Jacob Wamberg

Mikkel Bolt Rasmussen

In spite of the steadily expanding concept of art in the Western world, art made in twentieth-century totalitarian regimes û notably Nazi Germany, fascist Italy and the communist East Bloc countries û is still to a surprising degree excluded from main stream art history and the exhibits of art museums. In contrast to earlier art made to promote princely or ecclesiastical power, this kind of visual culture seems to somehow not fulfill the category of 'true' art, instead being marginalised as propaganda for politically suspect regimes. Totalitarian Art and Modernity wants to modify this displacement, comparing totalitarian art with modernist and avant-garde movements; confronting their cultural and political embeddings; anti writing forth their common genealogies. Its eleven articles include topics as varied as: the concept of totalitarianism and totalitarian art, totalitarian exhibitions, monuments and architecture, forerunners of totalitarian art in romanticism and heroic realism, and diverse receptions of totalitarian art In democratic cultures.

Totalitarian Art and Modernity

This collection of articles covering the time span from the Late Middle Ages to the twentieth century intends to challenge the current neglect of the interplay between esoteric knowledge and the visual arts. 'Art and Alchemy' indicates that alchemy indeed has several connections with art by examining some of the pictorial and literary books that disseminated alchemical symbols and ideas, delving into images, which in one way or another can be shown to appropriate and interpret alchemical ideas or environments, and expanding the scope of alchemical imagery by indicating structural affinities between alchemical processes and artistic creation.

Art & Alchemy

Mads Rosendahl Thomsen

As our ideas of the human have come under increasing challenges – from technological change, from medical advances, from the existential threat of climate crisis, from an ideological decentering of the human, amongst many other things – the 'posthuman' has become an increasingly central topic in the Humanities. Bringing together leading scholars from across the world and a wide range of disciplines, this is the most comprehensive available survey of cutting edge contemporary scholarship on posthumanism in literature, culture and theory. The Bloomsbury Handbook of Posthumanism explores: - Central critical concepts and approaches, including transhumanism, new materialism and the Anthropocene - Ethical perspectives on ecology, race, gender and disability - Technology, from data and artificial intelligence to medicine and genetics - A wide range of genres and forms, from literary and science fiction, through film, television and music, to comics, video games and social media.

The Bloomsbury Handbook of Posthumanism

Kasper Lippert-Rasmussen

Kasper LippertRasmussen

If biotechnology can be used to upgrade humans physically and mentally, should it be used at all? And, if so, to what extent? How will biotechnology affect societal cohesion? Can the development be controlled, or is this a Pandoras box that should remain closed? These are but a few of the perplex questions facing scientists as a result of the increasing ability of technology to change biology and, in turn, profoundly change human living conditions. This development has created a new posthuman horizon that will influence contemporary life and politics in a number of ways.The anthology brings together researchers from a wide range of disciplines: biotechnology, medicine, ethics, politics, and aesthetics, and among contributors are Francis Fukuyama, Julian Savulescu, Maxwell Mehlman, John Harris and Chris Hables Gray.

Jacob Wamberg

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