Dieter Daniels

Inke Arns

What do we hear when there is nothing to hear? John Cages 4'33'' (four minutes,

John Cage 4'33" Silence Today : 1912, 1952, 2012

Sounds Like Silence

Janek Simon - Synthetic Folklore

Hans Bernhard

Lizvlx

Media Hacking Vs. Conceptual Art

Ubermorgen.com

DOMENICO. ARNS QUARANTA (INKE. JODI.ORG.)

Jodi Org

Originally published in 2009, this book collects the work made between 1999 and 2009 by Austrian duo UBERMORGEN (lizvlx and Hans Bernhard). Along that decade, UBERMORGEN developed a consistent oeuvre, focused on the ability of media to infiltrate reality to the point of completely altering the perception of it or even its social, biological or human infrastructure; and on the potential of art to engage a dialogue with economic, bureaucratic and informational systems. All these works are presented extensively through pictures and introductory texts, and discussed in depth in two essays by Domenico Quaranta and Dr. Inke Arns. The book also features a visual tribute by artists JODI.ORG. UBERMORGEN have exhibited in museums and galleries internationally since 1999, including HKW, Berlin; MUMOK, Vienna; MACBA, Barcelona; Ars Electronica, Linz; SFMOMA, San Francisco; Witte de With, Rotterdam; Centre Pompidou, Paris; New Museum, New York; Sydney and Gwangju biennales.

UBERMORGEN.COM

Sylvia Sasse

Igorʹ M. Chubarov

"The Storming of the Winter Palace"

Nikolai Evreinov & Others

Gabriele Horn

Hartware MedienKunstVerein

This exhibition looked at strategies of re-enactment in contemporary media art and performance art. Re-enactments repeat historical events; they replace "false" memories with individual experiences through direct and physical experience of history.

Strategies of Re-enactment in Contemporary (media) Art and Performance

History Will Repeat Itself

Igor Tchoubarov

Nikolaj Evreinov: »The Storming of the Winter Palace«

Inke Arns

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