Heather Brook

Rethinking the Politics of Marriage

Stalemate

Mary Holmes

Chris Beasley

This book explores heterosexualities in their complex and everyday expressions. It engages with theories about the intersection of sexuality with other markers of difference, and gender in particular. The outcome will productively upset equations of heterosexuality with heteronormativity and accounts that cast heterosexuality in "sex critical, sex as danger" terms. Queer/feminist ‘pro-sex’ perspectives have become prevalent in analyses of sexuality, but in these approaches queer becomes the site of subversive, transgressive, exciting and pleasurable sex, while heterosex, if mentioned at all, continues to be seen as objectionable or dowdy. It challenges heterosexuality’s comparative absence in gender/sexuality debates and the common constitution of heterosexuality as nasty, boring and normative. The authors develop an innovative analysis showing the limits of the sharply bifurcated perspectives of the "sex wars". This is not a revisionist account of heterosexuality as merely one option in a fluid smorgasbord, nor does it dismiss the weight of feminist/pro-feminist critiques of heterosexuality. This book establishes that if relations of domination do not constitute the analytical sum of heterosexuality, then identifying its range of potentialities is clearly important for understanding and helping to undo its "nastier" elements.

Heterosexuality in Theory and Practice

Dee Michell

Universities are social universes in their own right. They are the site of multiple, complex and diverse social relations, identities, communities, knowledges and practices. At the heart of this book are people enrolling at university for the first time and entering into the broad variety of social relations and contexts entailed in their ‘coming to know’ at, of and through university. For some time now the terms ‘transition to university’ and ‘first-year experience’ have been at the centre of discussion and discourse at, and about, Australian universities. For those university administrators, researchers and teachers involved, this focus has been framed by a number of interlinked factors ranging from social justice concerns to the hard economic realities confronting the contemporary corporatising university. In the midst of changing global economic conditions affecting the international student market, as well as shifting domestic politics surrounding university funding, the equation of dollars with student numbers has remained a constant, and has kept universities’ attention on the current ‘three Rs’ of higher education — recruitment, retention, reward — and, in particular, on the critical phase of students’ entry into the tertiary institution environment. By recasting ‘the transition to university’ as simultaneously and necessarily entailing a transition of university — indeed universities — and of their many and varied constitutive relations, structures and practices, the contributors to this book seek to reconceptualise the ‘first-year experience’ in terms of multiple and dynamic processes of dialogue and exchange amongst all participants. They interrogate taken-for-granted understandings of what ‘the university’ is, and consider what universities might yet become.

Foregrounding Social Contexts of Knowledge in the First Year Experience

Universities in Transition

Power, Culture, and Society

The Cultural Politics of Contemporary Hollywood Film

Adopting and developing a ‘cultural politics’ approach, this comprehensive study explores how Hollywood movies generate and reflect political myths about social and personal life that profoundly influence how we understand power relations. Instead of looking at genre, it employs three broad categories of film. ‘Security’ films present ideas concerning public order and disorder, citizen–state relations and the politics of fear. ‘Relationalities’ films highlight personal and intimate politics, bringing norms about identities, gender and sexuality into focus. In ‘socially critical’ films, particular issues and ideas are endowed with more overtly political significance. The book considers these categories as global political technologies implicated in hegemonic and ‘soft power’ relations whose reach is both deep and broad.

Power, culture, and society

The cultural politics of contemporary Hollywood film

Heather Brook

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