James Harris

You've heard the rumors.Millions of Americans are wondering about Hillary. Is she a...* Shapeshifting Blood-Drinking Reptilian * Satanic Priestess * Antichrist 666 * Voodoo Mambo * Demon-Possessed Witch * Communer with the Dead * Servant of Strange Entities from Other Dimensions * UFO Quisling * Conspirator * War Criminal *This unique book seeks to answer these and many other questions. The Occult Hillary Clinton gathers the best facts and arguments behind such startling yet widely-held beliefs. See why so many millions of Americans believe! * Learn about the secret organizations where Hillary conspires with the rich and powerful ruling elite to shape the future of all mankind. * Learn what Hillary's true politics are -- and why they are stranger and more ominous than the mainstream media will dare admit. * Explore the terrifying charges of mind control, blood sacrifice, monstrous secret experiments on unsuspecting American citizens, and communication with the dead!And more! See why many people of all backgrounds and from across the political spectrum believe Hillary is far more than just another politician. Why millions believe she is in league with the Forces of Darkness -- and a threat to all human life on earth.This book offers nothing less than an alternative history of politics, power and the occult in America. You will never look at the world the same again!

The Occult Hillary Clinton

Plato

The Apology of Socrates, by Plato, is the Socratic dialogue that presents the speech of legal self-defence, which Socrates presented at his trial for impiety and corruption, in 399 BC.Specifically, the Apology of Socrates is a defence against the charges of "corrupting the young" and "not believing in the gods which the city believes in, but in other gods which are novel" to Athens.The Apology of Socrates is the dialogue that depicts the trial, written by Plato who details the final days of the philosopher Socrates.This book has been carefully adapted into modern English to allow for easy reading.

Adapted for the Contemporary Reader

The Apology of Socrates

Eugene Thacker

Simon Critchley

Brad Baumgartner

Drew Daniel

Edia Connole

Charlie Blake

Assistant Professor of English Drew Daniel

Dominik Irtenkauf

Brooker Buckingham

Heather Masciandaro

Katherine Foyle

Dylan Trigg

Caoimhe Doyle

Nicola Masciandaro

Daniel Barber

Jeremy Dyer

Teresa Gillespie

Niall Scott

Hunter Hunt-Hendrix

Gary Shipley

Oyku Tekten

Essays and artworks related to Mors Mystica, a black metal theory symposium on the theme of mystical death. "Only that person who says: 'My soul chooses hanging, and my bones death' can truly embrace this fire . . . for it is absolutely true that 'no one can see me and live.'" -- Bonaventure, Itinerarium Mentis in Deum CONTENTS Introduction: On "Heroes/Helden" Edia Connole & Nicola Masciandaro Following the Stench: Watain and Putrefaction Mysticism Drew Daniel Ablaze in the Bath of Fire Brad Baumgartner Mycelegium James Harris dying to find I was never there Teresa Gillespie On the Ecstasy of Annihilation: Notes towards a Demonic Supplement Charlie Blake Autonomy of Death, Nothing Like This Daniel Colucciello Barber "It's a suit! It's ME!": Hyper-Star and Hyper-Hero through Black Sabbath's Iron Man Caoimhe Doyle & Katherine Foyle The Tongue-Tied Mystic: Aaaarrrgghhh! Fuck Them! Fuck You! Gary J. Shipley These Flames Will Lick the Feet of God Heather Masciandaro Mystical Anarchism Simon Critchley Die Maske des Black Metals Dominik Irtenkauf Xenharmonic Black Metal: Radical Intervallics as Apophatic Ontotheology Brooker Buckingham The Perichoresis of Music, Art, and Philosophy Hunter Hunt-Hendrix On Darkness Itself Niall Scott Haemal Jeremy Dyer From Black Bile Eugene Thacker "This Place is a Tomb": Infinite Terror in Darkspace Dylan Trigg Seven Propositions On The Secret Kissing Of Black Metal: OSKVLVM Edia Connole Wings Flock to My Crypt, I Fly to My Throne: On Inquisition's Esoteric Floating Tomb Nicola Masciandaro Symposium Photographs Oyku Tekten APPENDIX Bound to Metal (Interview with Edia Connole for Legacy) Dominik Irtenkauf Theoria e praxis del Black Metal (Interview by Fabio Selvafiorita for L'Intellettuale Dissidente) Nicola Masciandaro"

Black Metal Theory Symposium

Mors Mystica

Hermes Or a Philosophical Inquiry Concerning Universal Grammar. 4. Ed. Rev. A. Corr

Lucius Seneca

Sobre A Brevidade Da Vida � um ensaio moral escrito por S�neca o Jovem, um fil�sofo estoico romano, para seu padrasto Paulinus. O fil�sofo nos traz muitos princ�pios estoicos sobre a natureza do tempo, principalmente a que os homens desperdi�am muito do seu pr�prio tempo em persegui��es sem sentido. De acordo com o ensaio, a natureza d� ao homem tempo o suficiente para fazer o que � realmente importante e o indiv�duo precisa permitir que isso aconte�a propriamente. No geral, o tempo pode ser melhor usado no estudo da filosofia, de acordo com S�neca.Este ensaio foi cuidadosamente adaptado para uma forma contempor�nea para permitir uma f�cil leitura.

Séneca - Sobre a Brevidade Da Vida: Adaptado Para Leitores Contemporâneos

Epictetus

The Discourses of Epictetus are a series of extracts of the teachings of the Stoic philosopher Epictetus. There were originally eight books, but only four now remain in their entirety.

Book 1 Adapted for the Contemporary Reader

Discourses

Between the winter of 1936 and the autumn of 1938, approximately three quarters of a million Soviet citizens were subject to summary execution. More than a million others were sentenced to lengthy terms in labour camps. Commonly known as 'Stalin's Great Terror', it is also among the most misunderstood moments in the history of the twentieth century. The Terror gutted the ranks of factory directors and engineers after three years in which all major plan targets were met. It raged through the armed forces on the eve of the Nazi invasion. The wholesale slaughter of party and state officials was in danger of making the Soviet state ungovernable. The majority of these victims of state repression in this period were accused of participating in counter-revolutionary conspiracies. Almost without exception, there was no substance to the claims and no material evidence to support them. By the time the terror was brought to a close, most of its victims were ordinary Soviet citizens for whom 'counter-revolution' was an unfathomable abstraction. In short, the Terror was wholly destructive, not merely in terms of the incalculable human cost, but also in terms of the interests of the Soviet leaders, principally Joseph Stalin, who directed and managed it. The Great Fear presents a new and original explanation of Stalin's Terror based on intelligence materials in Russian archives. It shows how Soviet leaders developed a grossly exaggerated fear of conspiracy and foreign invasion and lashed out at enemies largely of their own making.

Stalin's Terror of the 1930s

The Great Fear

Santa Monica Pier now stands as the last remnant of the bay's once many pleasure piers. For over 100 years it has captured the imagination of its many visitors. This collection of vintage images, artwork, history and treasured lore offers readers the opportunity to travel through time.

A Century on the Last Great Pleasure Pier

Santa Monica Pier

With an Account of His Life and Character

The Works of James Harris, Esq

With an Account of His Life and Character : in Two Volumes

The Works

Donald Burrows

Rosemary Dunhill

James Harris (1709-80) was an author of philosophical treatises and an enthusiastic amateur musician who directed the concerts and music festivals at Salisbury for nearly fifty years. His family and social circle had close connections with London's music-making: his brother was a witness to Handel's will, and his correspondents sent him lively reports on all aspects of musical life in the capital-opera, oratorio, concerts, but also about the leading performers, music copyists, and instrument makers. In 1761 Harris became a member of Parliament and thereafter divided his time between London and Salisbury. His letters and diaries provide an unrivalled record of concert- and theatre-going in London, including exchanges of letters with David Garrick about a production at Drury Lane. As his children grew up an engaging family correspondence emerged. We learn of his daughters' involvement in concerts and amateur theatrical productions; his son, who pursued a diplomatic career, reported on operas, concerts, and plays in the court of Frederick the Great and Catherine the Great. Now, for the first time, it is possible to enjoy in full the lively first-hand descriptions from Harris's family papers, which contribute fascinating insights into contemporary eighteenth-century musical and theatrical life.

The Family Papers of James Harris, 1732-1780

Music and Theatre in Handel's World

Hermes

Throughout history, nature has served as an inspiration for architecture and designers have tried to incorporate the harmonies and patterns of nature into architectural form. Alberti, Charles Renee Macintosh, Frank Lloyd Wright, and Le Courbusier are just a few of the well- known figures who have taken this approach and written on this theme. With the development of fractal geometry--the study of intricate and interesting self- similar mathematical patterns--in the last part of the twentieth century, the quest to replicate nature’s creative code took a stunning new turn. Using computers, it is now possible to model and create the organic, self-similar forms of nature in a way never previously realized. In Fractal Architecture, architect James Harris presents a definitive, lavishly illustrated guide that explains both the “how” and “why” of incorporating fractal geometry into architectural design.

Organic Design Philosophy in Theory and Practice

Fractal Architecture

The Epistulae morales ad Lucilium (Latin for moral letters to Lucilius) are a collection of 124 letters which were written by Seneca at the end of his life, during his retirement, and written after he had worked for the Emperor Nero for fifteen years. They are addressed to Lucilius, the then procurator of Sicily. The letters highlight many moral and ethical ways to live, and address many of the issues known to man, about life and death. These letters have been carefully adapted into a contemporary format to allow for easy reading and understanding. This is part one of three which contains letters 41 - 82.

Seneca - Letters from a Stoic: Part 2 (Letters 42 - 82) Adapted for the Contemporary Reader

Sarah Davies

Drawing on declassified material from Stalin’s personal archive, this is the first systematic attempt to analyze how Stalin saw his world—both the Soviet system he was trying to build and its wider international context. Stalin rarely left his offices and viewed the world largely through the prism of verbal and written reports, meetings, articles, letters, and books. Analyzing these materials, Sarah Davies and James Harris provide a new understanding of Stalin’s thought process and leadership style and explore not only his perceptions and misperceptions of the world but the consequences of these perceptions and misperceptions.

Dictating the Soviet Order

Stalin's World

"This book discusses different arrangements and principles of philosophy. Most of the speculations contained in this work are not the author's own, but the speculations of ancient and respectable philosophers. His employ has been no more than to exhibit what they taught, which he has endeavoured to do after the best manner he was able. The perusal of old doctrines may afford perhaps amusement if it be true (as he has observed in another place), that, what from it's antiquity is but little known, has from that very circumstance the recommendation of novelty". (PsycINFO Database Record (c) 2009 APA, all rights reserved).

Philosophical Arrangements

Between the winter of 1936 and the autumn of 1938, approximately three quarters of a million Soviet citizens were subject to summary execution. More than a million others were sentenced to lengthy terms in labour camps. Commonly known as "Stalin's Great Terror", it is also among the mostmisunderstood moments in the history of the twentieth century. The Terror gutted the ranks of factory directors and engineers after three years in which all major plan targets were met. It raged through the armed forces on the eve of the Nazi invasion. The wholesale slaughter of party and stateofficials was in danger of making the Soviet state ungovernable. The majority of these victims of state repression in this period were accused of participating in counter-revolutionary conspiracies. Almost without exception, there was no substance to the claims and no material evidence to supportthem. By the time the terror was brought to a close, most of its victims were ordinary Soviet citizens for whom "counter-revolution" was an unfathomable abstraction. In short, the Terror was wholly destructive, not merely in terms of the incalculable human cost, but also in terms of the interests ofthe Soviet leaders, principally Joseph Stalin, who directed and managed it. The Great Fear presents a new and original explanation of the Stalin's Terror based on intelligence materials in Russian archives. It shows how Soviet leaders developed a grossly exaggerated fear of conspiracy and foreign invasion and lashed out at enemies largely of their own making.

The figure of Joseph Stalin has always provoked heated and often polarized debate. The recent declassification of a substantial portion of Stalin's archive has made possible this fundamental new assessment of the Soviet leader. In this groundbreaking 2005 study, leading international experts challenge many assumptions about Stalin from his early life in Georgia to the Cold War years with contributions ranging across the political, economic, social, cultural, ideological and international history of the Stalin era. The volume provides a deeper understanding of the nature of Stalin's power and of the role of ideas in his politics, presenting a more complex and nuanced image of one of the most important leaders of the twentieth century. This study is without precedent in the field of Russian history and will prove invaluable reading for students of Stalin and Stalinism.

A New History

Stalin

In Three Parts

Philological Inquiries

The 'Cantar del Mio Cid' (The Poem of El Cid) is the oldest Spanish epic poem preserved. It's based on the true story of Rodrigo Díaz de Vivar, known as El Cid, and it takes place during the Spanish Reconquest. It's the first known extensive narrative work of the Spanish literature written in a Romance language, and it was composed around 1200.This text has been carefully written in modern English to allow for easy reading.

James Harris

Books

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