Julian Holloway

James Kneale

Abstract: Recent work in human geography seems to support Roger Luckhurst's (2002) claim that the humanities and social sciences are undergoing a `spectral turn'. This paper is intended as a contribution to this `turn' and to assist those who might be interested in investigating haunting. It begins by discussing the meaning and value of ideas of haunting, identifying a number of ways in which it makes analysis productively hesitant. Second, since hauntings usually involve attempts to represent the unrepresentable, we would like to offer a practical guide for locating these awkward moments of hesitancy. Drawing upon a number of examples from films, literature and life we will discuss some of the ways in which ghosts may be made manifest, textually and materially. We will conclude by suggesting that in being hesitant and embracing indeterminacy we might open up new and potentially productive apprehensions of haunted spaces and the enchanting energetics that are particular to them

Locating Haunting: a Ghost-hunter's Guide

Rob Kitchin

Science fiction - one of the most popular literary, cinematic and televisual genres - has received increasing academic attention in recent years. For many theorists science fiction opens up a space in which the here-and-now can be made strange or remade; where virtual reality and cyborg are no longer gimmicks or predictions, but new spaces and subjects. Lost in space brings together an international collection of authors to explore the diverse geographies of spaceexploring imagination, nature, scale, geopolitics, modernity, time, identity, the body, power relations and the representation of space. The essays explore the writings of a broad selection of writers, including J.G.Ballard, Frank Herbert, Marge Piercy, Kim Stanley Robinson, Mary Shelley and Neal Stephenson, and films from Bladerunner to Dark City, The Fly, The Invisible Man and Metropolis.

James Kneale

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