Eva Kolinsky

John Gaffney

This book, originally published in 1991, assesses how attitudes, political orientations and social values changed during the five decades after the Second World War. The case studies in the book focus on key ‘sites’ in political culture: in France, on the extreme right, the cinema, the impact of media personalities and changes of political discourse; in Germany, on the decline of regional identities, the emergence of specific issues and the concern of political parties with the effectiveness of language. This interdisciplinary study provides new insights into the way French and German people see themselves.

A Contemporary Perspective

Political Culture in France and Germany (RLE: German Politics)

An examination of the ways in which the French Left adapted, through a series of transformations, to the exigencies of presidentialism and the myths which underpin it. The study aims to illustrate the crucial role played by language in the political practice of representative democracy.

The Discourses of Communism and Socialism in Contemporary France

The French Left and the Fifth Republic

The relationships between narrative and leadership, between rhetoric and performance, between doctrine and its voicing, are crucial to party politics and are underrated by both practising politicians and scholars. This study analyses the ‘performance of leadership’ in the UK Labour Party, and what this means for a new approach to understanding politics. The main focus of this study is the five-year leadership of Ed Miliband, 2010-2015. The fortunes of the party and the party leadership can be apprehended as a series of performed rhetorical events. A political leader’s persona is a construction that performs – rather like an actor – in the political space. The author identifies and analyses the architecture and the modalities of leadership persona construction and performance in contemporary politics.

Narrative and Performance

Leadership and the Labour Party

Judi Atkins

This book brings together a team of specialists to explore why some left-wing politicians are able to communicate their message effectively, whereas others struggle to connect with the public. To address this question, it analyses the rhetoric and narratives employed by figures from British and Welsh Labour, the Green Party, the Scottish National Party and the radical left, as well as the anti-austerity movement. In doing so, the collection offers insights into why the performances of political actors such as Carwyn Jones and Nicola Sturgeon resonate with a wide audience, whereas some - like Jeremy Corbyn - have limited appeal beyond the party faithful. The volume provides an accessible examination of the language and ideas of the UK left, while offering a novel perspective on the challenges currently facing the Labour Party. It will therefore appeal to a wide readership, including scholars and students of rhetoric, ideology, political leadership, and British politics.

Rhetoric, Ideology and the Performance of Politics

Voices of the UK Left

Diana Holmes

The 1950s and 1960s were a key moment in the development of postwar France. The period was one of rapid change, derived from post-World War II economic and social modernization; yet many traditional characteristics were retained. By analyzing the eruption of the new postwar world in the context of a France that was both modern and traditional, we can see how these worlds met and interacted, and how they set the scene for the turbulent 1960s and 70s. The examination of the development of mass culture in post-war France, undertaken in this volume, offers a valuable insight into the shifts that took place. By exploring stardom from the domain of cinema and other fields, represented here by famous figures such as Brigitte Bardot, Johnny Hallyday or Jean-Luc Godard, and less conventionally treated areas of enquiry (politics [de Gaulle], literary [Françoise Sagan], and intellectual culture [Lévi-Strauss]) the reader is provided with a broad understanding of the mechanisms of popularity and success, and their cultural, social, and political roles. The picture that emerges shows that many cultural articulations remained or became identifiably "French," in spite of the American mass-culture origins of these social, economic, and cultural transformations.

John Gaffney

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