Jeroen Dewulf

"This book presents a provocatively new interpretation of one of New Orleans's most enigmatic traditions--the Mardi Gras Indians. By interpreting the tradition in an Atlantic context, Dewulf traces the 'black Indians' back to the ancient Kingdom of Kongo and its war dance known as sangamento. He shows that good warriors in the Kongo kingdom were per definition also good dancers, masters of a technique of dodging, spinning, and leaping that was crucial in local warfare. Enslaved Kongolese brought the rhythm, dancing moves, and feathered headwear of sangamentos to the Americas in performances that came to be known as 'Kongo dances.' By comparing Kongo dances on the African island of Saao Tomae with those in Latin America, the Caribbean, and Louisiana, Dewulf demonstrates that the dances in New Orleans's Congo Square were part of a much broader Kongolese performance tradition. He links that to Afro-Catholic mutual-aid societies that honored their elected community leaders or 'kings' with Kongo dances. While the public rituals of these brotherhoods originally thrived in the context of Catholic procession culture around Epiphany and Corpus Christi, they transitioned to carnival as a result of growing orthodoxy within the Church. Dewulf's groundbreaking research suggests a much greater impact of Kongolese traditions and of popular Catholicism on the development of African American cultural heritage and identity. His conclusions force us to radically rethink the traditional narrative on the Mardi Gras Indians, the kings of Zulu, and the origins of black participation in Mardi Gras celebrations"--Provided by publisher.

Kongo Dances and the Origins of the Mardi Gras Indians

From the Kingdom of Kongo to Congo Square

Olf Praamstra

Michiel van Kempen

While the inclusion of a hybrid perspective to highlight local dynamics has become increasingly common in the analysis of both colonial and postcolonial literature, the dominant intercontinental connection in the analysis of this literature has remained with the (former) motherland. The lack of attention to intercontinental connections is particularly deplorable when it comes to the analysis of literature written in the language of a former colonial empire that consisted of a global network of possessions. One of these languages is Dutch. While the seventeenth-century Dutch were relative latecomers in the European colonial expansion, they were able to build a network that achieved global dimensions. With West India Company (WIC) operations in New Netherland on the American East Coast, the Caribbean, Northeastern Brazil and the African West Coast, and East India Company (VOC) operations in South Africa, the Malabar, Coromandel and the Bengal coast in India, Ceylon (Sri Lanka), Malacca in Malaysia, Ayutthaya in Siam (Thailand), Tainan in Formosa (Taiwan), Deshima in Japan and the islands of the Southeast Asian archipelago, the Dutch achieved dominion over global trade for more than a century. Paraphrasing Paul Gilroy, one could argue that there was not just a “Dutch Atlantic” in the seventeenth century but rather a “Dutch Oceanus.” Despite its global scale, the intercultural dynamics in the literature that developed in this transoceanic network have traditionally been studied from a Dutch and/or a local perspective but rarely from a multi-continental one. This collection of articles presents new perspectives on Dutch colonial and postcolonial literature by shifting the compass of analysis. Naturally, an important point of the compass continues to point in the direction of Amsterdam, The Hague and Leiden, be it due to the use of the Dutch language, the importance of Dutch publishers, readers, media and research centers, the memory of Dutch heritage in libraries and archives or the large number of Dutch citizens with roots in the former colonial world. Other points of the compass, however, indicate different directions. They highlight the importance of pluricontinental contacts within the Dutch global colonial network and pay specific attention to groups in the Dutch colonial and postcolonial context that have operated through a network of contacts in the diaspora such as the Afro-Caribbean, the Sephardic Jewish and the Indo-European communities.

Pluricontinental Connections in Dutch Colonial and Postcolonial Literature

Shifting the Compass

Rosmarie Zeller

Hugo Loetscher: Weltreisender, Verfasser essayistischer Prosa, Lyriker, Vollblutepiker und Citoyen - hochkarätige Beiträge illustrieren die verschiedenen Facetten von Person und Werk.

Reden und Aufsätze über Hugo Loetscher

In alle Richtungen gehen

Filip Van Immerseel

Globally, the way the animal production industry copes with infectious diseases is changing. The (excessive) use of antimicrobials is under debate and it is becoming standard practice to implement thorough biosecurity plans on farms to prevent the entry and spread of pathogenic micro-organisms. Not only in farm animal production, but also in facilities where companion animals are kept, including in veterinary practices and clinics, awareness of the beneficial implications of a good biosecurity plan has raised. The book Biosecurity in Animal Production and Veterinary Medicine is the first compilation of both fundamental aspects of biosecurity practices, and specific and practical information on the application of the biosecurity measures in different animal production and animal housing settings.

Biosecurity in Animal Production and Veterinary Medicine

The first book to offer a complete story of the extraordinary proliferation of Dutch clandestine literature under the Nazi occupation.

Jeroen Dewulf

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