Nicolas Michaud

Jessica Watkins

Twenty-one philosophers investigate the implications of the Jurassic Park franchise for our lives, our values, and our future. Human beings live and thrive by modifying nature, but when do the risks of changing nature outweigh the likely benefits? If it's true that "Life will find a way," should we view any modified or newly reconstituted life as a hazard? The new scientific information we could gain by bringing back T. Rex or other dinosaurs is immense, but should we choose to let sleeping dinosaurs lie? And if we do bring them back by reconstituting them from ancient DNA, are they really what they were, or is something missing? How do the different forces -- human curiosity, profitability, and philanthropy -- interact to determine what actually happens in such cases? What moral standards should be applied to those who try to bring back lost worlds? The idea of bringing back the dead and the powerful is not limited to biological species. It also applies to bringing back old gods, old philosophies, old institutions, and old myths. If revived and once again let loose to walk the Earth, these too may turn out to be more dangerous than we bargained for.

The Truth is Terrifying

Jurassic Park and Philosophy

Elissa Milto

Merredith Portsmore

Mary McCormick

Morgan Hynes

"Picture your students designing a hearing aid for the main character in El Deafo-and then disguising it as a fashion accessory. Or imagine them helping the shipwrecked Swiss Family Robinson build a structure to keep them cool under the hot sun. Novel Engineering shows how your students can use anything from a picture book to a novel to a historical text as the basis for an engineering design challenge. This innovative resource will have your students pulling information from literature to identify a problem. Then, using details from the story, they'll apply the engineering design process to develop functional solutions for their "clients"-the book's characters. Novel Engineering provides you with plenty of practical guidance for integrating engineering and English language arts (ELA), including a thorough introduction to the concept and detailed implementation advice. But the book comes to life through five in-depth case studies featuring the use of novels, a biography, and a nonfiction historical text. In addition to demonstrating Novel Engineering projects in the classroom, the case studies let you practice thinking about what your own students' work could look like and how you would respond. You'll see that this approach doesn't require books outside your existing ELA or social studies curriculum or a specific building-materials kit. You'll also see that Novel Engineering can help you engage students in a powerful new way. As the authors write, "We have been encouraged by the excitement that students and teachers have shown for their work during Novel Engineering units. ... Students have taken ownership of their learning and are able to navigate the steps of the engineering design process, creating functional solutions to problems they have identified in texts.""--

An Integrated Approach to Engineering and Literacy

Novel Engineering, K-8

Frederic Wehrey

Jeffrey Martini

Dalia Dassa Kaye

Robert A. Guffey

Regardless of its outcome, the Iraq War has had a transformative effect on the Middle East. To equip U.S. policymakers to better manage the war's long-term consequences, the authors analyzed its effects on the regional balance of power, local perceptions of U.S. credibility, the domestic stability of neighboring states, and trends in terrorism after conducting extensive interviews in the region and drawing from an array of local media sources.

The Middle East After the Iraq War

The Iraq Effect

Iron Man or Captain America? Which one is superior—as a hero, as a role model, or as a personification of American virtue? Philosophers who take different sides come together in Iron Man versus Captain America to debate these issues and arrive at a deeper understanding of the strengths and weaknesses of these iconic characters. The discussion ranges over politics, religion, ethics, psychology, and metaphysics. John Altmann argues that Captain America’s thoughtful patriotism, is superior to Iron Man’s individualist-cosmopolitanism. Matthew William Brake also votes for Cap, maintaining that it’s his ability to believe in the impossible that makes him a hero, and in the end, he is vindicated. Cole Bowman investigates the nature of friendship within the Avengers team, focusing predominantly on the political and social implications of each side of the Civil War as the Avengers are forced to choose between Stark and Rogers. According to Derrida’s Politics of Friendship, Cap is the better friend, but that doesn’t make him the winner! Aron Ericson’s chapter tracks our heroes’ journeys in the movies, culminating with Civil War, where the original attitudes of Tony (trusts only himself) and Steve (trusts “the system”) are inverted. Corey Horn’s chapter focuses on one of the many tensions between the sides of Iron Man and Captain America—the side of Security (Iron Man) versus Liberty (Cap). But Maxwell Henderson contends that if we dig deeper into the true heart of the Marvel Civil War, it isn’t really about security or privacy but more about utilitarianism—what’s best for everybody. Henderson explains why Iron Man was wrong about what was best for everybody and discloses what the philosopher Derek Parfit has to say about evaluating society from this perspective. Daniel Malloy explains that while both Captain America and Iron Man have faced setbacks, only Iron Man has failed at being a hero—and that makes him the better hero! In his other chapter, Malloy shows that where Iron Man trusts technology and systems, Captain America trusts people. Jacob Thomas May explores loss from the two heroes’ points of view and explains why the more tragic losses suffered by Stark clearly make him the better hero and the better person. Louis Melancon unpacks how Captain America and Iron Man each embodies key facets of America attempts to wage wars: through attrition and the prophylactic of technology; neither satisfactorily resolves conflict and the cycle of violence continues. Clara Nisley tests Captain America and Iron Man’s moral obligations to the Avengers and their shared relationship, establishing Captain America’s associative obligations that do not extend to the arbitration and protection of humans that Iron Man advocates. Fernando Pagnoni Berns considers that while Iron Man is too much attached to his time (and the thinking that comes with it), Captain America embraces-historical values, and thinks that there are such things as intrinsic human dignity and rights—an ethical imperative. Christophe Porot claims that the true difference between Captain America and Iron Man stems from the different ways they extend their minds. Cap extends his mind socially while Stark extends his through technology. Heidi Samuelson argues that the true American spirit isn't standing up to bullies, but comes out of the self-interested traditions of liberal capitalism, which is why billionaire, former-arms-industry-giant Tony Stark is ultimately a more appropriate American symbol than Steve Rogers. By contrast, Jeffrey Ewing shows that the core of Captain America: Civil War centers on the challenge superpowers impose on state sovereignty (and the monopoly of coercion it implies). Nicol Smith finds that Cap and Shell-Head’s clash during the Civil War does not necessarily boil down to the issue of freedom vs. regulation but rather stems from the likelihood that both these iconic heroes are political and ideological wannabe supreme rules or “Leviathans.” Craig Van Pelt reconstructs a debate between Captain America and Iron Man about whether robots can ever have objective moral values, because human bias may influence the design and programming. James Holt looks into the nature of God within Captain America’s world and how much this draws on the “previous life” of Captain Steve Rogers. Holt’s inquiry focuses on the God of Moses in the burning bush, as contrasted with David Hume’s understanding of religion. Gerald Browning examines our two heroes in a comparison with the Greek gods Hephaestus and Hercules. Christopher Ketcham supposes that, with the yellow bustard wreaking havoc on Earth, God asks Thomas Aquinas to use his logical process from Summa Theologica to figure which one of the two superheroes would be better at fixing an economic meltdown, and which one would be better at preventing a war. Rob Luzecky and Charlene Elsby argue that gods cannot be heroes, and therefore that the god-like members of the Avengers (Iron Man, with a god’s intelligence; Thor, with a god’s strength, and the Hulk, with a god’s wrath) are not true heroes in the same sense as Captain America. Cap is like Albert Camus’s Sisyphus, heroic in the way that he rallies against abstract entities like the gods and the government.

Iron Man vs. Captain America and Philosophy

Series Order:Love Sick (Love, Sex, Lies -Volume 1)Love Hangover (Love, Sex, Lies- Volume 2)Grand Hustle (Love, Sex, Lies- Volume 3)Love Drug (Love, Sex, Lies- Volume 4)Bang (Love, Sex, Lies- Volume 5)Love Me Some Him (Love, Sex, Lies- Volume 6)Escorting, hustles, and scams were choices that Star made all on her own, but she would have never guessed that such decisions were going to land her in prison; serving time for two murder convictions and drug trafficking. Now, Star has been blessed with the opportunity to plea her innocence before the court yet again. Her sister, Tricey, is at every court appearance, praying for a miracle as she suffers through litigation in her own life between her loving boyfriend, Blood, and her jealous baby's father, Amiel. Victoria is fighting her own battles as well, as she struggles with the demons of addiction. Her mind is so far in the clouds that she isn't concerned about finding out who her real father is, nor does she realize that she is being thrown amongst the investigations secretly going on amongst Blood's organization. With the addition of Lyric and James' continuous lifestyle drama, Bang is a world wind of disloyalty, treachery, and drama. Lyric, Star, Victoria, and Tricey are back with the same fight, femininity, and fierceness. Friendships will be tested and there will be confirmations of faith. Will Star be found guilty? Will Vic find out who her biological father is? Find out how this tornado of trickery, suspense, and treachery unfolds in the newest edition of the Femistry series!

Bang (Love, Sex, Lies - Volume 5)

Who is the most truly heroic--Captain America or Iron Man? The writers in this book try to answer that question from many diverse viewpoints.

Iron Man Vs. Captain America and Philosophy

Twenty-one philosophers join forces to investigate the implications of the Jurassic Park franchise for our lives, our values, and our future. Human beings live and thrive by modifying nature, but when do the risks of changing nature outweigh the likely benefits? If it’s true that “Life will find a way,” should we view any modified or newly reconstituted life as a hazard? The new scientific information we could gain by bringing back T. Rex or other dinosaurs is immense, including greater understanding of biology leading to immeasurable medical benefits, but should we choose to let sleeping dinosaurs lie? And if we do bring them back by reconstituting them from ancient DNA, are they really what they were, or is something missing? If life will find a way, then why isn’t the Dodo still around? How close are we, as a matter of fact, to achieving Jurassic Park? Are we really likely to see reconstituted dinosaurs or other ancient species in the near future? How do the different forces—human curiosity, profitability, and philanthropy—interact to determine what actually happens in such cases? What moral standards should be applied to those who try to bring back lost worlds? If velociraptors could talk, what would they tell us? The idea of bringing back the dead and the powerful is not limited to biological species. It also applies to bringing back old gods, old philosophies, old institutions, and old myths. If revived and once again let loose to walk the Earth, these too may turn out to be more dangerous than we bargained for.

Jessica Watkins

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