John Barker

Queer - Resimli Bir Tarih

Being Experiences, During the Fifty Years, of Mr. Consul-General Barker

Syria and Egypt Under the Last Five Sultans of Turkey

Gianfranco Sanguinetti

Charity Scribner

Tom Wise

This collection brings together a spread of writers, revolutionaries and reprobates to offer up a variety of critical perspectives on key European armed struggle groups from the 1970's . Gianfranco Sanguinetti, founding member of the Italian Section of the Situationist International, writes in 'On Terrorism and the State', 1978 : "Italian terrorism is the last enigma of the society of the spectacle and only those who reason dialectically can solve it.... Today, all those who speak of social revolution without denouncing and combating the terrorist counter-revolution have a corpse in their mouths." Dave and Stuart Wise, (King Mob) look into the relationship between the Italian Communist Party, workers struggles post 68' and the roots of the Red Brigades, concluding of the latter: "they added to the substitutionism of Lenin, who replaced the proletariat by the Party, by replacing the Party with the armed struggle." Prof. Charity Scribner (MIT), contributes "Buildings on Fire: The Situationist International and the Red Army Faction", exploring how and why the SI and the RAF's differing definitions of autonomy produced divergent modes of resistance : "Both the RAF and the Situationists drew from the arsenals of anarchism and Marxism. But whereas Debord critiqued the society of the spectacle...the leaders of the RAF became fodder for the media machine, leaving a legacy heavy on style, but light on political analysis." Tom Vague contributes fast paced, potted histories of the RAF and Angry Brigade, both strong on time line energy, both useful entry level introductions to the respective narratives. John Barker was sentenced to ten years at the Old Bailey in 1972 for his Angry Brigade activities ("they framed a guilty man"), and here he laments Tom Vague's "fetishisation of the Angry Brigade" and "how comfortable he is with ‘the situationist angle' while saying nothing about the analysis and theory that came out of the Italian movement from Potere Operaio onwards, which was more important to us." Barker's piece, dated from the late 1990's, goes on to give a brief, but uniquely frank first person perspective on the AB's activities, viewed through the prism of realism, maturity, and continued belief in the revolutionary potential of mass working class action over the clandestine, substitutionist activities of the few - a fitting end to this book.

Red Army Faction. Red Brigades, Angry Brigade. The Spectacle of Terror in Post War Europe

"More than a century of interaction with colonial and global agencies and forces has brought many changes to the lives of the Maisin people who live on the northeastern coast of Papua New Guinea. Yet ancestral traditions continue to strongly inform their way of life. Drawing on his long-term fieldwork with the Maisin, Barker offers a nuanced understanding of the way in which the Maisin have been able to reject global commercial logging and remain true to their ancestral values, while still participating in wider social, political, and economic systems. Beautifully written and accessible to most readers, including those with little or no knowledge of Melanesia or anthropology, Ancestral Lines is designed with introductory cultural anthropology courses in mind. The book is organized into chapters that mirror many of the major topics covered in introductory cultural anthropology, such as kinship, economic pursuit, social arrangements, gender relations, religion, politics, and the environment, and uses the Maisin's signature product, tapa cloth, to explain and discuss these topics. The new edition includes a revised preface and an epilogue that brings readers up to date on important events since 2002, including a devastating cyclone and a major court victory against the forestry industry."--

The Maisin of Papua New Guinea and the Fate of the Rainforest, Second Edition

Ancestral Lines

Russ Bagley

If Hovercraft Can Go Anywhere, How Did We End Up Here? tells the stories of two hovercraft fixers who gave up some of the best years of their lives to repair and commission hovercraft all over the world. Unfortunately, the places that need hovercraft are tough, rugged, god-forsaken and not in the least bit glamorous - just like John and Russ, in fact. Whether impounded in the docks, in pieces in a hanger or strapped to a stranded lorry, as John once put it, "There's always a bloody hovercraft waiting to be fixed."

If Hovercraft Can Go Anywhere, How Did We End Up Here?

Ines Doujak

The Austrian artist Ines Doujak presents her highly unusual fashion collections. Citing and at the same time calling into question the glamour of the fashion world, Doujak's works are characterized both by their determined criticism and their beauty. The artist brings into play the exploitative structures and the gender and class order hardwired into haute couture and the garment industry and deliberately blurs the demarcation line separating fashion statement and art. The focus is on textile workers burnt to death in their factories, on total exhaustion as the lot of men and women in the low-wage sector, on dirty secrets, animal and human skins, Carnival and masquerade, drugs, war and the devil himself. Motifs and themes are directly inscribed on the textiles as carrier material. Fabrics, patterns, garments and accessories as well as texts, publications, objects, videos, dance interludes and pieces of music deal with the links between fashion, colonialism and globalized relations of production. Exhibition: Württembergische Kunstverein, Stuttgart, Germany (15.10.2016 - 15.01.2017) / Lentos Kunstmuseum, Linz, Austria (2.2. - 21.5.2018).

Loomshuttles, Warpaths, 2010 - 2018

'I'm 30-something and live with my 75-year-old (in dog years) dog. He was allergic to my girlfriend, so she moved out. Now its just the two of us, kibbles, and beer. Hes an awesome dogkind of like Nietzsche if hed been furry and prone to sniffing butts. I write down the sh*t he says, and here it is.'' From ''Dont be fooled. The cat is evil,'' to ''You know why I like to take a walk? So I can smell things you never touched,'' to ''Nothing beats the feeling of jowls flapping in the wind,'' this mini parody treasury of canine witpacked with evocatively funny line artis the straight poop scooped.

Sh*t My Dog Says

This compelling ethnography offers a nuanced case study of the ways in which the Maisin of Papua New Guinea navigate pressing economic and environmental issues. Beautifully written and accessible to most readers, Ancestral Lines is designed with introductory cultural anthropology courses in mind. Barker has organized the book into chapters that mirror many of the major topics covered in introductory cultural anthropology, such as kinship, economic pursuit, social arrangements, gender relations, religion, politics, and the environment. The second edition has been revised throughout, with a new timeline of events and a final chapter that brings readers up to date on important events since 2002, including a devastating cyclone and a major court victory against the forestry industry.

John Barker

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