Giovanna Borasi

Mirko Zardini

Francesco Garutti

Jayne Kelley

Albert Ferré

The Museum Is Not Enough is the result of collective reflections on architecture, contemporary social concerns, institutions, and the public undertaken by the CCA in recent years. Building on years of thematic investigations and of a continued questioning of the role of cultural institutions and the issues they face today, the book puts forward the CCA's own positions and opens them up to a dialogue with designers, curators, photographers, publishers, and other institutions who ask themselves similar questions. This publication is conceived as the first volume of a yearly magazine, with which the CCA will explore urgent questions defining its curatorial activity. Topics addressed in this volume include the institution's engagement with the present, the significance of the archive as a site for the production of new ideas, display strategies in architecture exhibitions, the need for mediation in art, and the impact of the digital in current museum practices. Contributors Noura Al Sayeh, Greg Barton, Ruth Estévez, Fredi Fischli and Niels Olsen, Stefano Graziani, Dan Handel, Martin Huberman, Wilfred Kuehn, Kalle Lasn, Maria Lind, Kieran Long, Ligia Nobre, Mike Pepi, Damon Rich, Filippo Romano, Mika Savela, Bernd Scherer, Jack Self, Astria Suparak, Shirley Surya, Jesús Vassallo, James Voorhies, and Mark Wigley Published by Sternberg Press and the Canadian Centre for Architecture (CCA)

The Museum Is Not Enough

Alex Lehnerer

Jared Macken

Lorenzo Stieger

Robert E Somol

25 towns in the Wild West are the protagonists in this book, including famous places like El Paso, Rio Bravo, and Lahood-not as clichés, but as constructed reality. Detailed maps offer a previously non-existent overview of spatial contexts and form the basis for an intensive exploration of architecture and urban planning. The culture of the "city without a future" in the American West between 1860 and 1900 has been maintained in the films out of which it arises. This architectural analysis does not attempt to nostalgically reactivate the Western town, but uses it instead as a vehicle to critique contemporary phenomena in terms of infrastructure, the link between architecture and city, and the role of urban planning-after the Stranger persuaded the residents of Lago to paint the whole town red, he declared himself ready to protect it from the approaching gunmen. With maps of the towns from the following films (selected): 'A Fistful of Dollars' (1964), 'Buchanan Rides Alone' (1958), 'For a Few Dollars More' (1965), 'Fort Apache' (1948).

A Theory of Aggregation

The Western Town

Jayne Kelley

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