Ian Conrich

Hermann Mückler

Easter Island (or Rapa Nui) has long captivated travellers and explorers since it was first encountered by European voyagers in 1722. The island’s colossal stone carvings (moai) have been the primary attraction, yet these have overshadowed the broader culture of the Rapanui people. This significant edited collection brings together thirteen specialists from eight countries in a series of studies that address the pre-history, history, contemporary society and popular culture of Easter Island. Consideration is given to both the Rapanui and western cultures with topics covered including archaeology, anthropology, linguistics, tourism, literature, comic books and music. This is a multidisciplinary book with subjects ranging from fact to fiction and from Thor Heyerdahl and Katherine Routledge to Indiana Jones and Lara Croft.

Cultural and Historical Perspectives

Rapa Nui – Easter Island

In his landmark Introduction to the American Horror Film, Robin Wood noted that horror "has consistently been one of the most popular and, at the same time, the most disreputable of Hollywood genres." Horror is still immensely popular but its assimilation into our culture continues apace. In Horror Zone, leading international writers on horror take horror out into the world beyond cinema screens to explore the interconnections between the films and modern media and entertainment industries, economies and production practices, cultural and political forums, spectators and fans. They critically examine the ways in which the horror genre functions in all its multifarious forms, for example the Friday the 13th films as modern grand guignol, the relationship between the contemporary horror film and the theme park ride, horror as art house cinema, connections between pornography and the horror film and the place of special effects in this most respectable of Hollywood genres.

The Cultural Experience of Contemporary Horror Cinema

Horror Zone

The scope of this collection is indicative of the breadth and diversity of music's role in cinema, as is its emphasis on musical contributions to 'non-musical' films. By bringing together chapters that are concerned both with the relationship between performance, music and film and the specificity of national, historical, social, and cultural contexts, Film's Musical Moments will be of equal importance to students of film studies, cultural studies and music. The book is organised into four sections: Music, Film, Culture focuses on cinema representations of music forms; Stars, Performance and Reception explores stars, fan cultures and intertextuality; The Post-Classical Hollywood Musical considers the importance of popular music to contemporary cinema; and Beyond Hollywood looks to specific national contexts.

Film's Musical Moments

Stuart Murray

The most thorough study on the filmmakers who have defined New Zealand cinema from its origins to its current successes.

New Zealand Filmmakers

David Woods

The aim of this book is to give John Carpenter's output the sustained critical treament it deserves. It comprises essays that address the whole of Carpenter's work as well as others which focus on a small number of key films.

The Technique of Terror

The Cinema of John Carpenter

Laura Sedgwick

This is the first book-length study to systematically and theoretically analyse the use and representation of individual body parts in Gothic fiction. Moving between filmic and literary texts and across the body—from the brain, hair and teeth, to hands, skin and the stomach—this book engages in unique readings by foregrounding a diversity of global representations. Building on scholarly work on the ‘Gothic body’ and ‘body horror’, Gothic Dissections in Film and Literature dissects the individual features that comprise the physical human corporeal form in its different functions. This very original and accessible study, which will appeal to a broad range of readers interested in the Gothic, centralises the use (and abuse) of limbs, organs, bones and appendages. It presents a set of unique global examinations; from Brazil, France and South Korea to name a few; that address the materiality of the Gothic body in depth in texts ranging from the nineteenth century to the present; from Nikolai Gogol, Edgar Allan Poe, Roald Dahl and Chuck Palahniuk, to David Cronenberg, Freddy Krueger and The Greasy Strangler.

Ian Conrich

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