Anastasia Valassopoulos

Robert Spencer

Howard J. Booth

This introduction to British literature from 1900 to 2021 looks at British writing from the perspective of the 2016 Brexit vote and its seismic repercussions. The book covers a wide variety of British literature in order to expose the cultural and political history of Britain, its repeated challenges and highly class-bound, patriarchal structure. British Writing from Empire to Brexit: Writing, Identity, and Nation offers a stark view of what British culture has come to represent, and the repercussions. Not shying away from discussions around imperialism, nationalism, and racism, Robert Spencer, Howard J. Booth, and Anastasia Valassopoulos offer a radical deconstruction of what Britishness can, and should, mean, promoting a convincing and accessible way to rethink the texts and field. The authors analyse novels, poetry, and prose which amplify the dissentient and dissident perspectives of women, gender non-conforming, and queer authors, as well as the varied viewpoints and insights of working-class, immigrant, postcolonial, Black, and Asian writers, showing how these works open up post-national futures after empire and after Brexit. Ultimately offering a model to rescue Britain from its current crises and anxieties, this book is an essential read for anyone approaching the study of British literature and culture, as well as those working on postcolonial studies, decolonisation, recent British history and politics, or with an interest in empire and Brexit.

Writing, Identity, and Nation

British Writing from Empire to Brexit

Rudyard Kipling (1865–1936) is among the most popular, acclaimed and controversial of writers in English. His books have sold in great numbers, and he remains the youngest writer to have won the Nobel Prize in Literature. Many associate Kipling with poems such as 'If–', his novel Kim, his pioneering use of the short story form and such works for children as the Just So Stories. For others, though, Kipling is the very symbol of the British Empire and a belligerent approach to other peoples and races. This Companion explores Kipling's main themes and texts, the different genres in which he worked and the various phases of his career. It also examines the 'afterlives' of his texts in postcolonial writing and through adaptations of his work. With a chronology and guide to further reading, this book serves as a useful introduction for students of literature and of Empire and its after effects.

The Cambridge Companion to Rudyard Kipling

Nigel Rigby

This is the first book to explore the fascinating relationship between literary Modernism and Empire. The book seeks to begin the task of exploring, in a sustained way, the relations between the artistic movement and colonialism. The essays range over subjects and figures such as Ireland, Africa, Joyce, Pound, Townsend Warner, Lawrence and Forster, Kipling, Woolf, and Jean Rhys.

Writing and British Coloniality 1890-1940

Modernism and Empire

New D.H. Lawrence uses current and emergent approaches in literary studies to explore one of Britain’s major modernist writers. The collection features new work by the current generation of Lawrence scholars, who are brought together here for the first time. Chapters include: Andrew Harrison on the marketing of Sons and Lovers; Howard J. Booth on The Rainbow, Marxist criticism and colonialism; Holly A. Laird on ethics and suicide in Women in Love; High Stevens on psychoanalysis and war in Women in Love; Jeff Wallace on Lawrence, Deleuze and abstraction; Stefania Michelucci on myth and war in "The Ladybird"; Bethan Jones on gender and comedy in the late short fiction; Fiona Becket on green cultural critique, Apocalypse and Birds, Beasts and Flowers; and Sean Matthews on class, Leavis and the trial of Lady Chatterley. New D.H. Lawrence will be of interest to all concerned with contemporary writing on Lawrence, modernism and English radical cultures.

Howard J. Booth

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