Seán Hemingway

Christopher S. Lightfoot

Joan R. Mertens

Paul Zanker

Roman copies and adaptations of Greek sculpture / Seán Hemingway -- The decoration of house and villa / Paul Zanker -- Luxury art / Christopher S. Lightfoot -- Shrines of the lares and offerings to other divinities / Paul Zanker -- Roman Egyptomania / Christopher S. Lightfoot -- Tombs and funerary monuments / Paul Zanker -- Imperial and private portraits / Paul Zanker -- Gladiatorial games, sports, and the military / Paul Zanker -- Architectural elements / Paul Zanker -- A selection of Roman works and their modern histories / Joan R. Mertens.

A Guide Through the Metropolitan Museum of Art's Collection

Roman Art

Christos D̲oumas

The exhibition Silent Witnesses is a succinct presentation in the third millennium AD of the picture we have of the Cycladic islanders in the third millennium BC. Cycladic works of art speak to the modern audience both through their silence, as objects of unique conception and beauty, and as testimonies of a brilliant and significant culture that flourished in the Cyclades at the dawn of Western Civilization. Silent Witnesses is divided into three thematic sections: Simple Beauty, In His Own Image, and Silent Witnesses. In Simple Beauty, the exhibition presents streamlined, elegant objects with quotidian uses but whose beauty places them in the realm of sculpture. These artifacts were made from readily available materials on the islands, such as wood, marble, bone and stone. The section In His Own Image examines the variety of sculptures based on the human form, revealing the anthropocentric aspects of Aegean culture of this time. The final section, Silent Witnesses, presents the contents of graves that were systematically excavated by archaeologists. Having been collected as objects d'art, they are presented here as artifacts for serious historical and scientific examination. This final section emphasizes the need to educate the public about these pieces whose heritage was nearly lost. This volume explores the artistic tradition that existed in the so-called prehistoric period in the Cyclades. It includes illustrations and descriptions of the 59 objects in the exhibition such as clay and stone vases and of course numerous examples of the renowned Cycladic marble figurines.

Early Cycladic Art of the Third Millennium BC

Silent Witnesses

Metropolitan Museum of Art (New York, N.Y.)

This handsomely illustrated volume is aimed at giving a broad audience deeper insight into the extensive collection of the Metropolitan Museum of Art. The museum is famed for its Greek vases, of which 35 notable examples are detailed in this book. They reveal the variety and vitality of the refined forms and masterfully rendered scenes that characterize these works. And they demonstrate the interrelation of function, shape, technique, and subject matter that is key to understanding the rich language of Greek vases. The introduction provides valuable background information, and the entries delve into the features of each vase, incorporating brilliant color illustrations and many arresting details. Greek vases served specific utilitarian functions, and they also afforded outstanding artists, some of whom signed their work, a medium for depicting both the details of daily existence and aspects of their gods, goddesses, and heroes. We see the garments, implements, athletic competitions, and marriages and funerary rituals of Greeks who lived from the seventh through the fourth century B.C.. We also see their mythological figures and stories. The exceptional group of works assembled in this volume conveys the extent to which the culture of ancient Greece is still apparent today. This book is sure to inspire closer scrutiny of these remarkable works of art, which have survived for over two millennia to offer viewers an enlightening look into the ancient heritage of the Western world. -- from inside Front Cover.

How to Read Greek Vases

Vassos Karageorghis

Marice E. Rose

"The Cesnola Collection in The Metropolitan Museum of Art is the richest and most varied representation, outside Cyprus, of Cypriot antiquities. These works were purchased by the newly established Museum in the mid-1870s from General Luigi Palma di Cesnola, a Civil War cavalry officer who had amassed the objects while serving as the American consul on Cyprus." "This catalogue is published on the occasion of the opening of the Museum's four permanent galleries for ancient art from Cyprus. It is also the first scholarly publication since 1914 devoted to the Cesnola Collection (which totals approximately six thousand objects). The volume features some five hundred pieces from the collection, illustrated in new color photography. Dating from about 2500 B.C. to about A.D. 300, these works rank among the finest examples of Cypriot art from the prehistoric, Geometric, Archaic, Classical, Hellenistic, and Roman periods. Among the objects are monumental sculpture; weapons, tools, and domestic utensils; vases, lamps, and ritual paraphernalia; dedicatory figurines; engraved sealstones and jewelry; and luxury objects."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

The Cesnola Collection in the Metropolitan Museum of Art

Ancient Art from Cyprus

Antoine Hermary

The Cesnola Collection of Cypriot Art: Stone Sculpture

Christine Kondoleon

Dorothy H. Abramitis

Ariel Herrmann

Carmelo Malacrino

Olga Palagia

Agnes Schwarzmaier

Dominique Robcis

Andreas Scholl

Susan I. Rotroff

Lillian Bartlett Stoner

Karen Stamm

R. R. R. Smith

Jeffrey Spier

Alessandro Viscogliosi

Mark Wypyski

Ute Wartenberg

Kiki Karoglou

Sophie Descamps-Lequime

Marsha Hill

This handsome newly designed addition to The Metropolitan Museum of Art’s symposia series furthers the study of one of the most influential but less known periods of Greek art and culture. It is based on papers given at a two-day scholarly symposium held in conjunction with the award-winning exhibition “Pergamon and the Hellenistic Kingdoms of the Ancient World,” on view at the Metropolitan in 2016. The twenty diverse essays exemplify the international scope of the Hellenistic arts, which cover the three centuries between the death of Alexander the Great in 323 B.C. and the suicide of Cleopatra in 30 B.C. Subjects range from twenty-first century approaches to museum displays of archaeological material to the circulation of artists and works of art throughout the Mediterranean and the influence of Hellenistic art and its legacy in the ancient Roman world. Among the topics discussed are aspects of royal self-presentation and important elements of iconography and style in coins, gems, mosaics, sculpture, vessels, and wall paintings, in mediums including bronze, faience, glass, marble, silver, and terracotta. Authored by a number of internationally renowned scholars, the essays in this volume highlight the holdings of the Metropolitan and markedly demonstrate the artistic innovations and technical mastery of Hellenistic artists, offering new insights into the vitality and complexity of Hellenistic art. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}

From Pergamon to Rome

Art of the Hellenistic Kingdoms

Joan R. Mertens

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