Imre Szeman

Jeff Diamanti

Energy Culture is a provocative book about oil's firm grip on our politics and everyday lives. It brings together essays and artwork produced in a collaborative environment to stimulate new ways of thinking and to achieve a more just and sustainable world. The original work collected in Energy Culture creatively engages energy as a social form through lively arguments and artistic research organized around three vectors of inquiry. The first maps how fossil fuels became, and continue to be, embedded in North American society, from the ideology of tar sands reclamation projects to dreams of fiber optic cables running through the Northwest Passage. The second comprises creative and artistic responses to the dominance of fossil fuels in everyday life and to the challenge of realizing new energy cultures. The final section addresses the conceptual and political challenges posed by energy transition and calls into question established views on energy. Its contributions caution against solar capitalism, explore the politics of sabotage, and imagine an energy efficient transportation system called "the switch." Imbued with a sense of urgency and hope, Energy Culture exposes the deep imbrications of energy and culture while pointing provocatively to ways of thinking and living otherwise.

Art and Theory on Oil and Beyond

Energy Culture

Jeff Diamanti describes the destructive relationship between climate and capital through the exponential growth of the petroleum industry over the last 40 years. Building on key insights in the environmental and energy humanities, Diamanti introduces the concept of the 'terminal landscape' as a site of storage, transformation and transition, essential to critical ecology in the 21st century. Climate and Capital in the Age of Petroleum presents these scenes of transformation as sites through which post-industrial capitalism distributes fossil fuels into the world. Diamanti uses this concept to redefine the post-industrial landscape by revealing the global flows of exchange and storage that precede the distribution of fossil fuels into the world as social form. Advancing a new media theory of energy, fossil fuels and other finite resources become new types of distributable media. Through this line of thinking, the book makes solid connections between media technologies and energy cultures that help to shape a radical critique of the current energy infrastructure that characterises global capitalism. Arguing that this infrastructure rests on millennia of compact matter, centuries of colonial violence, and decades of technological development, Diamanti's analysis deepens our understanding of the environment as a 'terminal landscape' through case studies of oil companies, countries, artworks, and historical events. Using his under-examined typology of global energy further theorises and politicises the climate crisis for scholars and activists alike.

Locating Terminal Landscapes

Climate and Capital in the Age of Petroleum

Andrew Pendakis

There are very few figures in history that have exerted as much and as varied an influence as Karl Marx. His work represents an unrivalled intervention into fields as various as philosophy, journalism, economics, history, politics and cultural criticism. His name is invoked across the political spectrum in connection to revolution and insurrection, social justice and economic transformation. The Bloomsbury Companion to Marx is the definitive reference guide to Marx's life and work. Written by an international team of leading Marx scholars, the book offers comprehensive coverage of Marx's: life and contexts; sources, influences and encounters; key writings; major themes and topics; and reception and influence. The defining feature of this Companion is its attention to the new directions in Marxism that animate the theoretical, scientific, and political sides of Marx's thought. Gender and the growing importance of Marxist-feminism is treated as equally important to clarifying Marx today as traditional and diverse categories of critique such as class, capital, and mode of production. Similarly, this Companion showcases the methodological and political importance of Marxism to environmentalist politics. Finally, the volume examines in detail non-European Marxisms, demonstrating the centrality of Marxist thought to political movements both within and beyond the global north. This book is the ideal research resource for anyone working on Marx and his ideas today, and as an entry point, if you are approaching Marx's thought for the first time.

The Bloomsbury Companion to Marx

Lynn Badia

Marija Cetinić

This book sets forth a new research agenda for climate theory and aesthetics for the age of the Anthropocene. It explores the challenge of representing and conceptualizing climate in the era of climate change. In the Anthropocene when geologic conditions and processes are primarily shaped by human activity, climate indicates not only atmospheric forces but the gamut of human activity that shape these forces. It includes the fuels we use, the lifestyles we cultivate, the industrial infrastructures and supply chains we build, and together these point to the possible futures we may encounter. This book demonstrates how every weather event constitutes the climatic forces that are as much social, cultural, and economic as they are environmental, natural, and physical. By foregrounding this fundamental insight, it intervenes in the well-established political and scientific discourses of climate change by identifying and exploring emergent aesthetic practices and the conceptual project of mediating the various forces embedded in climate. This book is the first to sustain a theoretical and analytical engagement with the category of realism in the context of anthropogenic climate change, to capture climate’s capacity to express embedded histories, and to map the formal strategies of representation that have turned climate into cultural content.

The Aesthetics of Weather and Atmosphere in the Anthropocene

Climate Realism

Marija Cetinic

This book sets forth a new research agenda for climate theory and aesthetics for the age of the Anthropocene. It explores the challenge of representing and conceptualizing climate in the era of climate change. In the Anthropocene when geologic conditions and processes are primarily shaped by human activity, climate indicates not only atmospheric forces but the gamut of human activity that shape these forces. It includes the fuels we use, the lifestyles we cultivate, the industrial infrastructures and supply chains we build, and together these point to the possible futures we may encounter. This book demonstrates how every weather event constitutes the climatic forces that are as much social, cultural, and economic as they are environmental, natural, and physical. By foregrounding this fundamental insight, it intervenes in the well-established political and scientific discourses of climate change by identifying and exploring emergent aesthetic practices and the conceptual project of mediating the various forces embedded in climate. This book is the first to sustain a theoretical and analytical engagement with the category of realism in the context of anthropogenic climate change, to capture climate's capacity to express embedded histories, and to map the formal strategies of representation that have turned climate into cultural content.

Jeff Diamanti

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