Jennifer Spinks

Susan Broomhall

Employing an innovative range of materials from written sources to artworks, material objects, heritage sites and urban precincts, and combining historical, historiographical, museological, and touristic analysis, this study investigates how late medieval and early modern women of the Low Countries expressed themselves, how they were represented by contemporaries, and how they have been interpreted in modern academic and popular contexts.

Feminizing Sources and Interpretations of the Past

Early Modern Women in the Low Countries

Combining historical, historiographical, museological, and touristic analysis, this study investigates how late medieval and early modern women of the Low Countries expressed themselves through texts, art, architecture and material objects, how they were represented by contemporaries, and how they have been interpreted in modern academic and popular contexts. Broomhall and Spinks analyse late medieval and early modern women's opportunities to narrate their experiences and ideas, as well as the processes that have shaped their representation in the heritage and cultural tourism of the Netherlands and Belgium today. The authors study female-authored objects such as familial and political letters, dolls' houses, account books; visual sources, funeral monuments, and buildings commissioned by female patrons; and further artworks as well as heritage sites, streetscapes, souvenirs and clothing with gendered historical resonances. Employing an innovative range of materials from written sources to artworks, material objects, heritage sites and urban precincts, the authors argue that interpretations of late medieval and early modern women's experiences by historians and art scholars interact with presentations by cultural and heritage tourism providers in significant ways that deserve closer interrogation by feminist researchers.

Presents an exmination of printed representations of monstrous births in German-speaking Europe from the end of the fifteenth century and through the sixteenth century, beginning with a seminal series of broadsheets from the late 1490s by humanist Sebastian Brant, and including prints by Albrecht Durer and Hans Burgkmair.

Monstrous Births and Visual Culture in Sixteenth-Century Germany

Dagmar Eichberger

This volume brings together some of the most exciting current scholarship on these themes. This interdisciplinary and geographically broad-ranging volume pays tribute to the ground-breaking work of Charles Zika.

An album amicorum for Charles Zika

Religion, the Supernatural and Visual Culture in Early Modern Europe

Charles Zika

In late medieval and early modern Europe, textual and visual records of disaster and mass death allow us to encounter the intense emotions generated through the religious, providential and apocalyptic frameworks that provided these events with meaning. This collection brings together historians, art historians, and literary specialists in a cross-disciplinary collection shaped by new developments in the history of emotions. It offers a rich range of analytical frameworks and case studies, from the emotional language of divine providence to individual and communal experiences of disaster. Geographically wide-ranging, the collection also analyses many different sorts of media: from letters and diaries to broadsheets and paintings. Through these and other historical records, the contributors examine how communities and individuals experienced, responded to, recorded and managed the emotional dynamics and trauma created by dramatic events like massacres, floods, fires, earthquakes and plagues.

Disaster, Death and the Emotions in the Shadow of the Apocalypse, 1400–1700

Cathy Leahy

Europe experienced great turmoil between the fifteenth and seventeenth centuries. Bitter religious conflicts, war and other disasters such as plague and famine generated deep anxieties and were increasingly read as divine punishments or warnings that the Last Days were imminent. Artists gave expression to these fears in a range of extraordinary images that are analysed in depth in this publication. Illustrations of the Apocalypse, as well as images of skeletons personifying Death, and of physically deformed creatures, extreme natural phenomena and diabolical witches were all manifestations of the sense of impending social and religious crisis. Lavishly illustrated with works by artists including Albrecht Drer, Jacques de Gheyn II and Stefano della Bella, The Four Horsemen: Apocalypse, Death and Disaster provides a fascinating insight into the art, culture and turbulent times in later medieval, Renaissance and early modern Europe.

Jennifer Spinks

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