Ilʹi︠a︡ Iosifovich Kabakov

Amei Wallach

Essay by Amei Wallach. Foreword by Amada Cruz.

Ilya Kabakov, 1969-1998

Ilya Kabakov: Installations 1983-1993

Ilya Kabakov: Installations 1994-2000

During the summer of 2000 Ilya Kabakov was visiting professor at the Corso Superiore di Arte Visiva at the Ratti Foundation in Como. Together with his wife, Emilia, he offered the students his ideas on total installations, exploring their poetry and meanings. This volume documents the students' end-of-course exhibition and Kabakov's public space installation.

Progetti di arte pubblica, o lo spirito del luogo

Emilia Kabakov

Fondazione scientifica Querini Stampalia

Who is the greatest? Who today can define himself as the greatest? Ilya Kabakov, father of Russian Conceptualism, and his wife Emilia, ask these very questions in "Where is Our Place?" A project about the paradoxical contrast between contemporary and past art, this book meditates on the inner workings of the art system and artistic experience, identifying the importance of and need for a new critical and ethical awareness in our reception of art. Here different eras exist simultaneously in an incongruous art museum outside of time: contemporary, past, and perhaps also an imaginary projection into the future.

Ilya Kabakov and Emilia Kabakov

Ilya Kabakov

Ilya Kabakov, The rope of life and other installations : [anlässlich des Szenenwechsels VIII]

This catalogue presents the artwork of three fictitious Russian artists, all inventions of Ilya Kabakov, and intervviews of Ilya Kabakov.

Rosenthal, Kabakov, Spivak

An Alternative History of Art

This book examines the 'preventive counter-revolution,' a programme of reforms and repression that transformed the face of Russian politics during Vladimir Putin's second term as president. Kremlin propagandists hailed this programme as a defence of national sovereignty against Western attempts to foment a 'velvet revolution' in Russia. But this book shows that the Putin regime was reacting to a real domestic threat: opposition leaders and youth activists who had begun to employ 'velvet' revolutionary methods in a campaign to harness popular grievances and to challenge Putin in the streets and at the ballot box. It traces the formulation and implementation of the regime's two-track response, which was based on a careful analysis of the lessons of the recent 'velvet' (or 'coloured') revolutions in Georgia and Ukraine. The first track was repressive: the imposition of controls on NGOs, restrictions on electoral competition, and a crackdown on opposition demonstrations. The second was the mobilisation of supporters in 'patriotic' youth organisations that employed both gang violence and 'velvet' revolutionary techniques. Drawing on a wide range of Russian-language sources, including opposition activists' blogs, this book charts the end of Russia's experiment with liberal democracy and the emergence of a new type of authoritarian order.

Ilʹi︠a︡ Iosifovich Kabakov

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