Henry Fanshawe Tozer

MR Dante Alighieri

Explore the depths of Dante's Inferno, Purgatorio, and Paradiso, in this classic epic poem, beautifully rendered in English by the renowned scholar and translator Henry Fanshawe Tozer. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Divina Commedia

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Including Visits to Mounts Ida, Athos, Olympus, and Pelion, to the Mirdite Albanians, and Other Remote Tribes

Researches in the Highlands of Turkey

This 1897 textbook traces the progress of geographical writing from Homeric times to the end of Rome's western empire.

A History of Ancient Geography

Including Visits to Mounts Ida, Athos, Olympus, and Pelion, to the Mirdite Albanians, and Other Remote Tribes : with Notes on the Ballads Tales, and Classical Superstitions of the Modern Greeks

An English Commentary on Dante's Divina Commedia

Notes on Inferno

Dante: La Divina Commedia

Excerpt from Dante, La Divina Commedia: Notes on Inferno Line 1. Nel mezzo, 8tc midway in the course of our mortal life, ' i. E. At thirty-five years of age, in accordance with the saying of the Psalmist, The days of our age are threescore years and ten, ' Ps. Xc. To. Dante was born in 1265, and consequently his conversion, ' which was the turning-point of his spiritual life, and which he ascribes to the effect of his Vision upon him, took place in I 300. This date was a marked one, both in the history of the time, as being the great year of Jubilee, and in Dante's career, since it was the year of his Priorate at Florence. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Notes on Inferno (Classic Reprint)

Dante, La Divina Commedia

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Henry Fanshawe Tozer

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