundogdu, Sawad Hussain, Jonathan Wright, Basma Ghalayini, Nicholas Glastonbury, Sara Khalili, J. Bret Maney, Adam Feinstein, and Megan McDowell. Part of our History-into-Fiction series.

Stories of Invasion

The American Way

Irakisk Kristus

A blistering debut that does for the Iraqi perspective on the wars in Iraq and Afghanistan what Phil Klay’s Redeployment does for the American perspective “[A] wonderful collection.” —George Saunders, The New York Times Book Review The first major literary work about the Iraq War from an Iraqi perspective—by an explosive new voice hailed as “perhaps the best writer of Arabic fiction alive” (The Guardian)—The Corpse Exhibition shows us the war as we have never seen it before. Here is a world not only of soldiers and assassins, hostages and car bombers, refugees and terrorists, but also of madmen and prophets, angels and djinni, sorcerers and spirits. Blending shocking realism with flights of fantasy, The Corpse Exhibition offers us a pageant of horrors, as haunting as the photos of Abu Ghraib and as difficult to look away from, but shot through with a gallows humor that yields an unflinching comedy of the macabre. Gripping and hallucinatory, this is a new kind of storytelling forged in the crucible of war.

And Other Stories of Iraq

The Corpse Exhibition

** WINNER OF THE ENGLISH PEN WRITERS IN TRANSLATION AWARD ** **LONG-LISTED FOR THE 2013 FRANK O'CONNOR INTERNATIONAL SHORT STORY AWARD** **BOOK OF THE MONTH IN THE SKINNY** A soldier with the ability to predict the future finds himself blackmailed by an insurgent into the ultimate act of terror… A deviser of crosswords survives a car-bomb attack, only to discover he is now haunted by one of its victims… Fleeing a robbery, a Baghdad shopkeeper falls into a deep hole, at the bottom of which sits a djinni and the corpse of a soldier from a completely different war… From legends of the desert to horrors of the forest, Blasim’s stories blend the fantastic with the everyday, the surreal with the all-too-real. Taking his cues from Kafka, his prose shines a dazzling light into the dark absurdities of Iraq’s recent past and the torments of its countless refugees. The subject of this, his second collection, is primarily trauma and the curious strategies human beings adopt to process it (including, of course, fiction). The result is a masterclass in metaphor – a new kind of story-telling, forged in the crucible of war, and just as shocking. 'At first, you receive Blasim with the kind of shocked applause you’d award a fairly transgressive stand-up. You’re quite elated. Then you stop reading it at bedtime. At his best, Blasim produces a corrosive mixture of broken lyricism, bitter irony and hyper-realism which topples into the fantastic and the quotidian in the same reading moment.' – M John Harrison 'Perhaps the best writer of Arabic fiction alive...' – The Guardian. 'Bolaño-esque in its visceral exuberance, and also Borgesian in its gnomic complexity... a master of metaphor.' – The Guardian.

The Iraqi Christ

One of NPR's Best Books of 2017! A groundbreaking anthology of science fiction from Iraq that will challenge your perception of what it means to be “The Other” “History is a hostage, but it will bite through the gag you tie around its mouth, bite through and still be heard.”—Operation Daniel In a calm and serene world, one has the luxury of imagining what the future might look like. Now try to imagine that future when your way of life has been devastated by forces beyond your control. Iraq + 100 poses a question to Iraqi writers (those who still live in that nation, and those who have joined the worldwide diaspora): What might your home country look like in the year 2103, a century after a disastrous foreign invasion? Using science fiction, allegory, and magical realism to challenge the perception of what it means to be “The Other”, this groundbreaking anthology edited by Hassan Blasim contains stories that are heartbreakingly surreal, and yet utterly recognizable to the human experience. Though born out of exhaustion, fear, and despair, these stories are also fueled by themes of love, family, and endurance, and woven through with a delicate thread of hope for the future. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Chess-playing people-traffickers, suicidal photographers, absurdist sound sculptors, cat-loving rebel sympathisers, murderous storytellers... The characters in Hassan Blasim’s debut novel are not the inventions of a wild imagination, but real-life refugees and people whose lives have been devastated by war. Interviewed by Hassan Owl, an aspiring Iraq-born writer, they become the subjects of an online art project, a blog that blurs the boundaries between fiction and autobiography, reportage and the novel. Framed by an email correspondence with the mysterious Alia, a translator of the Romanian philosopher Emil Cioran, the project leads us through the bars, brothels and bathhouses of Hassan’s past and present in a journey of trauma, violence, identity and desire. Taking its conceit from the Islamic tradition that says God has 99 names, the novel trains a kaleidoscopic lens on the multiplicity of experiences behind Europe’s so-called ‘migrant crisis’, and asks how those who have been displaced might find themselves again. God 99 is the highly anticipated debut novel by award-winning Iraqi writer, poet and filmmaker Hassan Blasim. Winner of an English PEN Translates Award.

Hassan Blasim

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