Ivan Vladislavic

In the wake of apartheid, the flotsam and jetsam of the divided past flow over Johannesburg and settle, once the tides recede, all around the author, who, patrolling his patch, surveys the changed cityscape and tries to convey for us the nature and significance of those changes.

The City of Johannesburg Unlocked

Portrait with Keys

Ramon Pez

Mikhael Subotzky

Patrick Waterhouse

Ivan Vladialevi

Subotzky, Waterhouse - Ponte City

The Exploded View, from the masterful South African novelist Ivan Vladislavić, tells the story of four lives intertwined through the sprawling infrastructure on the margins of Johhanesburg: a stastician taking the national census, an engineer out on the town with city officials, an artist interested in genocide, and a contractor who puts up billboards on construction sites. Arcing across distance and time, Vladislavić deftly explodes our comfortable views and brings us behind the curtains of the city while subtly expanding our notions of what is possible in the novel form.

The Exploded View

William Kentridge

Okwui Enwezor

Gabriele Guercio

South African artist William Kentridge has produced an outstanding body of work in multiple mediums all of which trace the fraught political and cultural history of South Africa. This title explores Kentridge's new series of 17 large-scale tapestries, created under his artistic direction by a team of South African weavers.

Tapestries

Teju Cole

Race, politics, identity, photography: South African writer Ivan Vladislavic reminds us nothing is black and white.

Double Negative

A boxing bildungsroman - a collage of memories, love, resistance, and the spectacle of Muhammed Ali in Apartheid South Africa. In the spring of 1970, a Pretoria schoolboy, Joe, becomes obsessed with Muhammad Ali. He begins collecting daily newspaper clippings about him, a passion that grows into an archive of scrapbooks. Forty years later, when Joe has become a writer, these scrapbooks become the foundation for a memoir of his childhood. When he calls upon his brother, Branko, for help uncovering their shared past, meaning comes into view in the spaces between then and now, growing up and growing old, speaking out and keeping silent.

The Distance

A vacant patch of South African veld next to the comfortable, complacent Malgas household has been taken over by a mysterious, eccentric figure with 'a plan'. Fashioning his tools out of recycled garbage, the stranger enlists Malgas's help in clearing the land and planning his mansion. Slowly but inevitably, the stranger's charm and the novel's richly inventive language draws Malgas into 'the plan' and he sees, feels and moves into the new building. Then, just as remorselessly, all that seemed solid begins to melt back into air.

The Folly

This is a book about Johannesburg and one man’s place in it: a provocative, teasing, revealing, analytical and poetic text on the city and the life rooted in its concrete streets. A high-water mark in Ivan Vladislavić’s writing, Portrait with Keys is a sprawling yet comprehensive portrait of his Joburg. His gaze roams freely across the decades, but the focus falls on the eve of the millennium. Neither a novel in any conventional sense nor a collection of short stories, this chain of lyrical texts brings together memoir, history, snapshots, meditations, asides on arts and – not least – observations on that essential urban accessory, the Gorilla steering lock. Home, habit, change, memory, mortality, friendship, ghosts, gardens, walking, falling, selling and stealing are all part of this unique dossier of city life. Portrait with Keys is an extraordinary work, both an oblique self-portrait of the author and a vivid recovery of where we have been all along.

A vacant patch of South African veld next to the comfortable, complacent Malgas household has been taken over by a mysterious, eccentric figure with "a plan." Fashioning his tools out of recycled garbage, the stranger enlists Malgas's help in clearing the land and planning his mansion. Slowly but inevitably, the stranger's charm and the novel's richly inventive language draws Malgas into "the plan" and he sees, feels and moves into the new building. Then, just as remorselessly, all that seemed solid begins to melt back into air.

“Surely one of the most ingenious love letters—full of violence, fear, humour, and cunning—ever addressed to a city.” —Geoff Dyer This dazzling portrait of Johannesburg is one of the most haunting, poetic pieces of reportage about a metropolis since Suketu Mehta’s Maximum City. Through precisely crafted snapshots, Ivan Vladislavic observes the unpredictable, day-today transformation of his embattled city: the homeless using manholes as cupboards, a public statue slowly cannibalized for scrap. Most poignantly he charts the small, devastating changes along the postapartheid streets: walls grow higher, neighborhoods are gated off, the keys multiply. Security—insecurity?—is the growth industry. Vladislavic, described as “one of the most imaginative minds at work in South African literature today” (André Brink), delivers “one of the best things ever written about a great, if schizophrenic, city, and an utterly true picture of the new South Africa” (Christopher Hope).

Portrait with Keys: The City of Johannesburg Unlocked

A senior photography introduces a young man to the intricacies of photography. ‘If,’ he says, ‘I try to imagine the lives going on in all these houses, the domestic dramas, the family sagas, it seems impossibly complicated. How could you ever do justice to something so rich in detail? You couldn’t do it in a novel, let alone a photograph.’ The novel follows the young man’s broken path, as he goes overseas, finds a career, and then comes back to a changed Johannesburg. In the process, the book develops an ever-widening perspective not only on change in the country, but also on questions to do with seeing and being seen. It brings into sharp focus South Africa’s recent history and the difficulty of depicting it. Double Negative was first published in November 2010 in TJ/Double Negative as the fictional companion to David Goldblatt’s book of Johannesburg photographs titled TJ

101 Detectives

Flashback Hotel

Ivan Vladislavić

Stories

Missing Persons

A private-eye convention and a tussle over a Pierneef A young man's unsettling experience in the American South and a tragedy off the coast of Mauritius. A bizarre night of industrial theatre and a translator at a loss for words. These are but a few of the fictions in 101 Detectives, a new collection of short stories by Ivan Vladislavić, one of South Africa's most celebrated authors. A collection of short stories launched his career as a writer. Twenty-six years and a whole oeuvre later, 101 Detectives showcases Vladislavić's virtuosity as he bends and recasts this literary form in spectacular fashion.

Collects two volumes of short stories by one of contemporary South Africa's most acclaimed novelists. With a tender wit, Vladislavi&ć cuts through the ordinary, the profound, and the truly perplexing to reveal absurdities and truisms alike. From a man who forms a strong emotional attachment to his neighbor's wall to the etymology-obsessed inventor of the Omniscope, Vladislavic's characters are as well-constructed as his sentences and as playful as his prose. Flashback Hotel collects two volumes of short stories by one of contemporary South Africa's most acclaimed novelists.

Ivan Vladislavic

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