Joan Mellen

Essays in Criticism

World of Luis Bunuel

As the leading sex symbol of the 1950's, Marilyn Monroe captivated movie audiences in such films as "The Seven Year Itch", "Bus Stop" and "Some Like It Hot". Yet behind the glamour was a sensitive, frightened, painfully vulnerable woman forced to maintain the image of a mindless, always accessible female. In her amply illustrated book, Joan Mellen offers a brilliantly original analysis of Marilyn Monroe's life and career, and a deeply compassionate portrait of an unforgettable star. -- From publisher's description.

Marilyn Monroe

Presents evidence suggesting collusion between US and Israeli intelligence in the attack on a US naval surveillance vessel during the Six-Day War and the more than fifty-year long cover-up. On June 8, 1967, the USS Liberty, an unarmed intelligence ship reporting to the Joint Chiefs of Staff under the auspices of the National Security Agency, was positioned in international waters off the coast of Egypt when it was attacked with deadly violence by unmarked jet planes firing rockets and machine guns and throwing napalm onto its deck. This ambush was followed by a torpedo strike that blew a forty-foot hole in the starboard side of the ship. Lacking the capacity to defend themselves, thirty-four sailors were killed and 174 wounded, many for life. By the end of the day, Israel had confessed to having been the aggressor, simultaneously arguing that the attack had been an "accident" and a "mistake." The facts said otherwise. So intense and sustained was the attack - it lasted for nearly an hour and a half - so specific was the aiming for the antennae and satellite dish on deck, that it was scarcely credible that Israel's aggression was not deliberate; such was the view of Marshall Carter, the director of the National Security Agency, his deputy director Louis Tordella, and Richard Helms, the Director of Central Intelligence. Based on interviews with more than forty survivors, knowledgeable political insiders, and Soviet archives of the period, investigative writer Joan Mellen presents evidence suggesting complicity between US and Israeli intelligence in the attack on Liberty and the more than fifty-year long cover-up. What were the underlying motives? Was this a false flag operation conducted in the midst of the Six-Day War? Was it conceivable that Israel would have initiated such an operation without a green light from the United States? For the sake of justice, truth and the murdered and surviving sailors, this is a story demanding to be told.

How the US and Israel Conspired to Ambush the USS Liberty

Blood in the Water

A critical study of the Japanese film, placing it in its historical, social, and political context and assessing its historical significance and its attractions for Western audiences

Japan Through Its Cinema

The Waves at Genji's Door

Donald Richie

The Films of Akira Kurosawa

In the film 'Seven Samurai' (1954) a whole society is on the verge of irrevocable change. Many people consider this film a major achievemnet in Japanese cinema, an epic that evokes the cultural upheaval brought on by the collapse of Japanese militarism in the 16th century, echoing the sweeping changes occuring in the aftermath of the American occupation. The plot is deceptively simple. A village of farmers is beset by a horde of bandits, and in desperation the village hire itinerant samurai to protect their crops and their village. In the end the samurai see off the bandits. Together the samurai reflect the ideals and values of a noble class near the point of extinction. The film may be a technical masterpiece, and despite its movement and violence it appears to be a lament for a lost nobility. In this book Mellen contextualizes 'Seven Samurai', marking its place in Japanese cinema, and in director, Akira Kurosawa's career. Mellen explores the film's roots in mediaeval history and the film's visual language.

Seven Samurai

Working with thousands of previously unreleased documents and drawing on more than one thousand interviews, with many witnesses speaking out for the first time, Joan Mellen revisits the investigation of New Orleans district attorney Jim Garrison, the only public official to have indicted, in 1969, a suspect in President John F. Kennedy’s murder. Garrison began by exposing the contradictions in the Warren Report, which concluded that Lee Harvey Oswald was an unstable pro-Castro Marxist who acted alone in killing Kennedy. A Farewell to Justice reveals that Oswald, no Marxist, was in fact working with both the FBI and the CIA, as well as with U.S. Customs, and that the attempts to sabotage Garrison’s investigation reached the highest levels of the U.S. government. Garrison interviewed various individuals involved in the assassination, ranging from Clay Shaw and CIA contract employee David Ferrie to a Marine cohort of Oswald named Kerry Thornley, who at the very least was a Defense Intelligence Agency asset. Garrison’s suspects included CIA-sponsored soldiers of fortune enlisted in assassination attempts against Fidel Castro, an anti-Castro Cuban asset, and a young runner for the conspirators, interviewed here for the first time by the author. Building upon Garrison’s effort, Mellen uncovers decisive new evidence and clearly establishes the intelligence agencies’ roles in both a president’s assassination and its cover-up, set in motion well before the actual events of November 22, 1963.

Jim Garrison, Jfk's Assassination, and the Case That Should Have Changed History

A Farewell to Justice

Lyndon Johnson and Mac Wallace crossed paths only briefly; but Wallace's life, especially one violent episode and its intricate aftermath, illuminates the dark side of our 36th president. Perhaps no president has a more ambiguous reputation than LBJ. A brilliant tactician, he maneuvered colleagues and turned bills into law better than anyone. But he was trailed by a legacy of underhanded dealings, from his “stolen” Senate election in 1948 to kickbacks he artfully concealed from deals engineered with Texas wheeler-dealer Billie Sol Estes and defense contractors like his longtime supporter Brown & Root. On the verge of investigation, Johnson was reprieved when he became president upon JFK's assassination. Among the remaining mysteries has been LBJ's relationship to Mac Wallace who, in 1951, shot a Texas man having an affair with LBJ's loose-cannon sister Josefa, also Wallace's lover. When arrested, Wallace cooly said "I work for Johnson...I need to get back to Washington." Charged with murder, he was overnight defended by LBJ's powerful lawyer John Cofer, and though convicted, amazingly received a suspended sentence. He then got high-security clearance from LBJ friend and defense contractor D.H. Byrd, which the Office of Naval Intelligence tried to revoke for 11 years without success. Using crucial Life magazine and Naval Intelligence files and the unredacted FBI files on Mac Wallace, never before utilized by others, investigative writer Joan Mellen skillfully connects these two disparate Texas lives and lends stark credence to the dark side of Lyndon Johnson that has largely gone unsubstantiated.

Lyndon Johnson and Mac Wallace in the Robber Baron Culture of Texas

Faustian Bargains

In Seven Samurai (1954) a whole society is on the verge of irrevocable change. Akira Kurosawa's celebrated film, regarded by many to be the major achievement of Japanese cinema, is an epic that evokes the cultural upheaval brought on by the collapse of Japanese militarism in the 16th century, but at the same time echoes also the sweeping cultural changes occurring in the aftermath of the American Occupation that followed Japan's defeat in the Second World War. The plot is deceptively simple. A village of farmers is beleaguered by a horde of bandits. In desperation, the farmers decide to hire itinerant samurai to protect their crops and people and defeat the bandits. There had never been a Japanese film in which peasants hired samurai, or an evocation of the social transformation that made such an idea credible. There are six samurai and one who is accepted as such. Together they reflect the ideals and values of a noble class near the point of extinction. Seven Samurai may be the greatest action film, a technical masterpiece unmatched in its depiction of movement and violence, but running beneath the sound and fury is a lament for a lost nobility, 'a dirge for the spirit of Japan,' writes Joan Mellen, 'which will never again be so strong.' Mellen's study contextualises Seven Samurai, marking its place in Japanese cinema and in Kurosawa's film-making career. She explores the film's roots in medieval history and, above all, the astonishing visual language in which Kurosawa created his elegiac epic.

Modern Times was Charlie Chaplin's last full-length silent film. The author situates 'Modern Times' within the context of Chaplin's life work, exploring its history and influences. She explores how the film's themes of oppression, industrialization and dehumanization are embodied in the little tramp's struggle to survive in the modern world.

Modern Times

In this work, Joan Mellen analyses 'In the Realm of the Senses', the controversial film which caused a sensation at the 1976 Cannes Film Festival.

In the Realm of the Senses

A classic account of a masterpiece by an author who knew Kurosawa.

In an epilogue provided for his incomparable study of Akira Kurosawa (1910-1998), Donald Richie reflects on Kurosawa's life work of thirty feature films and describes his last, unfinished project, a film set in the Edo period to be called The Ocean Was Watching. Kurosawa remains unchallenged as one of the century's greatest film directors. Through his long and distinguished career he managed, like very few others in the teeth of a huge and relentless industry, to elevate each of his films to a distinctive level of art. His Rashomon—one of the best-remembered and most talked-of films in any language—was a revelation when it appeared in 1950 and did much to bring Japanese cinema to the world's attention. Kurosawa's films display an extraordinary breadth and an astonishing strength, from the philosophic and sexual complexity of Rashomon to the moral dedication of Ikiru, from the naked violence of Seven Samurai to the savage comedy of Yojimbo, from the terror-filled feudalism of Throne of Blood to the piercing wit of Sanjuro.

Breaking their silence, witnessees expose a cover-up in JFK's assassination

Jim Garrison, JFK's Assassination, and the Case that Should Have Changed History

In the first dual biography of Lillian Hellman and Dashiell Hammett, New York Times bestselling author Joan Mellen sheds new light on two of the twentieth century's most intriguing characters. The first biographer to draw from the Hellman-Hammett archives at the University of Texas, and with unprecedented access to their circle of friends, Mellen taps mines of fresh material to produce a groundbreaking look at these extraordinary American nonconformists, separately and together. Cutting against the social and political grain of their day, Hellman and Hammett as proud American radicals were persecuted during McCarthyism. They also turned out some of the most compelling prose of our country: Hammett's classic Red Harvest, The Maltese Falcon, and The Thin Man, and Hellman's plays The Little Foxes, Watch on the Rhine, and her memoirs An Unfinished Woman and Pentimento. Meanwhile, Lillian Hellman and Dashiell Hammett defied every accepted formula of how a man and woman should love each other: intimate as a couple, they lived together infrequently, drank to excess, participated in orgies, and engaged in flagrant infidelities. For the first time, members of Hellman and Hammett's circle, including Peter Feibleman, Norman Mailer, and Rose Styron, have agreed to speak openly about this enigmatic relationship which defined an era.

The Legendary Passion of Lillian Hellman and Dashiell Hammett

Hellman and Hammett

Film scholars and enthusiasts will welcome this new edition of Donald Richie's incomparable study, last updated in 1984. The Method section, filmography, and bibliography contain new information, and Richie has added chapters on Ran, Dreams, Rhapsody in August, and Madadayo. Kurosawa's films display an extraordinary breadth and an astonishing strength, from the philosophic and sexual complexity of Rashomon to the moral dedication of Ikiru, from the naked violence of Seven Samurai to the savage comedy of Yojimbo, from the terror-filled feudalism of Throne of Blood to the piercing wit of Sanjuro. Running through all Kurosawa's work is a tough, humane, and profoundly ethical concern for the painful, beautiful, frequently ridiculous ambiguities of human life. Donald Richie's acclaimed study is as much a clear and winning introduction for those unfamiliar with Kurosawa's films as it is a bountiful critical appraisal for the initiate. Each film receives thorough sensitive examination, with many illustrations chosen by the author to underscore his analysis. Excerpts from the scripts, notes on camera usage and sound, reconstructions of outstanding moments - all these contribute insights into the director's powerful technique. In addition, Richie includes many quotes from his conversations with Kurosawa, allowing ideas and biographical information to emerge in the filmmaker's own words.

Joan Mellen

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