Jo-Ann A. Brant

The Paideia series offers critically acclaimed commentaries from today's top scholars. This volume exposes theological meaning in John by tracing its use of rhetorical strategies.

John

In this addition to the well-received Paideia series, Jo-Ann Brant examines cultural context and theological meaning in John. Paideia commentaries explore how New Testament texts form Christian readers by • attending to the ancient narrative and rhetorical strategies the text employs • showing how the text shapes theological convictions and moral habits • commenting on the final, canonical form of each New Testament book • focusing on the cultural, literary, and theological settings of the text • making judicious use of maps, photos, and sidebars in a reader-friendly format This commentary, like each in the projected eighteen-volume series, proceeds by sense units rather than word-by-word or verse-by-verse.

John (Paideia: Commentaries on the New Testament)

"The Fourth Evangelist understood the elements of Greek drama and employed them to construct the Gospel's plot. Scholars of literary criticism in the Bible and students of drama alike will find in this text a detailed, compelling, and interdisciplinary study that will answer questions left open by prevailing theories and launch avenues of research that have yet to be explored."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Elements of Greek Tragedy in the Fourth Gospel

Dialogue and Drama

Chris Shea

Charles W. Hedrick

The essays in this volume examine the relationship between ancient fiction in the Greco-Roman world and early Jewish and Christian narratives. They consider how those narratives imitated or exploited conventions of fiction to produce forms of literature that expressed new ideas or shaped community identity within the shifting social and political climates of their own societies. Major authors and texts surveyed include Chariton, Shakespeare, Homer, Vergil, Plato, Matthew, Mark, Luke, Daniel, 3 Maccabees, the Testament of Abraham, rabbinic midrash, the Apocryphal Acts, Ezekiel the Tragedian, and the Sophist Aelian. This diverse collection reveals and examines prevalent issues and syntheses in the making: the pervasive use and subversive power of imitation, the distinction between fiction and history, and the use of history in the expression of identity.

Jo-Ann A. Brant

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