George Garrett

Jane R. Gelfman

Film Scripts: A hard day's night. The best man. Darling

Film Scripts: The apartment. The misfits. Charade

Osborne Bennett Hardison (Jr.)

Film Scripts: Henry V. The big sleep. A streetcar named Desire

George P. Garrett

O. B. Hardison, Jr.

(Applause Books). The Film Scripts Series is a new printing of some of the greatest screenplays ever written. Each of the four volumes in the series edited by George P. Garrett, O. B. Hardison, Jr., and Jane R. Gelfman contains three classic shooting scripts written by some of the finest writers to ever work in Hollywood. Every volume also features a highly informative introduction, a glossary of technical terms, an extensive bibliography, and the credits for each film. These enduring screenplays will be of great interest to the general film buff, the aspiring screenwriter, and the professional filmmaker. Of particular value to the screenwriter and filmmaker is the fact that all scripts are printed in standard screenplay format. Film Scripts One features: Henry V (1946, United Artists, reissue 2007, Park Circus-UK): Script by Laurence Olivier and Reginald Beck; Directed and produced by Laurence Olivier; Academy Award for Laurence Olivier (honorary award for his outstanding achievement as actor, producer, and director); Academy Award nominations for best picture, best actor (Laurence Olivier), best art direction, and best score. The Big Sleep (1946, Warner Bros. Pictures): Script by William Faulkner, Leigh Brackett, and Jules Furthman, based on the novel by Raymond Chandler; Directed by Howard Hawks; Starring Humphrey Bogart and Lauren Bacall. A Streetcar Named Desire (1951, Warner Bros. Pictures): Script by Tennessee Williams, adaptation by Oscar Saul; Directed by Elia Kazan; Starring Marlon Brando, Kim Hunter, Vivien Leigh, and Karl Malden; Academy Awards for Vivien Leigh, Kim Hunter, Karl Malden, and best art direction; Academy Award nomination for Marlon Brando.

Henry V/ The Big Sleep/ A Streetcar Named Desire

Film Scripts One

(Applause Books). The Film Scripts Series is a new printing of some of the greatest screenplays ever written. Each of the four volumes in the series edited by George P. Garrett, O. B. Hardison, Jr., and Jane R. Gelfman contains three classic shooting scripts written by some of the finest writers to ever work in Hollywood. Every volume also features a highly informative introduction, a glossary of technical terms, an extensive bibliography, and the credits for each film. These enduring screenplays will be of great interest to the general film buff, the aspiring screenwriter, and the professional filmmaker. Of particular value to the screenwriter and filmmaker is the fact that all scripts are printed in standard screenplay format. Film Scripts Two features: High Noon (1952, United Artists): Script by Carl Foreman; Directed by Fred Zinnemann; Starring Gary Cooper and Grace Kelly; Academy Awards for Gary Cooper, best film editing, best song, and best score; Academy Award nominations for best picture, best director, and best writing. Twelve Angry Men (1957, United Artists): Script by Reginald Rose; Directed by Sidney Lumet; Starring Martin Balsam, Lee J. Cobb, E. G. Marshall, Jack Klugman, and Henry Fonda; Academy Award nominations for best picture, best director, and best writing. The Defiant Ones (1958, United Artists): Script by Nathan E. Douglas and Harold Jacob Smith; Directed by Stanley Kramer; Starring Tony Curtis, Sidney Poitier, Theodore Bikel, and Lon Chaney; Academy Awards for best writing and best cinematography; Academy Award nominations for Tony Curtis, Theodore Bikel, best picture, best director, and best film editing.

High Noon, Twelve Angry Men, The Defiant Ones

Film Scripts Two

O. B. Hardison

Film Scripts: High noon. Twelve angry men. The defiant ones

"12 Angry Men" (1957, United Artist), with a script by Reginald Rose, directed by Sydney Lumet, starring Martin Balsam, Lee J. Cobb, E.G. Marshall, Jack Klugman and Henry Fonda. It received Academy Award nominations for best picture, best director, best screenplay based on material from another medium.

Jane R. Gelfman

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