Helmut Gernsheim

Highly acclaimed, scholarly volume examines technological advances and artistic development, with nearly 300 examples of photographic art. 285 black-and-white photos.

A Concise History of Photography

Her Life and Photographic Work

Julia Margaret Cameron

The definitive work on Carroll as a great early lensman. Sixty-four plates of portraits of celebrities, compositions, many little girls.

Lewis Carroll, Photographer

The World's First Photographer

L.J.M. Daguerre

Daguire, L.J.M.

Alison Gernsheim

"Here is an absorbing account of the life of Louis Daguerre, the man responsible for giving us the first practical process of photography. From the beginnings of Daguerre's career in the arts as an apprentice to an architect, through his extensive work as a scene designer with the Diorama, and the successful culmination of his experiments with the daguerreotype, the Gernsheims have drawn a detailed portrait of a man whose invention has been called the greatest since that of the printing press. The world greeted the announcement of Daguerre's achievement with astonishment, skepticism, and even scorn. Nowadays photography is so completely taken for granted that it is difficult to realize how startling to Daguerre's contemporaries was the idea that nature could be made to produce a picture unaided by the artist. The news spread like wildfire. The daguerreotype was the most talked-of topic in Europe; the moment the people heard of it they were consumed with curiosity as to how it was done. The method was kept a zealously guarded secret for many months and eventually seemed to some to be a swindle. Others disapproved on moral and religious grounds. One German newspaper thundered indignantly, 'Is it possible that God should have abandoned His eternal principles, and allowed a Frenchman in Paris to give to the world an invention of the Devil?'"--Dust jacket.

L. J. M. Daguerre (1787-1851), the World's First Photographer

The History of the Diorama and the Daguerreotype

This book contains the definitive account of Daguerre and the daguerreotype. It covers Daguerre's early work as the perfecter and promoter of the diorama; his collaboration with Niépce, the first man to produce a photograph, imperfect though it was; his extension of Niépce's experiments after Niépce's death; and the eventual development of the daguerreotype : a remarkably sensitive positve on a metal plate.

Helmut Gernsheim

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