Jessica Ullrich

Kassandra Nakas

Artists and the public alike have always been fascinated by obscene imagery. The Obscene, however, is difficult to define. One of the earliest interpretations is of Greek origin and argues that the word derives from "ob skene", indicating the space behind the stage or scene. "Off-scene" remains what should be hidden from public view, be it morally questionable, offensive, disgusting or unbearable to look at. This book presents a collection of essays that cast light on some "Scene of the Obscene" in art and visual culture from the Middle Ages to today, taking into consideration the malleable nature of socio-cultural assumptions and theoretical reflections on the topic.The contributions focus on historically distinct artistic acts and social sites where established cultural categories and legal norms are violated, with artists and publishers deliberately breaking moral taboos and offending the public taste. They discuss how society reacted to these transregressions and how obscenity and its conceptions shape the face of their respective time.

The Non-Representable in Art and Visual Culture, Middle Ages to Today

Scenes of the Obscene

Rod Bennison

Alma Massaro

Table of Contents: Of Cows and Women: Gendered Human-Animal Relationships in Finnish Agriculture, Taija Kaarlenkaski - Alpha: the Figure in the Cage, Juliet MacDonald - The Living in Lucretius’ De rerum natura. Animals’ ataraxia and Humans’ Distress, Alma Massaro - “Low down Dirty Rat”: Popular and Moral Responses to Possums and Rats in Melbourne, Siobhan O’Sullivan, Barbara Creed, Jenny Gray - Animal Perceptions in Animal Transport Regulations in the EU and in Finland, Outi Ratamäki - Boundary Transgressions: the Human-Animal Chimera in Science Fiction, Evelyn Tsitas - Animal Music, Jessica Ullrich - The Inspiring Journey of SIUA through Animal Lives, Eleonora Adorni - Animal Theology, Gianfranco Nicora, Alma Massaro - A Bestiary in Five Fingers, Seán McCorry - A Pig Doesn't Make the Revolution, Valentina Sonzogni

Minding Animals: Part II

Relations 2.2 - November 2014

Tierstudien 21/2022

Tierliche Zukünfte

Table of Contents: Minding Animals. Editorial, Rod Bennison, Alma Massaro, Jessica Ullrich - Animal Deaths on Screen: Film & Ethics, Barbara Creed - Learning about the emotional lives of kangaroos, cognitive justice and environmental sustainability, Steve Garlick, Rosemary Austen - Captivating Creatures: Zoos, Marketing, and the Commercial Success of Yann Martel’s Life of Pi, Tanja Schwalm - The Multi-dimensional Donkey in Landscapes of Donkey-Human Interaction, Stephen Blakeway - Mind the gap! Musicians challenging limits of birdsong knowledge, Susanne Heiter - A clinical perspective on ‘theory of mind’, empathy and altruism: the hypothesis of somasia, Jean-Michel Le Bot - The spontaneous horse, Francesco De Giorgio, Jose Schoorl - Antispeciesisms, Alma Massaro - The Challenges of Technoscience for Critical animal studies, Marcel Sebastian - On dolphin personhood, Jessica Ullrich - Fifty Shades of Oppression: Unexamined Sexualized Violence against Women and Other Animals, Corey Lee Wrenn

Minding Animals: Part I

Relations 2.1 - June 2014

Alexandra Böhm

Der Band bestimmt den Begriff der Begegnung als eigene, bedeutungstragende Kategorie und fokussiert zum ersten Mal systematisch und historisch Fragen der Interaktion zwischen Menschen und Tieren in Philosophie, Kunst, Literatur und in sozio-kulturellen Praktiken. Einzelanalysen untersuchen die Formen und Funktionen der Interaktion zwischen unterschiedlichen Spezies sowie deren grundlegende Muster, die einerseits von Empathie, Achtsamkeit oder Agency gekennzeichnet sind, bzw. andererseits von Gewalt, Ausgrenzung, Widerständigkeit oder Konfrontation. Damit ergänzt die Publikation die Erforschung der Tier-Mensch-Beziehung um den zentralen Aspekt von ambivalenten Interspezies-Begegnungen, die zugleich destruktives und transformatives Potential offenbaren.

Jessica Ullrich

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