Fikret K. Yegül

Guy P. R. Métraux

John A. Pinto

Diane G. Favro

T. Corey Brennan

"Proceedings of a conference held at the American Academy in Rome on 6-7 December, 2011 in honor of William L. MacDonald"--Title page.

Roman Imperial Architecture and Its Legacy

Paradigm and Progeny

Centre canadien d'architecture

Elisabeth Kieven

Pietro Bracci

Canadian Centre for Architecture (Montréal)

Pietro Bracci was a leading sculptor of eighteenth-century Rome, but the dispersal of his drawings has hampered study of the interplay between his approach to design and his response to Rome's vast artistic heritage. Using a group of Bracci drawings acquired by the Canadian Centre for Architecture as their point d'appui, Elisabeth Kieven and John Pinto have prepared a long-overdue catalogue of Bracci's complete study collection, from preliminary sketches to finished presentation drawings. Kieven and Pinto discuss the origin and function of each drawing and offer a wealth of new insights into Bracci's remarkable skill at integrating sculpture into Rome's grand buildings and public spaces.Bracci won some of the most sought-after commissions in eighteenth-century Rome, including monuments in Saint Peter's and the allegorical figures of the Trevi Fountain. Kieven's and Pinto's introductory essays situate these and other commissions in the history of Roman architecture and urbanism, survey Bracci'scareer, and explore the context of his drawing practices. Considered together, the Bracci drawings shed important new light on the collaborative relationship between architects and sculptors in the design of one of the art capitals of the world.Kieven and Pinto's book concludes with a catalogue raisonne of the entire corpus of drawings ascribed to Bracci and his son Virginio. In addition, Architecture and Sculpture in Eighteenth-Century Rome illustrates all of Bracci's drawings and provides transcriptions of key documents.

Drawings for Architecture and Sculpture in the Canadian Centre for Architecture and Other Collections

Pietro Bracci and Eighteenth-century Rome

William Lloyd MacDonald

The great Villa constructed by the Emperor Hadrian near Tivoli between A.D. 118 and the 130s is one of the most original monuments in the history of architecture and art. The inspiration for major developments in villa and landscape design from the Renaissance onward, it also influenced such eminent twentieth-century architects as Le Corbusier and Louis Kahn. In this beautiful book, two distinguished architectural historians describe and interpret the Villa as it existed in Roman times and track its extraordinary effect on architects and artists up to the present day. William L. MacDonald and John A. Pinto begin by evaluating the numerous buildings composing the complex, and then describe the art, decorated surfaces, gardens, waterworks, and life at the Villa. The authors then turn to the ways the Villa influenced writers, artists, architects, and landscape designers from the fifteenth century to the present. They discuss, for example, Piranesi's archaeological, architectural, and graphic Villa studies in the eighteenth century; connections between Hadrian's Villa and the English landscape garden; the array of European verbal and artistic depictions of the Villa; and architectural studies of the Villa by twentieth-century Americans.

Hadrian's Villa and Its Legacy

City of the Soul critically examines how an international cast of visitors fashioned Rome's image, visual and literary, in the century between 1770 and 1870 - from the era of the Grand Tour to the onset of mass tourism. The Eternal City emerges not only as an intensely physical place but also as a romantic idea onto which artists and writers projected their own imaginations and longings. The book will appeal to a wide audience of readers interested in the history of art, architecture, and photography, the Romantic poets, and other writers from Byron to Henry James. It will also attract the interest of historians of urbanism, landscape, and Italy. Nonspecialists and armchair travelers will enjoy the diverse literary and artistic responses to Rome.

Rome and the Romantics

City of the Soul

A study of Piranesi's presentation of classical Roman architecture, through drawings and etchings

John A. Pinto

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