John Casson

Keith Pledger

A complete course for GCSE, this text contains clear explanations of key ideas, graded exercises, worked examples, past paper questions and practice exam papers. Answers are also included. The Foundation course is targeted towards lower ability students.

Foundation course

Edexcel GCSE Mathematics

A Memoir

Lewis & Sybil

Mark Bradbeer

Shakspere's history plays are more than dramatized history lessons. They explore contemporary dangers inherent in royal succession at a time when Elizabeth I decreed that mere discussion of who would inherit the throne was treason. The plays were political and therefore dangerous. Yet William Shakspere from Stratford-upon-Avon was never arrested for his writing nor spent time in prison, unlike his fellow playwrights Marlowe, Kyd and Jonson. In 1601 Sir Henry Neville was imprisoned and "Shakespeare" stopped writing history plays. The identification of Neville as an authorship candidate, put forward by James and Rubinstein (2005), urges reinterpretation of the plays. Neville enjoyed privileged access to the Holinshed Chronicles (1587), a primary source for the plays. He was ambassador to France and spoke French (see Henry V), knew the descendants of Jack Cade (Henry VI Part 2), was familiar with Crosby Place (Richard III) and lived in Blackfriars (Henry VIII). This book reveals new evidence of Neville's authorship, with examples of annotation found in books from Neville's library suggesting they were source material for the plays. Numerous anomalies in the plays indicate Shakespeare's consistent bias in portraying the Nevilles in a positive light, revealing the hidden author's political viewpoint and true identity.

Authorship Evidence in the History Plays

Sir Henry Neville, Alias William Shakespeare

John Casson - Winner of the British Psychodrama Association (BPA) Lifetime Achievement Award 2012! Drama, Psychotherapy and Psychosis explores the use of drama and theatre in the challenging area of working with people who hear voices, focusing especially on survivors of abuse and those diagnosed as suffering from schizophrenia. In examining the often baffling and frightening world of psychosis the book offers alternative models of madness and the self, which form the basis for therapeutic interventions. Illustrated by case histories and examples of practice, this book provides a description and analysis of voice hearing. Chapters cover areas including: * historical perspectives on psychosis and hearing voices * group psychodrama * dramatherapy with individuals. Drama, Psychotherapy and Psychosis demonstrates how creative action methods can be helpful to those who hear voices. It provides guidelines for good practice; essential to all those interested in promoting the safe use of these methods in therapy.

Dramatherapy and Psychodrama with People Who Hear Voices

Drama, Psychotherapy and Psychosis

Shakspere’s history plays are more than dramatized history lessons. They explore contemporary dangers inherent in royal succession at a time when Elizabeth I decreed that mere discussion of who would inherit the throne was treason. The plays were political and therefore dangerous. Yet William Shakspere from Stratford-upon-Avon was never arrested for his writing nor spent time in prison, unlike his fellow playwrights Marlowe, Kyd and Jonson. In 1601 Sir Henry Neville was imprisoned and “Shakespeare” stopped writing history plays. The identification of Neville as an authorship candidate, put forward by James and Rubinstein (2005), urges reinterpretation of the plays. Neville enjoyed privileged access to the Holinshed Chronicles (1587), a primary source for the plays. He was ambassador to France and spoke French (see Henry V), knew the descendants of Jack Cade (Henry VI Part 2), was familiar with Crosby Place (Richard III) and lived in Blackfriars (Henry VIII). This book reveals new evidence of Neville’s authorship, with examples of annotation found in books from Neville’s library suggesting they were source material for the plays. Numerous anomalies in the plays indicate Shakespeare’s consistent bias in portraying the Nevilles in a positive light, revealing the hidden author’s political viewpoint and true identity.

Sandy Gall

A stunning photographic book presenting the people of Afghanistan. From a dynamic author with a high-profile publicity campaign.

John Casson

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