Richard Palliser

James Vigus

Three well-known opening experts get together to take a revolutionary look at Flank Openings. They concentrate on fresh or little-explored variations, selecting a wealth of ‘dangerous’ options for both colours.

Flank Openings: Dazzle Your Opponents!

Dangerous Weapons:

"The ambivalent curiosity of the young poet Samuel Taylor Coleridge (1772-1834) towards Plato - 'but I love Plato - his dear gorgeous nonsense!' - soon developed into a philosophical project, and the mature Coleridge proclaimed himself a reviver of Plato's unwritten or esoteric 'systems'. James Vigus's study traces Coleridge's discovery of a Plato marginalised in the universities, and examines his use of German sources on the 'divine philosopher', and his Platonic interpretation of Kant's epistemology. It compares Coleridge's figurations of poetic inspiration with models in the Platonic dialogues, and investigates whether Coleridge's esoteric 'system' of philosophy ultimately fulfilled the Republic's notorious banishment of poetry."

Platonic Coleridge

"One of many writers inspired by Laurence Sterne's Tristram Shandy, the German novelist Jean Paul Richter coined the term 'Shandean humour' in his work of aesthetic theory. The essays in this volume investigate how Sterne's humour functions, the reasons for its enduring appeal, and what role it played in identity-construction and in the representation of melancholy. In tracing its hitherto under-recognised impact both on literary writers, such as Jean Paul and Herman Melville, and on philosophers, including Hegel and Marx, the collection reveals that Shandean humour is a Grenzganger - a point of commerce not only between Anglophone and German discourses, but also between literature and philosophy. Klaus Vieweg is Professor of Philosophy at the Friedrich Schiller University of Jena; James Vigus is postdoctoral research fellow at the Department of English and American Studies, Ludwig Maximilian University of Munich; Kathleen M. Wheeler is Reader in English Literature at the University of Cambridge."

Shandean Humour in English and German Literature and Philosophy

Henry Crabb Robinson

It is usually assumed that the only British Romantic writer who engaged meaningfully with German philosophy was S. T. Coleridge. This edition disproves that assumption. The book collects thirteen essays and one set of lecture notes written by Henry Crabb Robinson during his period in Germany (1800-1805). Robinson, though generally considered no more than a reporter on the activities of more eminent friends, in fact wrote a series of 'Letters on the Philosophy of Kant', distinguished for their clarity, accuracy, and liveliness. Furthermore, his lecture notes on Schelling and German aesthetics provide a valuable guide to the key German texts.

Essays on Kant, Schelling, and German Aesthetics

The ambivalent curiosity of the young poet Samuel Taylor Coleridge (1772-1834) towards Plato -- 'but I love Plato -- his dear gorgeous nonsense!' -- soon developed into a philosophical project, and the mature Coleridge proclaimed himself a reviver of Plato's unwritten or esoteric 'systems'. James Vigus's study traces Coleridge's discovery of a Plato marginalised in the universities, and examines his use of German sources on the 'divine philosopher', and his Platonic interpretation of Kant's epistemology. It compares Coleridge's figurations of poetic inspiration with models in the Platonic dialogues, and investigates whether Coleridge's esoteric 'system' of philosophy ultimately fulfilled the Republic's notorious banishment of poetry.

James Vigus

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