Anindya Sinha

Jerri Daboo

Sharada Srinivasan

Cathy Turner

This edited volume considers performance in its engagement with expanding Indian cities, with a particular focus on festivals and performances in Karnataka, Tamil Nadu and Kerala. The editors ask how performance practices are affected by urbanisation, the effects of such changes on their cultural economy, and the environmental impacts of performance itself. This project also considers how performance responds to its context, and the potential for performance to be critical of the city’s development, and of its own compromises. Bringing together perspectives from the humanities, natural and social sciences, the book takes a multi-faceted analytical view of live performance, connecting contemporary with heritage forms, and human with more-than-human actors. The three sections, themed around heritage, everyday life, and future ecologies, will be of great interest to students and scholars in performance, heritage studies, ecology and art history.

Insights from South India

Performance at the Urban Periphery

This book was awarded a Special Mention Citation in the 2010 competition for the 'de la Torre Bueno Prize' by The Society of Dance History Scholars. In the region of Salento in Southern Italy, the music and dance of the pizzica has been used in the ritual of tarantism for many centuries as a means to cure someone bitten by the taranta spider. This book, a historical and ethnographic study of tarantism and pizzica, draws upon seven hundred years of writings about the ritual contributed by medical practitioners, scientists, travel writers and others. It also investigates the contemporary revival of interest in pizzica music and dance as part of the 'neo-tarantism' movement, where pizzica and the history of tarantism form a complex web of place, culture and identity for Salentines today. This is one of the first books in English to explore this fascinating ritual practice and its contemporary resurgence. It uses an interdisciplinary framework based in performance studies to ask wider questions about the experience of the body in performance, and the potential of music and dance to create a sense of personal and collective transformation and efficacy.

A Study of Tarantism and Pizzica in Salento

Ritual, Rapture and Remorse

Jirayudh Sinthuphan

This edited collection examines culture and identity in Indian diaspora communities in Southeast Asia, and the UK. Using methodologies such as transnational and diaspora studies, history, autoethnography and family histories, the contributions here explore the movements of people from the Indian subcontinent across generations to a wide range of countries. Cultural practices including the use of performance, food, rituals, religion, education, employment, and names demonstrate how identities and practices are preserved, as well as adapted, in new contexts. This offers original insights into tr.

Jerri Daboo

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