Stuart Y. McDougal

Horton Andrew

Stanley Kubrick's 'A Clockwork Orange' brings together new and critically informed essays about one of the most powerful, important and controversial films ever made. Following an introduction that provides an overview of the film and its production history, a suite of essays examine the literary origins of the work, the nature of cinematic violence, questions of gender and the film's treatment of sexuality, and the difficulties of adapting an invented language ('nadsat') for the screen. This volume also includes two contemporary and conflicting reviews by Roger Hughes and Pauline Kael, a detailed glossary of 'nadsat' and stills from the film.

Stanley Kubrick's A Clockwork Orange

Sidney Gottlieb

Roberto Rossellini's Rome Open City

Marsha Kinder

Kinder Marsha

A study of Luis Buuuel's Oscar-winning masterpiece The Discreet Charm of the Bourgeoisie.

Buñuel's The Discreet Charm of the Bourgeoisie

David Desser

Reviewer David Desser

A collection of essays about Ozu's Tokyo Story.

Ozu's Tokyo Story

Cambridge University Press

Birgitta Steene

Lloyd Michaels

The essays collected in this volume use a variety of methodologies to explore Bergman's Persona.

Ingmar Bergman's Persona

David Wills

Jean-Luc Godard's Pierrot le fou (1965), made at the height of the French New Wave, remains a milestone in French cinema. More accessible than his later films, it represents the diverse facets of Godard's concerns and themes: a bittersweet analysis of male-female relations; an interrogation of the image; personal and international politics; the existential dilemmas of consumer society. This volume brings together essays by five prominent scholars of French film. They approach Pierrot le fou from the perspectives of image-and-word-play, aesthetics and politics, history, and high- and popular culture. A full filmography and a selection of reviews are included.

Horton Andrew

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