Ian Maclean

Essays in Memory of Richard Sayce

Montaigne

This book examines Renaissance modes of interpretation as they arise in legal contexts, and relates them to modern debates about meaning and its determination. By placing legal hermeneutic theories in their institutional and pedagogical contexts, the author is able to give an account of Renaissance thought showing how it operates in its own terms, and in relation to the thought of the medieval period. Renaissance legal thought is also compared to modern discussions of interpretation, allowing a critical examination of its coherence and consistency.

The Case of Law

Interpretation and Meaning in the Renaissance

Sachiko Kusukawa

The period between the fifteenth and the middle of the seventeenth centuries saw a great many changes and innovations in scientific thinking. These were communicated to various publics in diverse ways; not only through discursive prose and formal notations, but also in the form of instruments and images accompanying texts. The collected essays of this volume examine the modes of transmission of this knowledge in a variety of contexts. The schematic representation of instruments is examined in the case of the 'navicula' (a versatile version of a sundial) and the 'squadro' (a surveying instrument); the new forms of illustration of plants and the human body are investigated through the work of Fuchs and Vesalius; theories of optics and of matter are discussed in relation to the illustrations which accompany the texts of Ausonio and Descartes. The different diagrammatic strategies adopted to explain the complex medical theory of the latitude of health are charted through the work of medieval and sixteenth-century physicians; Kepler's use of illustration in his handbook of cosmology is placed in the context of book production and Copernican propaganda. The conception of astronomical instruments as either calculating devices or as cosmological models is examined in the case of Tycho Brahe and others. A study is devoted to the multiple functions of frontispieces and to the various readerships for which they were conceived. The papers in the volume are all based on new research, and they constitute together a coherent and convergent set of case studies which demonstrate the vitality and inventiveness of early modern natural philosophers, and their awareness of the media available to them for transmitting knowledge.

Words, Images, and Instruments in Early Modern Europe

Transmitting Knowledge

"A decade ago in the Times Literary Supplement, Roderick Conway Morris claimed that "almost everything that was going to happen in book publishing--from pocket books, instant books and pirated books, to the concept of author's copyright, company mergers, and remainders--occurred during the early days of printing." Ian Maclean's colorful survey of the flourishing learned book trade of the late Renaissance brings this assertion to life. The story he tells covers most of Europe, with Frankfurt and its Fair as the hub of intellectual exchanges among scholars and of commercial dealings among publishers. The three major religious confessions jostled for position there, and this rivalry affected nearly all aspects of learning. Few scholars were exempt from religious or financial pressures. Maclean's chosen example is the literary agent and representative of international Calvinism, Melchior Goldast von Haiminsfeld, whose activities included opportunistic involvement in the political disputes of the day. Maclean surveys the predicament of underfunded authors, the activities of greedy publishing entrepreneurs, the fitful interventions of regimes of censorship and licensing, and the struggles faced by sellers and buyers to achieve their ends in an increasingly overheated market. The story ends with an account of the dramatic decline of the scholarly book trade in the 1620s, and the connivance of humanist scholars in the values of the commercial world through which they aspired to international recognition. Their fate invites comparison with today's writers of learned books, as they too come to terms with new technologies and changing academic environments."--Publisher's website.

Scholarship, Commerce, Religion

This monograph, dealing with the intellectual notions held during the Renaissance of what "woman" is, surveys the ideas of the nature of woman, sex difference and sex discrimination, and the emergence of a feminist movement in the first half of the 17th century.

A Study in the Fortunes of Scholasticism and Medical Science in European Intellectual Life

The Renaissance Notion of Woman

René Descartes

I concluded that I was a substance whose whole essence or nature resides only in thinking, and which, in order to exist, has no need of place and is not dependent on any material thing.' Descartes's A Discourse on the Method of Correctly Conducting One's Reason and Seeking Truth in the Sciences marks a watershed in European thought; in it, the author provides an informal intellectual autobiography in the vernacular for a non-specialist readership, sweeps away all previous philosophical traditions, and sets out in brief his radical new philosophy, which begins with a proof of the existence of the self (the famous 'cogito ergo sum'), next deduces from it the existence and nature of God, and ends by offering a radical new account of the physical world and of human and animal nature. This new translation is accompanied by a substantial introductory essay which draws on Descartes's correspondence to examine his motivation and the impact of his great work on his contemporaries. Detailed notes explain his philosophical terminology and ideas.

A Discourse on the Method

In Episodes, Ian Maclean investigates the ways in which the book trade operated through book fairs, and interacted with academic institutions, journals and intellectual life in various European settings (Germany, Italy, the Netherlands and England) in the long seventeenth century.

Episodes in the Life of the Early Modern Learned Book

The second in a sequence exploring the foundations of learning in the Renaissance, here focusing on medicine.

Ian Maclean

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