Hilary Hinds

A Cultural History of Twin Beds challenges our most ingrained assumptions about intimacy, sexuality, domesticity and hygiene by tracing the rise and fall of twin beds as a popular sleeping arrangement for married couples between 1870 and 1970. Modern preconceptions of the twin bed revolve around their use by couples who have no desire to sleep in the same bed space. Yet, for the best part of a century, twin beds were not only seen as acceptable but were championed as the sign of a modern and forward-thinking couple. But what lay behind this innovation? Why did so many married couples abandon the twin bed? In this book, Hilary Hinds presents a fascinating insight into the combination of beliefs and practices that made twin beds an ideal sleeping solution. Using nuanced close readings of marriage guidance and medical advice books, furnishing catalogues, novels, films and newspapers, this volume offers an accessible and rigorous account of the curious history of twin beds. This is vital reading for those with an interest in cultural history, sociology, anthropology and psychology.

A Cultural History of Twin Beds

Simon Barker

"The Renaissance saw a dramatic explosion of such force that, four hundred years later, its plays are still amongst the most frequently performed and studied we have. This anthology offers a full introduction to Renaissance theatre in its historical and political context, along with newly edited and comprehensively annotated texts of the following plays: The Spanish Tragedy (Thomas Kyd); Arden of Faversham (Anon.); Edward II (Christopher Marlowe); A Woman Killed with Kindness (Thomas Heywood); The Tragedy of Mariam (Elizabeth Cary); The Masque of Blackness (Ben Jonson); The Knight of the Burning Pestle (Francis Beaumont); Epicoene, or the Silent Woman (Ben Jonson); The Roaring Girl (Thomas Middleton and Thomas Dekker); The Changeling (Thomas Middleton and William Rowley); and 'Tis Pity She's a Whore (John Ford).".

The Routledge Anthology of Renaissance Drama

This anthology offers a full introduction to Renaissance theatre in its historical and political context, along with newly edited and thoroughly annotated texts of the following plays: * The Spanish Tragedy (Thomas Kyd) * Arden of Faversham (Anon.) * Edward II (Christopher Marlowe) * A Woman Killed with Kindness (Thomas Heywood) * The Tragedy of Mariam (Elizabeth Cary) * The Masque of Blackness (Ben Jonson) * The Knight of the Burning Pestle (Francis Beaumont) * Epicoene, or the Silent Woman (Ben Jonson) * The Roaring Girl (Thomas Middleton & Thomas Dekker) * The Changeling (Thomas Middleton & William Rowley) * 'Tis Pity She's a Whore (John Ford). Each play is prefaced by an introductory headnote discussing the thematic focus of the play and its textual history, and is cross-referenced to other plays of the period that relate thematically and generically. An accompanying website contains a wide selection of contextual documents which supplement the anthology: www.routledge.com/textbooks/0415187346

This book offers a detailed study of the spiritual autobiographies and prophecies produced by Quaker, Baptist and Fifth Monarchist women, and asks how such a proliferation of texts was produced in a culture dismissive of women's writing.

Seventeenth-century Radical Sectarian Writing and Feminist Criticism

God's Englishwomen

Ann Phoenix

Jackie Stacey

Addresses issues of concern in the area of women's studies, aiming to offer fresh perspectives on sexuality, paid work, the development process, equal opportunities legislation, lesbian history and women's writing. The book is also concerned with the politics and practice of women's studies.

Hilary Hinds

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