John Pemberton

What are the limits of cultural critique? What are the horizons? What are the political implications? John Pemberton explores these questions in this far-reaching ethnographic and historical interpretation of cultural discourse in Indonesia since 1965. Pemberton considers in particular how the appearance of order under Soeharto's repressive New Order regime is an effect of an enigmatic politics founded upon routine appeals to cultural values. Through a richly textured ethnographic account of events ranging from national elections to weddings, Pemberton simultaneously elucidates and disturbs the contours of the New Order cultural imaginary. He pursues the fugitive signs of circumstances that might resist the powers of New Order rule through unexpected village practices, among graveyard spirits, and within ascetic refuges. Key to this study is a reexamination of the historical conditions under which a discourse of culture emerges. Providing a close reading of a number of Central Javanese manuscripts from the late eighteenth century on, Pemberton outlines the conditions of knowledge formation in Indonesia since the beginning of Dutch colonial control. As he overturns common assumptions concerning colonial encounters, he discloses the gradual emergence in these texts of a discursive figure inscribed in contrast to the increasingly invasive presence of the Dutch: a figuration of difference that came to be called "Java."

On the Subject of "Java"

Rowland Abiodun

Henry John Drewal

The Yoruba people of Nigeria and Benin, over 15 million strong, are heirs to one of the oldest and greatest artistic traditions in West Africa. This text offers a look at Yoruba civilization. Over 200 photographs illustrate rarely seen objects from museums and private collections.

Nine Centuries of African Art and Thought

Yoruba

In the sixteenth century the King of Spain issued his soldiers with a three-pronged mission: to find gold, spread the word of Christianity and claim new territories for Spain. The Conquistadors, as they became known, set off into the world to do just that, and nothing was to stand in their way. Some say that the discovery of the New World is the greatest event in history. Others, that it amounted to the bloodiest massacre of all time. Conquistadors follows the Spanish explorers as they unleash their terrifying religious wrath upon the Inca and Aztec empires and explains how the conquest of the New World transformed the Old World forever. Contents The World of the Conquistadors The People of the New World, Warfare: Steel versus Stone,The Conquests of Hernán Cortés, Francisco Pizarro's Expeditions to Peru, Pizarro and the Incas, El Dorado: The Golden Man, The Real Life Don Quixote, Going Native, The Unconquerable Maya, New World Meets Old

Searching for El Dorado: The Terrifying Spanish Conquest of the Aztec and Inca Empires

Conquistadors

Alisa LaGamma

In many African societies, individuals rely on the wisdom and counsel of professional diviners to advise them about decisions that affect their future. While a vast array of approaches to divination--the way in which spiritual entities are consulted--are practiced in Africa, specialists are invariably trained to master complex bodies of knowledge, and to act as mediators with a spiritual ancestral realm. Many of the distinctive art forms featured in this exhibition were implements used by diviners to facilitate inquiries into their clients' problems. Others were originally prescribed by diviners to their clients as a means of enhancing their well being, alleviating certain chronic problems, or providing personal protection. Whatever their role in the divination process, the aesthetic power of the works considered profoundly enhanced lived experience.Works featured in the exhibition range from representations that relate to the intimate needs of individual patrons to those that reflect the collective concerns of an entire community. These take the form of cast brass, miniature protective items of personal adornment created in Burkina Faso, and a monumental, morally authoritative N'kisi Nkondi power figure from the Democratic Republic of the Congo. Works from the Metropolitan's collection include a pair of figures created for a Baule diviner from Côte d'Ivoire, a janus figure designed to safeguard a Fon household in the Republic of Benin, and a kneeling female devotee depicted as a caryatid whose upraised arms support an ivory Ifa diviner's vessel from the Yoruba center of Owo.

African Art and Rituals of Divination

Art and Oracle

Metropolitan Museum of Art (New York, N.Y.)

Twenty-eight African cultures are represented here by artifacts created to communicate with ancestors, spirits, and gods, about such issues as health, conception, and determination of guilt or innocence. Issued in conjunction with an April-July 2000 exhibit at The Metropolitan Museum of Art, NY, this catalog contains extensive ethnographic, descriptive, and interpretive text in connection with each of 50 pictured pieces, as well as a 13-page essay about divination in Sub-Saharan Africa (by John Pemberton III) and an introductory essay by LaGamma. Annotation copyrighted by Book News, Inc., Portland, OR

Many ancient legends in circulation, either through verbal story-telling, ancient script or paintings, have assisted the human race in understanding the complex world we live in, even if they have been embellished over the years. They have helped us form societies and have given people reason to live, they are the blocks that when linked together can help us find the answers we as a human race have been searching for. Myths and Legends gathers together the principal mythologies, legends and folklore of ancient and modern cultures and explores the relationship that they have with their people and with the major religions of the world. Contents : Creation; male and female relationships; natural disaster; survival; death and the afterlife. Principal myths and legends of the world: Greek, Roman, Celtic; pagan; Arthurian; Greenman, Norse, Voodoo; Caribbean folk heroes; giants, dragons and unicorns; Maori gods rangi and papa (sky and earth); dream-time of the indigenous Australians; Bon of Tibet; Chinese mythology; Native American tribal stories; mythology and religion: Christianity, Hinduism, Buddhism, Islam, Sikhism, Taoism.

From Cherokee dances to voodoo trances

Myths and Legends

African Art in the Barry D. Maurer Collection

The Artist's Eye, the Diviner's Insight

Myths and Legends brings together the principal mythologies, legends and folklore of ancient and modern cultures, and expors the relationship that they have with their people and with the major religions of the world.

John Pemberton

Books

Your next favorite book is out there