Joan Copjec

In Read My Desire, Joan Copjec stages a confrontation between the theories of Jacques Lacan and Michel Foucault, protagonists of two powerful modern discourses - psychoanalysis and historicism. Ordinarily, these discourses only cross paths long enough for historicists to charge psychoanalysis with an indifference to history, but here psychoanalysis, via Lacan, goes on the offensive. Refusing to cede historicity to the historicists, Copjec makes a case for the superiority of Lacan's explanation of historical process, its generative principles, and its complex functionings. Her goal is to inspire a new kind of cultural critique, one that would be "literate in desire," that would be able to read what is inarticulable in cultural statements. Choosing a variety of battlegrounds, from historical phenomena - the 40,000 unsettling photographs of Moroccan drapery taken by Lacan's mentor, G. G. de ClA©rambault; the coincidence between vampire literature and the eighteenth-century imperative to breast-feed; the recurrent emptiness of urban spaces in film noir; the rise of democracy and questions of human rights - to theoretical concepts such as the gaze, cause, and sexual difference, Copjec imagines the blows that each contender might strike. Although Lacan emerges the victor, one has a sense that for Copjec the contest is close, that she is interested not in simply dismissing Foucault but in seizing his theory at those moments when its concerns and strategies are similar to Lacan's. She is intent on understanding how two compelling theories come to diverge, how small differences distort common assumptions. Establishing the links between psychoanalysis and critical philosophy, Copjec treats psychoanalysis not as a private language but as the mother tongue of modernity. She thus makes Lacan's famous "return to Freud" a return, as well, to the best principles of the Enlightenment. By this maneuver she forces us to question the historicist dialect that we have been taught to speak and that we all but take for granted and to regret the loss in it of psychoanalysis's more rousing accents.

Lacan Against the Historicists

Read My Desire

Slavoj Žižek

Ernesto Laclau

Umbr(a)

Jacques-Alain Miller

Peggy Phelan

Josefina Ayerza

Marco Mauas

D Hayman

Lacanian Ink 12

Alain Badiou

Science and Truth

Umbr(a) 

A collection of essays by theorists in culture and politics. Experts from a variety of fields re-examine the origins of the subject as understood by Descartes, Kant and Hegel, and consider contemporary ideas that revive the subject, including queer theory and national identity. Contributors include Parveen Adams, Etienne Balibar, Homi Bhabha, Slavoj Zizek, Joan Copej, Juliet Flower MacCannell, Charles Shepardson, Mikkei Borch-Jacobsen, Elizabeth Grosz and Miaden Dolar.

Supposing the Subject

These essays examine "film noir" in the light of contemporary social and political concerns, attempting to move beyond the views of the early French critics. Topics range from the re-emergence of "noir" in films such as "Bladerunner", to the relations between the sexes and the role of women.

A Reader

Shades of Noir

Umbr(a): The Worst

A psychoanalytic and philosophical exploration of sublimation as a key term in Jacques Lacan's theories of ethics and feminine sexuality. Jacques Lacan claimed that his theory of feminine sexuality, including the infamous proposition, "the Woman does not exist," constituted a revision of his earlier work on "the ethics of psychoanalysis." In Imagine There's No Woman, Joan Copjec shows how Freud's ragtag, nearly incoherent notion of sublimation was refashioned by Lacan to become the key term in his ethics. To trace the link between feminine being and Lacan's ethics of sublimation, Copjec argues, one must take the negative proposition about the woman's existence not as just another nominalist denunciation of thought's illusions about the existence of universals, but as recognition of the power of thought, which posits and gives birth to the difference of objects from themselves. While the relativist position currently dominant insists on the difference between my views and another's, Lacan insists on this difference within the object I see. The popular position fuels the disaffection with which we regard a world in a state of decomposition, whereas the Lacanian alternative urges our investment in a world that awaits our invention. In the book's first part, Copjec explores positive acts of invention/sublimation: Antigone's burial of her brother, the silhouettes by the young black artist Kara Walker, Cindy Sherman's Untitled Film Stills, and Stella Dallas's final gesture toward her daughter in the well-known melodrama. In the second part, the focus shifts to sublimation's adversary, the cruelly uncreative superego, as Copjec analyzes Kant's concept of radical evil, envy's corruption of liberal demands for equality and justice, and the difference between sublimation and perversion. Maintaining her focus on artistic texts, she weaves her arguments through discussions of Pasolini's Salo, the film noir classic Laura, and the Zapruder film of the Kennedy assassination.

Ethics and Sublimation

Imagine There's No Woman

Michael Sorkin

Distinguished Professor of Architecture Michael Sorkin

This volume seeks to address a number of broad questions, including: what is the role and limit of urban space in the expression of group and individual rights and desires?; do democratic social relations require spatial propinquity?; and what are the characteristics of

The Politics of Propinquity

Giving Ground

Sigi Jöttkandt

Umbr(a) was one of the most important US theory journals of the 1990s and early 2000s, publishing work by some of the greatest philosophers, psychoanalysts and theorists of our era. In every regard, it was ahead of the curve - in content, design, and style - often introducing thinkers who have subsequently become globally influential. This anthology presents a selection of the very best of Umbr(a), including contributions from Joan Copjec, Sam Gillespie, Charles Shepherdson, Russell Grigg, Alenka Zupan?i?, Slavoj i ek, Mladen Dolar, Catherine Malabou, Tim Dean, Steven Miller, Dominiek Hoens, Petar Ramadanovic, Sigi Jottkandt, Colette Soler, Jelica Sumi? and A. Kiarina Kordela.

Penumbra

Giving Ground is prompted by two phenomena whose paradoxical convergence is currently altering our experience and conception of urban relations and city planning. On the one hand, forces of globalisation push towards conditions of homogenisation and deterritorialisation, while, on the other, a surging politics of identity barricades various groups behind particular claims and ignites violent persecutions. The covert relation between these phenomena, wherby territory/ground is both disavowed or abstracted and jealously reclaimed, is the focus of the essays in this volume, at the heart of these investigations are the notions of propinquity and neighbourliness whose redefinitions and redeployments serve widely divergent ends: from the fortification of the ‘new urbanist’ fantasy about the possibility of re-creating small towns, to the validation of the exclusionary tactics of ‘sanitization’ that guide zoning decisions, to assisting in the reimagination of an ethical and reasonable urbanism. Directed against the contracting limits of tolerance, this volume attempts to reinvent the troubled notion of the ‘right to the city’. The individual contributions range from examinations of the crises in specific cities—Jerusalem, New York, and the network of ‘global cities’ throughout the world—to considerations of specific urban issues, such as the physical instrumentalities by which people a brought into physical proximity and the implementation of ‘new urbanist’ projects; and reworkings of physical concepts, such as Levina’s notion of the face-to-face, Lacan’s notion of sublimation, in urbanist terms. Several focus on the relation between cities and sexuality, which figures, for different reasons, as the ‘eternal irony’ of urbanity.

Radical Evil, the second volume in the S series, marks the two-hundredth anniversary of the publication of Kant’s Religion without the Limits of Reason Alone, where Kant first proposed, and quickly withdrew in horror, the concept of radical evil—an evil at the very heart of the ethical problematic. It also marks the recent publication in English of Lacan’s Ethics of Psychoanalysis, arguably one of the most important and influential of Lacan’s seminars, in which he discusses the rise since the nineteenth century of a certain ‘happiness in evil’. The events of the twentieth century have made the assertions of both Lacan and Kant credible and concrete—the Holocaust and the attempts to cast doubt on its existence, the rise of racism worldwide, the engagement by philosophers with ethics as critical to relevant issues but without the consideration of the problems which lead Kant to his formation of radical evil. The contributors to this volume were asked to consider radical evil in its philosophical, political and cultural dimensions. What emerges is a clear introduction to the problematic, including discussions of the Holocaust, the placement of homosexuals in concentration camps, the creation of the Machiavellian in politics and literature—a full and fascinating exploration of the radical nature of modern evil.

Radical Evil

Rosalind E. Krauss

Douglas Crimp

Annette Michelson

Essays discuss Marcel Duchamp, the Shroud of Turin, insect mimicry, Russian art, art criticism and theory, and psychoanalysis

The First Decade, 1976-1986

October

Nina Power

Frenchy Lunning

Marina Gržinić

Katherine Behar

Katerina Kolozova (ed.)

Anne-Françoise Schmid

Eileen A. Joy

Jelisaveta Blagojević

Nandita Biswas Mellamphy

Patricia Ticineto Clough

Recent forms of realism in continental philosophy that are habitually subsumed under the category of "speculative realism," a denomination referring to rather heterogeneous strands of philosophy, bringing together object-oriented ontology (OOO), non-standard philosophy (or non-philosophy), the speculative realist ideas of Quentin Meillassoux and Marxism, have provided grounds for the much needed critique of culturalism in gender theory, and the authority with which post-structuralism has dominated feminist theory for decades. This publication aims to bring forth some of the feminist debates prompted by the so-called "speculative turn," while demonstrating that there has never been a niche of "speculative realist feminism."Whereas most of the contributions featured in this collection provide a theoretical approach invoking the necessity of foregrounding new forms of realism for a "feminism beyond gender as culture," some of the essays tackle OOO only to invite a feminist critical challenge to its paradigm, while others refer to some extent to non-philosophy or the new materialisms but are not reducible to either of the two. We have invited essays from intellectual milieus outside the Anglo-Saxon academic center, bringing together authors from Serbia, Slovenia, France, Ireland, the UK, and Canada, aiming to promote feminist internationalism (rather than a "generous act of cultural inclusion").CONTENTSKaterina Kolozova - Preface: After the "Speculative Turn"Nina Power - Philosophy, Sexism, Emotion, RationalismKatherine Behar - The Other WomanAnne-Françoise Schmid - Libérer épistémologiquement le féminismePatricia Ticineto Clough - Notes for "And They Were Dancing"Joan Copjec - No: FoucaultJelisaveta Blagojević - Thinking WithOutMarina Gržinić - Rearticulating the Speculative TurnFrenchy Lunning - The Crush: The Firey Allure of the Jolted PuppetNandita Biswas Mellamphy - (W)omen out/of Time: Metis, Medea, MahakaliMichael O'Rourke - "Girls Welcome!!!": Speculative Realism, Object-Oriented Ontology, and Queer TheoryABOUT THE EDITORKaterina Kolozova, PhD, is the director of the Institute in Social Sciences and Humanities-Skopje, Macedonia and a professor of gender studies at the University American College-Skopje. She is also visiting professor at several universities in Former Yugoslavia and Bulgaria. In 2009, Kolozova was a visiting scholar in the Department of Rhetoric (Program of Critical Theory) ...

After the "Speculative Turn": Realism, Philosophy, and Feminism

Joan Copjec

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