John Sperry

Stuck between revenge for Benjamin's death and accomplishing her destiny of destroying all evil on Earth, Lucy must make a choice. Her target is Sean, an ancient betrayer of the Immortal Light and the person responsible for taking Benjamin's body, but when Benjamin's light suddenly calls out to her, her mission changes. The adventure of the Immortal Light concludes in this high-action third installment of the series. Is Benjamin alive, or is it a shadow of him within Lucy? Will Lucy make it to Peru, the ancient land of Zharem, the lost city of gold, or will she encounter too much adversity and fall short, depending on her friends to make up the difference? Walk with Lucy through the fire. It will be the last journey against evil she will ever make.

Through the Fire

Immortal Light

Sarah K. Stephens

Jack Lothian

M.P. Diederich

Daniel Gooding

Charlotte Byrne

Christopher Calix

Andrew L. Huerta

Oliver Ledesma

Dwayne Martine

Samantha Pilecki

P.J. Schaefer

Ken Teutsch

Michael J.P. Whitmer

Emerging as the dark side of Romanticism, horror is one of literature’s oldest genres. Its history is so diverse it’s sometimes difficult to define. Are moody stories about ghosts and vampires related to gory tales of beasts and zombies? And what about the more realistic terrors of murderous rogues and diabolical doctors? The emotion of fear unifies the 14 stories in First Came Fear: New Tales of Horror. But fear is legion in its varieties. The authors skillfully navigate terror of all types. M.P. Diederich’s “Dressage for Beginners” and Christopher Calix’s “The Wedding Gift” are fine examples of the ghoulish humor tradition while J.P. Whitmer’s “Loved to Death” will frighten you in a stunningly visceral way. Oliver Ledesma’s “Atabey” and Samantha Pilecki’s “Roser and the Guide to the Inexplicable” impart fear through non-traditional storytelling and Sarah K. Stephens’ “The Factory” shows how effectively, and chillingly, horror can tackle social issues. All the stories are accompanied by Luke Spooner’s dramatic art, which combines Gothic macabre with echoes of classic horror illustration. The entire collection will have you gripping the edge of your seat or biting your fingernails, yet leave you longing for more!

New Tales of Horror

First Came Fear

John Sperry

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