John Phillips

Marquis de Sade

Justine's attachment to virtue attracts nothing but misfortune, and she is subjected to an unending catalogue of sexual abuse. Sade's best-known novel, it overturns all religious, moral, and political norms, and still has the power to shock. This new translation of the 1791version is the first for over 40 years, and the first critical edition.

Justine, Or the Misfortunes of Virtue

Martin Evans

After liberating itself from French colonial rule in one of the twentieth century's most brutal wars of independence, Algeria became a standard-bearer for the non-aligned movement. By the 1990s, however, its revolutionary political model had collapsed, degenerating into a savage conflict between the military and Islamist guerillas that killed some 200,000 citizens. In this lucid and gripping account, Martin Evans and John Phillips explore Algeria's recent and very bloody history, demonstrating how the high hopes of independence turned into anger as young Algerians grew increasingly alienated. Unemployed, frustrated by the corrupt military regime, and excluded by the West, the post-independence generation needed new heroes, and some found them in Osama bin Laden and the rising Islamist movement. Evans and Phillips trace the complex roots of this alienation, arguing that Algeria's predicament--political instability, pressing economic and social problems, bad governance, a disenfranchised youth--is emblematic of an arc of insecurity stretching from Morocco to Indonesia. Looking back at the pre-colonial and colonial periods, they place Algeria's complex present into historical context, demonstrating how successive governments have manipulated the past for their own ends. The result is a fractured society with a complicated and bitter relationship with the Western powers--and an increasing tendency to export terrorism to France, America, and beyond.

Anger of the Dispossessed

Algeria

"John Phillips writes with enthusiasm and clarity, . . . cutting through the confusion and heretical dangers associated with Bible interpretation." —Moody magazine

An Expository Commentary

Exploring Ephesians & Philippians

Ryan Bishop

Examines the tensions between the aims of military technology and modernist aesthetics in relation to perception.A basic aim of visual technologies is to collapse perception with the perceived object. Modernist aesthetics shows that an irreducible element of time and space always remains. Military technology tends towards the impossible goal of eliminating this dimension; modernist aesthetics exploits it. Placing military operations alongside modernist aesthetics reveals the civic sphere suspended between two incompatible desires.Reading the art and writing of Djuna Barnes, Joseph Conrad, Marcel Duchamp, James Joyce, Mina Loy, Stephane Mallarme, the Italian Futurists and H. G. Wells against Apache attack helicopters, Network-Centric Warfare, satellites, decoys, sirens and radios, this book addresses issues such as targeting, surveillance, visibility and the invisible, broadcast and media, the military body, diasporas, geopolitics and beauty.Key Features• An important contribution to the increasingly important interdisciplinary field of war studies• Original and 'groundbreaking' readings of modernist art, literature, music, poetics and aesthetics• A valuable and provocative new reading of the avant-garde• Contributes to a new understanding of both military technics and modernist aesthetics

Technicities of Perception

Modernist Avant-Garde Aesthetics and Contemporary Military Technology

Discussing the 'real' Marquis de Sade from his mythical and demonic reputation, John Phillips examines Sade's life and work his libertine novels, his championing of atheism, and his uniqueness in bringing the body and sex back into philosophy.

The Marquis de Sade: A Very Short Introduction

Or, A Description of the Strata and Organic Remains. Part I. The Yorkshire Coast

Illustrations of the Geology of Yorkshire

Study of modern French literary pornography and erotica in the twentieth century, challenging current politically correct trends in literary criticism and conventional discourses.

Pornography and Censorship in Twentieth-Century French Literature

Forbidden Fictions

Adam and Charles Black (Firm)

Including an Essay on the Geology of the District

Black's Picturesque Guide to the English Lakes

With Essays on the Climate, Scenery, and Ancient Inhabitants of the County

The Rivers, Mountains, and Sea-coast of Yorkshire

Exploring 2 Corinthians

Theoretical and Practical

Manual of Geology

Examines the life and accomplishment of Leonardo da Vinci.

The Genius who Defined the Renaissance

Leonardo Da Vinci

The Play of Patient Grissell

Practical and Theoretical

Linda Scott

Alan Place

Gwenna D'Young

Chris Clarke

Paula Shene

Carolyn Tody

Lenora Rodgers

This is The Plain Text Edition This year's Spring/ Summer Theme is the magical world of Faeries, Pixies and Dragons. A child's imagination can create so many little friends and journeys. The Peacocks have joined with musician John Hunter Phillips in honor and prayer for those children lost to us this past year with a Special Dedication and a link to a download for his musical tribute. The Peacock Writers are a group of authors from around the wold that join together in the spirit of giving by offering their talents in short stories, poems and artwork. The Peacock Writers and all the proceeds of this book, are dedicated to helping children and the charities that feed, comfort and defend them. Please join them in making children's dreams come true.

To Benefit Children's Charities

Faeries, Pixies and Dragons, Oh My!

In a series of oils, watercolours, and prose full of wit and wisdom and rich with historical allusion, John Ransom Phillips portrays the complexity of nineteenth-century photographer, Mathew Brady. The photographs Brady made have long served to illustrate an era in American history, most notably his portraits of Abraham Lincoln and the images from the Civil War battlefields he captured. Pairing these photographs with his own work, Phillips explores the career of this artist who wanted to make history: An ambitious half-blind man with blue-tinted glasses, straw hat and duster who had the genius to look beyond his thriving New York portrait studio to the battles of the Civil War and was one of the first photographers to shoot in the open air. Paradoxically, Brady sent assistants to photograph his most famous scenes, the battlefields at Gettysburg, Vicksburg, and Antietam, instructing them to re-arrange the dead to create images that would enhance public notions about death and dying. AUTHOR: John Ransom Phillips is an artist and author whose work has been exhibited internationally at the Kennedy Center for the Performing Arts, Washington, D.C., and the David and Alfred Smart Museum of Art in Chicago; Museo de Arte Moderne in Buenos Aires; the Fundacao de Arte e Cultural de Ubatuba in Sao Paolo, and Zamalek Gallery, Cairo. He holds a PhD from the University of Chicago and has been a faculty member of the University of California at Berkeley and the University of Chicago. Alan Trachtenberg is The Neil Gray, Jr. Professor Emeritus of English and American Studies at Yale University, and the author of 'Reading American Photographs: Images as History, Mathew Brady to Walker Evans'(1989). 266 colour & 17 b/w illustrations

Ransoming Mathew Brady

Wei-Wei Yeo

This book addresses issues of space, historicity, architecture and textuality by focusing on Singapore's singular position in the region and as a global city. The articles consider how various experiences of Singapore, both from within and from outside, help to complicate existing assumptions about global urbanism, postcolonialism, and architectural theory while producing challenging new ideas from a variety of disciplines concerned with how space, historicity, architecture and textuality inform one another.

Singapore Space Historicity

Beyond Description

Including the Geology of the District

A Memoir in Words and Pictures

It Happened in Our Lifetime

"John Phillips writes with enthusiasm and clarity, . . . cutting through the confusion and heretical dangers associated with Bible interpretation." --Moody Magazine

Exploring Acts

John Phillips

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