May Friedman

Jill Andrews

In and Out and With and Through Fat

Body Stories

Welcome to the kingdom of Aunios, a land of dragons and dwarves, shapeshifting and sorcery. The half-dwarf daughter of a human king, Branwen struggles to find her place in a world that sees hybrids as abominations. When an allied land unexpectedly declares war, experimenting with dark magic seems the best way to save Branwen's kingdom and gain her father's approval--but she'll have to compromise her morals to do it. As she delves deeper into the practice of dark magic, the line between right and wrong begins to blur, leaving her to wonder if the ends really do justify the means.

The Fallen Crow

Denise Davis Maye

Sophia Rahming

Tamara Bertrand J

Sisterhood is oft elusive, if not a misunderstood concept. Despite all the factors that could impede the development, elevation, and maintenance of sistering relationships, Black women continue to acknowledge the value of sisterhoods. Sistering offers a lifeline of support and validation. Holding membership in an empowering woman-centered relationship is a special kind of privilege. The authors in this volume contest any assumption that sisterhood is limited to blood relationships and physical proximity. In this volume, we consider sisterhood simultaneously as paradigm and praxis. We approach Sisterhood as Paradigm and attempt to parse out the nature of Sisterhood as it is understood in Black communities in the United States. We hope to convey an organized set of ideas about “sisterhood” to create sisterhood as a model of interaction or way of being with one another, specifically among Black women. As we consider how sisterhood could be enacted as practice. Using Sisterhood as a framework, we explore Sisterhood as Peer Support, examining how Black women provide support to peers in academic and professional settings. we embark on a provision of applied exemplars of sistering in emerging digital media in Digital Sisterhood.

Black Sisterhoods: Paradigms and Praxis

Tenderly, hauntingly, and without fear, the thirteen sections in Thirties chronicle Andrews’ journey through a decade rife with both beauty and brutality. Each song-inspired vignette is further enlivened by thoughtfully curated photos, revealing experiences that are at once both universal and intimate In this visual storytelling companion to her upcoming album release of the same name, Andrews explores the isolation and the joy of motherhood, the loss of a lover and partner, and the experience of growing older in a world that expects you to stay young forever. Thirties resists contemplating the big, loud questions of the world, and rather, invites readers to find rest in knowing and loving themselves.

The Album in Portrait and Prose

Thirties

Body stories capture a nuanced, interconnected, interactive, and complex telling of our understanding, perception, and experience of and through our bodies. Plenty has been published on body image but image suggests a static fixed body, unmitigated through our social interactions and varying times and spaces. This book is not a "how-to" guide for fat confidence. It's not a compendium of fat suffering. It's simply a collection of narratives about what it's like to survive in a weight-hating world. It resists the ways that marginalized bodies are being written and researched and put into other people's ideas about our existence. The stories in this book are celebratory and are painful. They look at intersections of race and queerness; they destabilize womanhood by presenting a range of possible female embodiments. They explore issues of disability and madness. The full range of possibilities that are collected here give a picture of what it means to live in a society with strong and powerful messages about size, about normalcy, about what a moral and healthy life and body look like. This book is a snapshot of its place and time, but these stories remind us that we're here to stay. The body stories will change but we will keep owning our own narratives. While story, especially written by women, is often seen as outside the academic canon, these stories, these creative offerings, are theory, are research, and are activism. They are nothing less than the blueprint for liberation. Writing about fat and about bodies outside of medicalized narratives, without ignoring the impact of race, sexuality, class, ability, gender, fashion, appearance, and beyond, is radical and rigorous. It is impossible to think about the future without wishing for liberation. Liberation can come in many forms. It can mean an awareness, the ability to confront. The stories in this book display the ways that liberation isn't a finish line or a thing we can complete—rather it is a million small actio

Linda Bair

Offers thirty storytime programs featuring puppets and folktales directed to preschool through second grade children.

Jill Andrews

Books

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