John G. Hanhardt

Francesc Torres

antologia

Nancy Spector

Solomon R. Guggenheim Museum

Lisa Dennison

Enabling power: European Communities Act 1972, s. 2 (2), sch. 2, para. 1A & Export Control Act 2002, ss. 1, 2, 3, 4, 5, 7. Issued: 15.03.2012. Made: 08.03.2012. Laid: 14.03.2012. Coming into force: 05.04.2012. Effect: S.I. 2011/1304, 2010 partially revoked & S.I. 2009/1174 revoked. Territorial extent & classification: E/W/S/NI. General. EC note: This Order makes provision for the enforcement of certain restrictive measures specified in Council Regulation 36/2012 (as last amended by Council Regulation 168/2012 concerning restrictive measures in view of the situation in Syria and repealing Council Regulation 442/2011 (the Syria Regulation). Revoked by SI 2013/2012 (ISBN 9780111102930)

Contemporary Photography and Video from the Guggenheim Museum Collections

Moving Pictures

Nam June Paik

Jon Ippolito

Published to accompany Paik's recent laser-projection installations displayed in the Frank Lloyd Wright's Solomon R Guggenheim Museum.

The Worlds of Nam June Paik

John Yau

Joann Moser

This retrospective, which features 88 works from the 1960s to the present, is the first full-scale look at Wiley's long career and explores important themes and ideas expressed in his work.

William T. Wiley in Retrospect

What's it All Mean

Whitney Museum of American Art

Barbara Haskell

Discusses new developments in painting, sculpture, performance, art and dance

Blam! the Explosion of Pop, Minimalism, and Performance, 1958-1964

Tom Sachs

Maria-Christina Villaseñor

Maria-Christina Villasenor

Nutsy's

Kira Perov

Bill Viola began producing video works in the early 1970s, and since then has captivated audiences with his poignant and beautifully wrought interpretations of human experience. He is today considered among the most celebrated proponents of the medium of video art. This is the first monograph to chart Viola's career in full, covering his education in New York, his earliest major films of mirages in the Sahara desert and of hospital medical imagery, his retrospective at the Whitney Museum of American Art in New York 1997 and his recent installations in Venice, New York, Tokyo, London and Berlin. Hanhardt outlines the key visual, literary and spiritual influences on Viola's work and his changing approach to the medium of film in response to technological advancement. Woven into the discussion are illustrations of Viola's most significant works, including Information (1973), The Passing, (1991), The Greeting (1995), Going Forth by Day (2002) and Martyrs, the 2014 film commissioned for St Paul's Cathedral in London, as well as reproductions of Viola's sketches and notebooks that bring his working process to life. Supplemented by a select chronology, bibliography and list of public collections, Bill Viola offers a rare and fascinating account of one of contemporary art's most powerful creative minds.

Bill Viola

Widely recognized as the leading video artist of our time, Bill Viola employs sophisticated state-of-the-art technologies to create installations that envelop the viewer in image and sound. In his newest and most evocative work - on display at the Deutsche Guggenheim Berlin and in this accompanying catalogue - an ordered sequence of allegorical fresco-like images immerse the viewer in a total aesthetic, sensory, and philosophical experience. Including an interview with the artist - who represented the United States at the 1995 Venice Biennale and whose career was the subject of a major 1997 travelling exhibition organized by the Whitney Museum of American Art - this is a mesmerizing volume.

Going Forth by Day

Yōko Ono

Yōko Ono, Objects, Films

Philippe-Alain Michaud

This catalogue presents the emblematic videos and recent works by the duo, with contributions by Philippe-Alain Michaud (Chief Curator for the films at the Mnam Centre Pompidou) and John G. Hanhardt (Senior Curator for Media Arts, Smithsonian American Art Museum), as well as a complete biography. Published on the occasion of the exhibition at musée d'art moderne de Saint-Etienne, from February to April 2010. Igor and Svetlana Kopystiansky (born respectively 1954 and 1950) live and work in New York since 1988. They have participated in many Biennales: Venice (1988), Sydney (1992), Sao Paulo (1994), Istanbul (1995), Lyon (1997), Liverpool (1999), as well as Sculpture Project, Munster (1997) and Documenta 11 (2002), among others. Their works are presented in the following collections: MoMA, Whitney Museum of American Art and Metropolitan Museum, New York, Art Institute of Chicago, Museum of Fine Arts, Houston, Smithsonian American Art Museum, Washington D.C., J.V. Zimmerli Museum of Art, New Brunswick, Tate Modern, London, Centre Pompidou, Paris, Musée d'Art Moderne de Saint-Etienne Métropole, Art Gallery of New South Wales, Sydney, Folkwang Museum in Essen, Ludwig Forum for International Art, Aachen, Museum für Moderne Kunst, Berlin, Museum für Moderne Kunst and Deutsche Bank collection, Frankfurt am Main, Museum of Modern Art, Vienna, Centre for Contemporary Art Luigi Pecci, Prato, Makao Museum, Beijing.

John G. Hanhardt

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