John Logan

'Of course that's how it begins: a harmless fairy tale to pass the hours' When Alice Liddell Hargreaves met Peter Llewelyn Davies at the opening of a Lewis Carroll exhibition in 1932, the original Alice in Wonderland came face to face with the original Peter Pan. In John Logan’s remarkable new play, enchantment and reality collide as this brief encounter lays bare the lives of these two extraordinary characters.This is the new play from Academy Award winning screenwriter and playwright John Logan. His previous play RED played in London to great acclaim before transferring to Broadway where it won 6 Tony Awards including Best New Play.

Peter and Alice

'There is only one thing I fear in life, my friend... One day the black will swallow the red.' Under the watchful gaze of his young assistant and the threatening presence of a new generation of artists, Mark Rothko takes on his greatest challenge yet: to create a definitive work for an extraordinary setting. A moving and compelling account of one of the greatest artists of the 20th century whose struggle to accept his growing riches and praise became his ultimate undoing. Nominated for 7 Olivier Awards (2009) and winner of 6 Tony Awards (2010) including Best New Play.

William Nicholson

Dewey Gram

David Franzoni

General Maximus Meridas, a hero of the Roman empire, is forced into exile by the Emperor Commodus and is captured and sold into slavery, where he learns a new type of warfare as a gladiator

Gladiator

Typescript, copyrighted 1990. Lacks title page. Heavily marked with colored ink and highlighter. Used by The New York Public Library's Theatre on Film and Tape Archive on April 1, 1998, when videotaping the stage production at John Houseman Theater, New York, N.Y. The production opened on Jan. 24, 1998, and was directed by Ethan McSweeney.

Never the Sinner

قرمز

Brent Spiner

Jeanne M. Dillard

Rick Berman

While on the way to the nuptials of Will Riker and Deanna Troy, Captain Jean-Luc Picard and the crew of the Enterprise are rerouted to Romulus for peace negotiations, but murder, betrayal, and brand new enemies await them.

Nemesis

‘You want to be a thing? Make yourself that thing.’ 1981. Hollywood. Sue Mengers, the first female ‘superagent’ at a time when women talent agents of any kind are almost unheard of, invites you into her Beverly Hills home for an evening of dish, secrets, and all the inside showbiz stories that only Sue could tell... Back in the 1970s, Sue Mengers represented almost every major star in Hollywood; her clients were the talk of the town and her glamorous dinner parties were legendary. But by 1981 the glory days were fading. Her time was passing as a sleek and corporate New Hollywood began to emerge. The phone’s not ringing so much these days and Sue is forced to face the inevitable truth: the credits roll sooner than you think. Starring Bette Midler who makes her return to the stage in her first Broadway play in over 30 years. A new play by three-time Academy Award-nominated screenwriter and playwright John Logan following the recent success of Peter and Alice in the West End and his play RED, which played London to great acclaim before transferring to a smash hit Broadway run where it won 6 Tony Awards including Best New Play. Logan’s work as a screenwriter includes the latest James Bond movie Skyfall, Sweeney Todd, The Aviator, Hugo, Gladiator, The Last Samurai, Rango, Coriolanus, and Any Given Sunday.

A Chat with Sue Mengers

I'll Eat You Last

Annie Auerbach

Gore Verbinski

James Ward Byrkit

When Rango, a lost pet chameleon, stumbles into the town of Dirt, Bad Bill the gila monster and his gang threaten him, and Rango must face a showdown with Bill and a dangerous hawk.

A Hero at Last

Rango

For more than 20 years, Sue Mengers' clients were the biggest names in show business: Barbra Streisand, Faye Dunaway, Burt Reynolds, Ali MacGraw, Gene Hackman, Cher, Candice Bergen, Ryan O'Neal, Nick Nolte, Mike Nichols, Gore Vidal, Bob Fosse…If her clients were the talk of the town, she was the town, and her dinner parties were the envy of Hollywood. Now, you're invited into her glamorous Beverly Hills home for an evening of dish, dirty secrets and all the inside showbiz details only Sue can tell you.

I'll Eat You Last: A Chat with Sue Mengers

By the Rev. Mr. Logan, One of the Ministers of Leith

Poems

From the Pulitzer Prize, Tony and Emmy Award-winning composer of Next to Normal (Tom Kitt) and the Tony Award-winning writer of Red (John Logan), Superhero is a deeply human new musical about a fractured family, the mysterious stranger in apartment 4-B, and the unexpected hero who just might save the day. Directed by Jason Moore (The Cher Show, Avenue Q), Superhero made its world premiere in January 2019 at Second Stage Theater. "Kitt writes beautifully for his anguished characters, shaping the lyrics to each distinct voice." - Alexis Soloski, The Guardian "[Kitt's] lyrics are neatly turned and germane." - Michael Sommers, New York Stage Review "[The] book is intelligent and the songs are well-integrated into it." - Robert Sholiton, Gotham Playgoer

Superhero

A. Poulin (Jr.)

Logan writes of contemporary poets and of his own work

Interviews, Essays, and Reviews

A Ballet for the Ear

"As a lyricist and personal narrator, John Logan transmitted all he sensed with consummate artistry and honesty. This superbly edited collection of his poems is worthy of his memory."--St. Louis Post-Dispatch

The Collected Poems

Using an innovative approach, this book interprets the unprecedented transformation of contemporary China’s major cities. It deals with a diversity of trends and analyzes their sources. Offers a multi-dimensional analysis of urban life in China Highlights a diversity of trends in the areas of migration, criminal victimization, gated communities, and the status of women, suburbanization, and neighbourhood associations Each chapter includes input from both an expert on urban life in China and an 'outside' expert from the fields of sociology, geography, economics, planning, political science, history, demography, architecture, or anthropology An alternative theoretical perspective comparing the Chinese experience with other urban settings in the United States, Poland, Russia, Vietnam, East and South East Asia, and South America

Urban China in Transition

The TUI and Its Forerunners 1899-1994

Teachers' Union

The United States is more diverse than ever before. Increased immigration has added to a vibrant cultural fabric, and women and minorities have made significant strides in overcoming overt discrimination. At the same time, economic inequality has increased significantly in recent decades, and the Great Recession substantially weakened the economic standing not only of the poor but also of the middle class. Diversity and Disparities, edited by sociologist John Logan, assembles impressive new studies that interpret the social and economic changes in the United States over the last decade. The authors, leading social scientists from many disciplines, analyze changes in the labor market, family structure, immigration, and race. They find that while America has grown more diverse, the opportunities available to disadvantaged groups have become more unequal. Drawing on detailed data from the decennial census, the American Community Survey, and other sources, the authors chart the growing diversity and the deepening disparities among different groups in the United States Harry J. Holzer and Marek Hlavac document that although the economy always rises and falls over the business cycle, the Great Recession of 2007–2009 was a catastrophic event that saw record levels of unemployment, especially among less-educated workers, young people, and minorities. Emily Rosenbaum shows how the Great Recession amplified disparities in access to home ownership, and demonstrates that young adults, especially African Americans, are falling behind previous cohorts not only in home ownership and wealth but even in starting their own families and households. Sean F. Reardon and Kendra Bischoff explore the rise of class segregation as higher-income Americans are moving away from others into separate and privileged neighborhoods and communities. Immigration has also seen class polarization, with an increase in both highly skilled workers and undocumented immigrants. As Frank D. Bean and his colleagues show, the lack of a path to legal status for undocumented immigrants inhibits the educational and economic opportunities for their children and grandchildren. Barrett Lee and colleagues demonstrate that the nation and most cities and towns are becoming more diverse by race and ethnicity. However, while black-white segregation is slowly falling, Hispanics and Asians remain as segregated today as they were in 1980. Diversity and Disparities raises concerns about the extent of socioeconomic immobility in the United States today. This volume provides valuable information for policymakers, journalists, and researchers seeking to understand the current state of the nation.

America Enters a New Century

Diversity and Disparities

Poems, 1974-1980

The Bridge of Change

In the preparation of this work it has been the writer's aim to present in it, with historical accuracy, authentic facts; to be fair and impartial in grouping them; and to be true and just in the conclusions necessarily drawn from them. While thus striving to be accurate, fair, and just, he has not thought it his duty to mince words, nor to refrain from "calling things by their right names;" neither has he sought to curry favor, in any quarter, by fulsome adulation on the one side, nor undue denunciation on the other, either of the living, or of the dead. But, while tracing the history of the Great Conspiracy, from its obscure birth in the brooding brains of a few ambitious men of the earliest days of our Republic, through the subsequent years of its devolution, down to the evil days of Nullification, and to the bitter and bloody period of armed Rebellion, or contemplating it in its still more recent and, perhaps, more sinister development, of to-day, he has conscientiously dealt with it, throughout, in the clear and penetrating light of the voluminous records so readily accessible at the seat of our National Government. So far as was practicable, he has endeavored to allow the chief characters in that Conspiracy-as well as the Union leaders, who, whether in Executive, Legislative, or Military service, devoted their best abilities and energies to its suppression-to speak for themselves, and thus while securing their own proper places in history, by a process of self-adjustment as it were, themselves to write down that history in their own language.

John Logan

Books

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